“Fragments from a Gaza Nightmare”—fiction from Sama Hassan
A Gaza-based writer captures the intense and harrowing experiences of individuals enduring the brutal realities of genocide.
A Gaza-based writer captures the intense and harrowing experiences of individuals enduring the brutal realities of genocide.
Film and photography festivals, concerts, art, standup comedy, lectures...TMR World Picks run the gamut and are selected by our editors.
Art, activism, archaeology, and archiving are crucial for rebuilding and healing cities by combining the past and present.
When a mother loses her child she can become inconsolable, living a desolate life, as she works for his return.
The essence of Palestinian resilience, survival, and resistance is rooted in dispossession, as noted by Dana El Saleh.
In this excerpt from Badar Salem's "Deserted as a Crowded Room," Majdal falls in love with a West Bank resistance fighter who winds up in solitary confinement.
A young poet and graduate of a Gaza university that is in ruins, Sahar Rabah looks forward to the MFA Program in Creative Writing at Rutgers.
To celebrate the forthcoming publication of Selim Temo's "Nightlands," we present an introductory essay and two poems from the Pinsapo Press edition.
Kurdish poetry abounds but rarely appears in English. Jordan Elgrably reviews a bilingual English-Kurdish edition of Selim Temo's "Nightlands."
The Markaz Review presents a rare piece of prose in English translation from Kurdish writer Shalaw Habiba, translated by Savan Abdulrahman.
Cory Oldweiler reviews the debut story collection by Farhad Pirbal, one of Kurdistan's iconic writers, now out from Deep Vellum.
Alex Tan reviews a sci-fi anthology set in Egypt where all the writers aim to uplift the country from its post-revolutionary gloom.
Sophie Kazan reviews a new book on the late Nabil Kanso, the Lebanese pacifist artist whose work depicted the horrors of war.
Film and photography festivals, concerts, art, standup comedy, lectures...TMR World Picks run the gamut and are selected by our editors.
Amy Omar speaks to Ayşegül Savaş about her third novel, cinema and capturing the transitory phases of life.