Marrakesh Artist Mo Baala Returns to Galerie 127 with Collage
El Habib Louai talks to artist Mo Baala about his latest exhibition of collages and overpaintings at Marrakesh's Galery 127.
El Habib Louai talks to artist Mo Baala about his latest exhibition of collages and overpaintings at Marrakesh's Galery 127.
Filmmaker and historian Viola Shafik muses on German art, colonialism and restitution in Berlin.
Berlin-based Jordanian artist and curator Ala Younis interviews Iraqi artist Ali Yass on his new work.
Nada Ghosn revels in the artistry of Palestinian, Iranian, Lebanese, Afghan and other playwrights and performers in Avignon this year.
Pierre Daum opines that despite a French museum's best effort, an exhibit on Algeria and France can't escape its colonial bias.
Should we be happy we're finite? Lisa Teasley weaves a tale merging art, transhumanists and artificial intelligence.
Hannah Fox reviews the Birmingham memoir by fashion artist Osman Yousefzada.
Hadani Ditmars, fresh from a return trip to Iraq, surveys the burgeoning plastic arts scene.
For our 21st monthly issue, TMR features the work of an artist who is continually working out what it means to be a Palestinian citizen of Israel.
Melissa Chemam interviews the London-based Franco-Algerian artist whose pavilion won Special Jury Mention in Venice.
Philosophy professor David Capps discusses our perception of Israeli sculptress Ronit Baranga's controversial art.
Melissa Chemam is swept away by an Iraqi American artist's latest exhibit at Mosaic Rooms in London.
Artist Reem Mouasher shares her recent series of paintings, inspired by the era of hand-written love letters, borrowing words of great Arab poets; Gibran, Qabbani, Al-Mutanabbi and Mahmoud Darwish.
Syrian artist and writer Khalil Younes recalls the strained sexuality of Martyrs Square in Damascus.
Writer-translator Nada Ghosn talks to the illustrator of a new graphic novel recounting one of Tunisia's earliest uprisings, in 1984, presaging the Jasmine Revolution.