Burning Forests, Burning Nations

Lytton, British Columbia burned to the ground during the wildfires of 2021, with the hottest temperatures ever recorded in Canada for days on end this week was engulfed in flames Wednesday night and residents were forced to flee, many without their belongings.

15 NOVEMBER 2021 • By Hadani Ditmars
Lytton, British Columbia burned to the ground during the wildfires of 2021, with the hottest temperatures ever recorded in Canada (photo Canadian Press/Darrel Dyck).

 

Hadani Ditmars

 

It is hot, like most mornings this month, as I awaken to the smell of burning forests.

I look out my window at the freighters in the harbor, and head to the sea to escape the heat and acrid air. On the rocky Pacific beach where I’ve swum since childhood, I meet an old man, ocean bathing with his friends. His face looks kind and somehow familiar as he smiles at me.

“Hello,” he says and I return the greeting. We introduce ourselves. His name is Yusuf, and he is from Istanbul. He comes here daily, he says, just like he used to swim “at home in the Bosporus.” He came here in the ‘60s, he tells me, to work in the cherry orchards of the Okanagan, in the arid interior of my province with rolling ochre hills, currently plagued by wildfires, that looks just like parts of Turkey and Syria. He stayed, and never went back. Now he is one of over 100,000 Turks living in Canada, and almost 10,000 in British Columbia, with most living near Vancouver, where Turkish Airlines has just started direct flights to Istanbul. Now both of our nations are burning, with forest fires devouring land, homes, and memories.

“Your face,” he smiles, gesturing with his wizened hands at the cheekbones and olive skin I inherited from my Syrian Christian ancestors who fled Ottoman rule in what is now Lebanon for safer shores, settling in Canada in 1906. “Where are you from?”

He asks in a friendly way, as if we could be kin, not in the way pale strangers ask me at bus stops on cold winter mornings, unsmiling, or the way border guards question me almost everywhere. He asks because even though, according to the DNA police at 23 and Me, I am only “30% Levantine” and “40% Anglo-Irish,” it’s the Middle Eastern genes that have triumphed. Although, I muse as I sink into the bracing Pacific salt water, perhaps it’s those other ancestors that make me have a low tolerance for heat and the ability to swim in cold water for hours.

So, I tell him the story, there in the sea. The one about the ancestors making their way from their village of Qaraoun, with rolling ochre hills and cherry orchards and Ottoman police, to Port Said in Egypt; the one about the women and children being on the freighter to America already, and the young men rowing out under the cover of darkness, and only one of them making it to the top of the rope ladder, before the Turkish gunboat came by. I tell the tale of the shipping strike in Marseilles and the three months they were stranded there, taking time for a pilgrimage to Lourdes before heading out to sea again and landing on Ellis Island, where their Turkish passport was stamped “Asiatic.” A few years later, as relations soured between the British and Ottoman empires, anti-Asian exclusion laws would have prevented them from entering North America.

The author’s great grandparents, the Mussalem family, in Winnipeg, Canada, 1906 (courtesy Hadani Ditmars).

I show Yusuf on my phone the family photo from 1906 in Winnipeg, where my great grandparents, young newlyweds,  hold hands, and their first-born son George, wears a toddler’s fez and holds a toy gun. I recount how they eventually arrived in a Northwest Coast Canadian fishing village called Prince Rupert. I tell Yusuf about the store they opened and their kindness to the First Nations people, at a time when apartheid-like conditions reigned, with “whites only” signs hanging outside of shops and movie theatres, and how they were adopted by a Haida Indian chief.

I tell him all this quickly, easily, the story spilling out as Yusuf and his friends listen intently, exchanging glances and words in their native language, before Yusuf says, “Nice story. You have Turkish face.” His friends all agree. I remember an old boyfriend, now lost in some other sea, some other life, who once visited Istanbul with another woman, but brought me back gifts: a copper bowl and a white linen cloth from a hammam that I still treasure. He couldn’t help it, he said. “Your face was everywhere.”

I return from my revery to these home shores as Yusuf tells me to be “safe out there in the sea,” from whatever hidden dangers might lurk beneath its gleaming green surface.

I bid Yusuf goodbye, and put my phone in a special sealed container, rolled up into my “swim buddy,” the inflatable buoy attached to my waist meant to shield me from aquatic harm, and dive in.

As I swim a few hundred meters from freighters in the Pacific harbor town of my birth, I think of that night in Port Said and how a few seconds timing can mean the difference between drowning or surfacing; on how the whims of border guards can dictate being allowed entry or turned back to sea; on how a few minutes and a strong wind can blow your whole life off course or engulf your village in flames.

I remember the TV newscast from last night, with images of a man in a Turkish village weeping for his lost land and animals, while he clutched a baby goat he found wandering in the ashes, named “Miracle.” They fuse with other images of Canadian farmers fleeing prairies, whole towns in British Columbia destroyed in a single day, stories of evacuations by sea for tourists in Oren and another boatload of migrants drowned in the Mediterranean Sea. How quickly home can become a dangerous place one must flee.

