Ravaged by Fire
CENTERPIECE

Ravaged by Fire

Francisco Letelier, "Fire and Earth," digital collage, 2025 (courtesy of the artist).

7 FEBRUARY 2025 • By Francisco Letelier
In January, the fires of southern California, wild and manmade, ravaged the southland as never before, creating thousands of new homeless refugees and billions in property damage. Many of our friends — musicians, writers, artists, filmmakers et alia — lost their homes. Our contributing editor Francisco Letelier has been here before, and connects the devastation of climate change with the decimation of Gaza, and other disasters over time.

 

Francisco Letelier

 

In January 1959, I was in my mother’s womb when an earthquake struck the central coast of Chile, causing widespread mudslides and fires propelled by hot eastern puelche winds coming off the Andes (puelche means east in Mapudungun, the language of the Mapuche, the largest indigenous group in Chile). In May of 1960, another, stronger earthquake struck. Measured at 9.5, it was the most powerful earthquake ever recorded, causing a tsunami that devastated the coast of Chile and unleashed damage across the Pacific to Hawaii, Japan and the Philippines.

The 1960 Valdivia earthquake (Spanish: Terremoto de Valdivia) or Great Chilean earthquake (Gran terremoto de Chile) of 22 May is the most powerful earthquake ever recorded. Various studies have placed it at 9.4–9.6 on the moment magnitude scale. It occurred in the afternoon (19:11 GMT, 15:11 local time), and lasted approximately 10 minutes. The resulting tsunami affected southern Chile, Hawaii, Japan, the Philippines, eastern New Zealand, southeast Australia and the Aleutian Islands. The main tsunami crossed the Pacific Ocean at a speed of several hundred kilometers per hour and devastated Hilo, Hawaii, killing 61 people. Waves as high as 10.7 meters (35 ft) were recorded 10,000 kilometers (6,200 mi) from the epicenter, and as far away as Japan and the Philippines.
The May 22, 1960 Valdivia earthquake or Great Chilean earthquake is the most powerful earthquake ever recorded. It occurred in the afternoon and lasted approximately 10 minutes. The resulting tsunami affected southern Chile, Hawaii, Japan, the Philippines, eastern New Zealand, southeast Australia and the Aleutian Islands.

My grandfather, Alfredo Morel, died before I was born, and my mother told me about the great sadness that accompanied us during my gestation. I was born between the shaking that presaged her father’s untimely death and the “big one” that predicted our departure from Chile. My father lost his government job when the conservative regime of Arturo Alessandri culled opponents from its ranks and we left in search of a new life in the United States. I was less than a year old as we entered New York Harbor on the Santa Rosa cruise liner and made our way past the Statue of Liberty.


When the Santa Ana winds begin in Southern California over the fall, I feel their particular power. The continuing destruction, death and bombing in Gaza and the subsequent election of Donald Trump has pushed me into a silence of deep grief and anger that finds me retreating to the shelter of the surrounding mountains.

Early in December 2024, I come down with the flu. A few days later, I think I’ve recovered enough to take a hike up Santa Inez Canyon in the Santa Monica Mountains, above Pacific Palisades, a neighborhood of Los Angeles, but I soon turn back, feeling feverish on the way home.

The legendary Santa Ana winds are sometimes called “devil winds.” Dry and desiccating, the winds affect behavior and mood. Besides dust and embers, the wildfire-instigating winds also carry spores and fungus that can lead to valley fever, an illness that presents in a host of flu-like symptoms, including rashes and pneumonia. 

During the holidays, as I try to sooth my lungs, I think of Bethlehem, refugees and fire; it’s a less than joyful holiday. As the Santa Ana winds blow, they bring an unquenchable bout of cold coastal fog, even as the hot winds heat and dry the neighboring hills and mountains. I develop bronchitis and soon I am diagnosed with pneumonia.

Slowly recovering from my illness, I am on the beach at 10:30 am on January 7, 2025. It’s low tide in Venice, California, and the winds are picking up, when towards the northeast, I notice a plume of smoke in the mountains. In only ten minutes the column grows larger. At that distance, a few miles away, the flames seem to be almost a hundred feet high. I can’t pinpoint the location, but calculate it’s a place I know well. I make a short video with my phone, guessing the fire will be historic. The fire predictably grows with the increasing winds, covering the horizon with billows of smoke

The Santa Monica Mountains National Recreation Area covers 153,075 acres, and is the world’s largest urban national park. I have a forty-year long relationship with its trails, chaparral and forests. I go there often, including yearly trips with my sons to an isolated place where we renew our relationship to the earth and one other.

