The End of Innocence in Panah Panahi’s Hit the Road?
Bavand Karim finds that's Panah Panahi's feature is a prodigal debut from Iranian cinema’s latest auteur and son of Jafar Panahi.
Bavand Karim finds that's Panah Panahi's feature is a prodigal debut from Iranian cinema’s latest auteur and son of Jafar Panahi.
Rana Asfour has selected four contemporary novels of Iranian literature for this special issue on Iran in TMR Weekly.
Music writer Melissa Chemam interviews Rasha Nahas on her new Arabic-language album, "Amrat."
Adil Bouhelal reviews the new novel from the author of "Le Nez Juif" with its exploration of Lebanon from 1975 forward.
Arie Amaya-Akkermans reflects on Lamia Joreige's "Uncertain Times," which represents the Lebanese wars and their aftermath.
In which Sarah Ben Hamadi meets a key figure of Tunisia’s cultural underground.
Malu Halasa surveys the legacy of Al Saqi while also lamenting the end of Banipal Magazine and the retirement of the British Museum's Venetia Porter.
Laëtitia Soula reviews the acidic new comedy from Baya Kasmi, which plays on the Rothian theme of intimate family confessions.
Jenine Abboushi in her latest travel essay, returns to Morocco for a long-overdue visit.
A Black and Amazigh Indigenous scholar from Morocco, Brahim El Guabli sees Amazigh identity as embracing "unity based on diversity."
Filmmaker and critic Karim Goury remembers 10 films of 2022 from around the world.
Malu Halasa reviews 12 of 40 Palestinian, Arab and international artists showing in the third annual Ramallah Art Fair.
Saliha Haddad reviews the new translation of a major collection of short stories by the Egyptian author.
Pierre Daum, a correspondent for Le Monde Diplomatique, goes in search of Algerian artists in Algiers.
Laëtitia Soula caught the opening of Djamel Tatah's extravagant show at the Musée Fabre in Montpellier, where she spoke with the artist.