I raise my arm for another stroke, dipping down into the cold Pacific waters, gasping slightly for oxygen in the smoky air, and remember the ancestral journey. There were fires then too, of a different kind. Empires crumbling, wars looming, smoke, and murder in the air. And still today, families are fleeing that heated place. I write this, a year after the terrible explosion in the port of Beirut killed hundreds and wounded thousands, exacerbating the ongoing economic and political crises in my grandparents’ homeland. Now there is another conflict at the Israeli border and IDF planes are carrying out airstrikes in Southern Lebanon, not far from my ancestral village and the Litani River.

A hundred Israeli strikes have triggered multiple brush fires in tinder-dry conditions.


I think of my great-grandfather’s passport, labelled “Asiatic” upon arrival. I wonder what became of it, that old worn travel document with an Ottoman stamp. By chance, just at the same time as I began to write for TRT, exchanging midnight emails with editors in another time zone, ten hours ahead of Pacific time, I met a neighbor across the street who was also from Istanbul. Trapped together in yet another Covid lockdown, we met outside his garden while I was hill-walking — a good neighborhood pandemic gym substitute. “If you find that document,” he told me, after I’d recounted my ancestral story, “you can apply for Turkish citizenship.”

I briefly fantasized about retiring to a beach house in southern Turkey, in a place that is now engulfed in flames. My neighbor and I still chat every week, but now, as Anatolian orchards burn, the pavement outside his house is full of squashed cherries from his tree. He had to let most of them go to waste, he says, because the cost of getting someone to come and pick them is too high. “In Turkey,” he sighs longingly, “ it could be arranged easily in an afternoon.”

I turn and swim back to shore with images of burning trees in my head, and a strange craving for cherries.

Miraculously, I meet a group of young Turkish friends, having a picnic on the grassy banks. I emerge from the water like a strange sea creature, but they say hello and take me in, inviting me to feast on kebabs and salads that remind me of my grandmother’s kitchen. There is a huge bowl of cherries too, and I remember the crushed cherry pits needed for my grandmother’s recipes that I searched for in vain in new world supermarkets.  The annual Vancouver Turkish Festival has been cancelled again due to the pandemic, but this seems like a good substitute. Amazingly, we learn that we have been neighbors for years.

I think of my great-grandparents who left their village and never returned, deciding perhaps in a few minutes, that it was too dangerous to stay. I think of everyone who has lost their land, had their village bombed or burned down, escaped to sea. There is still smoke in the air, and the fires still rage. But for now, this food, this ancestral feast, tastes like home.

 

Hadani Ditmars

Hadani Ditmars Hadani Ditmars has been reporting from the Middle East on culture, society, and politics since the '90s. She is the author of Dancing in the No-Fly Zone: A Woman’s Journey Through Iraq and a former editor at New Internationalist. Her... Read more

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5 FEBRUARY 2023 • By Susan Schulman
Dispossessed by Climate—Iraqi Refugees in Their Own Country
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Art & Photography

Our Shared Future: Marwa Arsanios’ “Reverse Shot”

28 NOVEMBER 2022 • By Mariam Elnozahy
Our Shared Future: Marwa Arsanios’ “Reverse Shot”
Film

You Resemble Me Deconstructs a Muslim Life That Ends Radically

21 NOVEMBER 2022 • By Jordan Elgrably
<em>You Resemble Me</em> Deconstructs a Muslim Life That Ends Radically
Poetry

Two Poems from Quebec’s Nicole Brossard

15 NOVEMBER 2022 • By TMR, Sholeh Wolpé
Two Poems from Quebec’s Nicole Brossard
Art

Abu Dhabi Shows Noura Ali-Ramahi’s “Allow Me Not to Explain”

7 NOVEMBER 2022 • By Rana Asfour
Abu Dhabi Shows Noura Ali-Ramahi’s “Allow Me Not to Explain”
Columns

For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches

24 OCTOBER 2022 • By Melissa Chemam
For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches
Fiction

“Ride On, Shooting Star”—fiction from May Haddad

15 OCTOBER 2022 • By May Haddad
“Ride On, Shooting Star”—fiction from May Haddad
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

A London Murder Mystery Leads to Jihadis and Syria

3 OCTOBER 2022 • By Ghazi Gheblawi
A London Murder Mystery Leads to Jihadis and Syria
Art & Photography

Kader Attia, Berlin Biennale’s Curator

15 SEPTEMBER 2022 • By Melissa Chemam
Kader Attia, Berlin Biennale’s Curator
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Art & Photography

16 Formidable Lebanese Photographers in an Abbey

5 SEPTEMBER 2022 • By Nada Ghosn
16 Formidable Lebanese Photographers in an Abbey
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

Why I left Lebanon and Became a Transitional Citizen

27 JUNE 2022 • By Myriam Dalal
Why I left Lebanon and Became a Transitional Citizen
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Featured excerpt