Los Angeles has communities from all over the world. The original inhabitants, Kizh (Tongva), Chumash and Tataviam, lived in this place for centuries and are still here. The city of Nuestra Señora de La Reina de Los Angeles was founded by a small group of 22 people in 1781: two were black, two were from Spain, four were indigenous from Mexico and the rest were multiracial combinations. The people living in the city today look much like the founders and original inhabitants, and the vast majority of us understand the notion of refuge. Los Angeles, Santa Monica and other places in California are sanctuary cities in a sanctuary state, limiting cooperation with federal immigration authorities and prohibiting city resources from being used for immigration enforcement. Soon many of us will be seeking some type of refuge.

The Palisades Fire is not the only fire that is ignited on that day. The Eaton Fire ravaged the city of Altadena at the foot of the San Gabriel Mountains, a place recognized for its cultural diversity, with a long-established Black community where many artists live. The Altadena library, through efforts of community members and firefighters, is still standing.


Book cover for Safe Arms/Brazos Seguros by Peter Harris, trans. Francisco Letelier
Book cover for Safe Arms/Brazos Seguros by Peter Harris, trans. Francisco Letelier.

The last time I saw my friend, Black writer Peter Harris, was at the Altadena library. A National Book Award winner, Peter was one of the poet laureates of the city when he died last fall. I translated into Spanish and illustrated one of his last books, Safe Arms, Twenty Love and Erotic Poems, inspired by Pablo Neruda’s, Twenty Love Poems and Song of Despair. Neruda, the Chilean Nobel Prize-winning revolutionary poet was poisoned by the military rulers of Chile in the months after the 1973 coup that led to my family’s second exile. There is never a guarantee of the future, but while alive, Neruda crafted a vision of the Americas driven by geography and acknowledgement of our indigenous roots while honoring the many cultures that populate the Americas. Neruda was inspired by our mixed ancestry and certainly celebrated the population of Palestinians in Chile who are part of our inherited national identity. The 500,000 people of Palestinian descent make it the largest population of Palestinians outside the Arab world. Both Neruda and Peter Harris knew that the identity of the American continents is an ever simmering battle with lines of skirmish that move like storms from Danish Greenland (yes, it’s a part of North America) through Canada, and south through a diversity of cultures, geographies and histories.


A 6.3 magnitude earthquake shattered Managua, Nicaragua, on December 23, 1972, killing 10,000 people and leaving 300,000 homeless.
A 6.3 magnitude earthquake shattered Managua, Nicaragua, on December 23, 1972, killing 10,000 people and leaving 300,000 homeless (courtesy UB Central).

As we land in Managua, Nicaragua, we see miles of rubble and smoldering fires. The 1972 earthquake destroyed the city in 30 seconds and cracks run the length of the runway. I am 12 years old, flying from Santiago to Washington DC after a winter visit in Chile. The Chilean air force plane, sent by the socialist government of Salvador Allende, is loaded with relief supplies for the people of the destroyed city. Homes, mostly built from Taquezal, a construction system in which a cane frame is filled with stones, mud, and grass, have all collapsed. 10,000 people have been found in the rubble but the death count is higher and the smell of death lingers in ruins and the airport tarmac.

At this time, Anastasio Somoza is the man in charge of the country, part of a family dictatorship and dynasty founded by his father that has lasted almost 40 years. International aid pours in after the earthquake; even the Chilean government that opposes Somoza does not hold back in helping the people of Nicaragua; there are no conditions. Later the world learns that Somoza as head of the National Guard and of the National Emergency Committee has allocated the funds and supplies to himself, his friends and family and virtually nothing to the victims of the quake.

After unloading, the plane makes two terrifying aborted attempts to take off. We have taken on new passengers and baggage, making us too heavy to gain the speed needed to lift off and clear the surrounding hills. Ironically, the new passengers are soldiers, freshly trained at the Panama Canal Zone by US advisors. In another 18 months, under orders from their military leader, Augusto Pinochet, they will kill, imprison and subjugate the government and supporters of Salvador Allende. On the third attempt on the crumbling and shortened runway, the plane barely makes it over the squat flight tower.

