Our Shared Future: Marwa Arsanios’ “Reverse Shot”
Mariam Elnozahy reviews the new exhibit at London's Mosaic Rooms that looks at ecology and politics in Lebanon.
Mariam Elnozahy reviews the new exhibit at London's Mosaic Rooms that looks at ecology and politics in Lebanon.
Justin Olivier Salhani reviews a new anthology on football and the Middle East just as the World Cup kicks off in Qatar.
In her monthly music column, Melissa Chemam talks to Sabrine Jenhani, half of the indie Tunisian duo Ÿuma.
We saw Dina Amer's debut feature film based on the life of Hasna Ait Boulahcen, yet another victim of Wahhabi/Salafi extremism.
Human rights activist Stephen Rohde argues that even in the most heinous of cases, life with the possibility of parole should be on the table.
The Markaz Review joins 15 Nobel Prize for Literature laureates and millions around the world in calling for Alaa Abd El-Fattah's immediate release.
Mireille Rebeiz takes issue with the dismal portrayal of Arabs and other Middle Easterners in a Hollywood superhero movie.
As a Muslim American and scholar of Islam, Sarah Eltantawi finds the new series from Mo Amer and Ramy Youssef cathartic.
Rana Asfour talks to an Emirati about her ideas and development as an artist.
In this, the second of a three-part travel series on Israel/Palestine, Jenine Abboushi continues her dystopic journey.
With illegal immigration from Tunisia, Algeria, Morocco and Libya at an all-time high, desperate North Africans risk death on the Mediterranean.
Shreya Parikh joins an authentic ritual for the birth of the Prophet in her Tunis medina.