Joumana Haddad: “Victim #232”

15 JUNE 2022 • By Joumana Haddad, Rana Asfour
Joumana Haddad: “Victim #232”
Fiction

Nektaria Anastasiadou: “Gold in Taksim Square”

15 JUNE 2022 • By Nektaria Anastasiadou
Nektaria Anastasiadou: “Gold in Taksim Square”
Film Reviews

2022 Webby Honoree Documents Queer Turkish Icon

23 MAY 2022 • By Ilker Hepkaner
2022 Webby Honoree Documents Queer Turkish Icon
Film Reviews

Film Review: “How to Kill a Cloud” Brings Rain to the UAE

16 MAY 2022 • By Farah Abdessamad
Film Review: “How to Kill a Cloud” Brings Rain to the UAE
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Book Reviews

Mohamed Metwalli’s “A Song by the Aegean Sea” Reviewed

28 MARCH 2022 • By Sherine Elbanhawy
Mohamed Metwalli’s “A Song by the Aegean Sea” Reviewed
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Essays

“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”

15 MARCH 2022 • By Abbas Baydoun, Lily Sadowsky
“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Art & Photography

On “True Love Leaves No Traces”

15 MARCH 2022 • By Arie Amaya-Akkermans
On “True Love Leaves No Traces”
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Centerpiece

Climate Disasters Hasten the Advent of a World Refugee Crisis

15 NOVEMBER 2021 • By Omar El Akkad
Climate Disasters Hasten the Advent of a World Refugee Crisis
Columns

FIRE: An Abbreviated Reading List

15 NOVEMBER 2021 • By TMR
FIRE: An Abbreviated Reading List
Latest Reviews

Poem: An Allegory for Our Times

15 NOVEMBER 2021 • By Jenny Pollak
Poem: An Allegory for Our Times
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Essays

Reconsidering Thoreau in a Burning World

15 NOVEMBER 2021 • By Megan Marshall
Reconsidering Thoreau in a Burning World
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Columns

Day of the Imprisoned Writer — November 15, 2021

8 NOVEMBER 2021 • By TMR
Day of the Imprisoned Writer — November 15, 2021
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Columns

Kurdish Poet and Writer Meral Şimşek Merits Her Freedom

4 OCTOBER 2021 • By Jordan Elgrably
Kurdish Poet and Writer Meral Şimşek Merits Her Freedom
Art & Photography

Displaced: From Beirut to Los Angeles to Beirut

15 SEPTEMBER 2021 • By Ara Oshagan
Displaced: From Beirut to Los Angeles to Beirut
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Latest Reviews

The Limits of Empathy in Rabih Alameddine’s Refugee Saga

15 SEPTEMBER 2021 • By Dima Alzayat
The Limits of Empathy in Rabih Alameddine’s Refugee Saga
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Latest Reviews

An Anthropologist Tells of 1970s Upheaval in “Turkish Kaleidoscope”

15 AUGUST 2021 • By Jenny White
An Anthropologist Tells of 1970s Upheaval in “Turkish Kaleidoscope”
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Columns

Remember 18:07 and Light a Flame for Beirut

4 AUGUST 2021 • By Jordan Elgrably
Remember 18:07 and Light a Flame for Beirut
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Weekly

World Picks: July 2021

3 JULY 2021 • By TMR
World Picks: July 2021
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Fiction

A Home Across the Azure Sea

14 MAY 2021 • By Aida Y. Haddad
A Home Across the Azure Sea
Essays

Reviving Hammam Al Jadeed

14 MAY 2021 • By Tom Young
Reviving Hammam Al Jadeed
Art

The Labyrinth of Memory

14 MAY 2021 • By Ziad Suidan
The Labyrinth of Memory
Essays

We Are All at the Border Now

14 MAY 2021 • By Todd Miller
We Are All at the Border Now
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Poetry

The Freedom You Want

14 MARCH 2021 • By Mohja Kahf
The Freedom You Want
Interviews

The Hidden World of Istanbul’s Rums

21 FEBRUARY 2021 • By Rana Haddad
The Hidden World of Istanbul’s Rums
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
TMR 5 • Water

Watch Water Films & Donate to Water Organizations

16 JANUARY 2021 • By TMR
Watch Water Films & Donate to Water Organizations
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
Columns

Remember 2020 Not for Covid-19 or Trump Chaos, But Climate Change

10 JANUARY 2021 • By Iason Athanasiadis
Remember 2020 Not for Covid-19 or Trump Chaos, But Climate Change
Weekly

Academics, Signatories, and Putschists

20 DECEMBER 2020 • By Selim Temo
Academics, Signatories, and Putschists
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Weekly

Breathing in a Plague

27 NOVEMBER 2020 • By TMR
Breathing in a Plague
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
Beirut

Beirut In Pieces

15 SEPTEMBER 2020 • By Jenine Abboushi
Beirut In Pieces
Book Reviews

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>

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