The discontent over a promised rebuilding that never takes place is only one of the reasons why the Sandinistas National Liberation Front gains the support to launch military initiatives against the National Guard, liberating the country in 1979. 35,000-50,000 persons die in the Nicaraguan revolutionary war.

Concerning US support for the 43-year Somoza dictatorship, in 1939, President Franklin Delano Roosevelt said of the first Somoza: “He may be a son of a bitch, but he is our son of a bitch.”

I return twice to Nicaragua, painting murals with fellow Chileans as part of the Sandinista National Literacy campaign and later with a Chicano delegation of muralists from Los Angeles. On my last tour of Managua during the covert Contra War funded by the United States, I catch dengue, a disease carried by mosquitoes. Dengue’s common name may come from the remnants of “evil-spirit sickness” in Swahili, ka-dinga pepo. But in Nicaragua, dengue fever goes by Quebranta huesos — “break-bone fever.” I almost die.

Dengue was not endemic to Nicaragua prior to the clandestine war and many suspect it was introduced as a form of warfare. 17,400 cases of dengue are reported in Nicaragua in 1985. Afterwards it spreads throughout Central America and other countries, including the United States. 

Those who witness the US wars in Central America return to Los Angeles and other places like a fugitive wind, determined to kindle bridges of understanding. What we witness and how we respond might determine the future, but the effects of war follow us relentlessly there. 


Seasonal fires spurred by the annual Santa Ana Winds in Southern California race down canyons and into places people make their homes. It’s nothing new, but with changing climate and drought conditions, fires have become more severe and destructive. It is sensible to bemoan the loss of an agricultural zone that once stood between urban development on the coast and the mountain born winds. Until the 1950s, LA County was the top agricultural county in the United States; everything was grown nearby. The zone is now gone, with housing developments stretching in every direction. Los Angeles has relied on water from other places for more than a century. The California Aqueduct transports water over 400 miles from the Eastern Sierras, and from the Colorado River through the Colorado River Aqueduct. Only a third of the water is groundwater pulled from beneath the surface. Over time, all sources are rending less.

I often use materials gathered in nature in my work as an artist. My relationship to the earth helps me endure this city, this country, this planet, this time. Today, smoke drifts from the mountains, and at night the glow of embers accompanies the ash. The images of ruined buildings on the news could be from anywhere; the fires have destroyed an area the size of Paris.

92 percent 436,000 of housing units in Gaza are destroyed or damaged, in addition to 80 percent of commercial facilities. [Mahmoud Isleem Anadolu]
92 percent 436,000 of housing units in Gaza are destroyed or damaged, in addition to 80 percent of commercial facilities. [Mahmoud Isleem Anadolu]
It’s hard not to think of the destruction and death in Gaza. There, the hot Khamsin east wind from the Arabian Desert shrivels plants, but it is nothing compared to the fire that now falls from the sky. In the unimaginable ruins, the east wind that blows in winter is as dangerous as the summer wind, bringing a chilling cold to people now living in tents with uncertain supplies of food, water, and heat.

In the past I carried “contraband” into youth prisons throughout Los Angeles County. They were materials that were regulated and proscribed. To my incarcerated and sometimes handcuffed students, I would explain the medicinal benefits of white sage and how it controls insects. Showing them fossils and agates, deer horn and pieces of driftwood, we’d create dream pillows filled with mugwort plant, craft dreamcatchers from willow, and weave cordage from yucca fibers, all materials gathered in the mountains. Many of the young people I worked with had never been in nature, only seen pictures of places just a few miles from their homes.


Francisco Letelier , Tear gas canister in rubble and fallen olives, Bil'in, West Bank, Palestine, 2014 (courtesy Francisco Letelier).
Tear gas canister in rubble and fallen olives, Bil’in, West Bank, Palestine, 2014 (courtesy Francisco Letelier).

In the village of Bil’in on the West Bank of Palestine, travel is restricted; to get even a few miles away imposes a series of checkpoints and barriers most will never pass. In murals we paint the longing of people to travel to Jerusalem. Enclosed by barrier walls, there is no refuge, no place of safety. Thistle and stones, orchards and sky witness embers as old as the Nakba in the open-air prison. When Israeli forces surround us in the olive orchards of Bil’in, there is no place to retreat. Soldiers lob teargas cannisters from many directions.

In Los Angeles, as the fires grow, thousands are displaced, and we listen for mandatory orders and warnings of evacuation. Curfews are established.

The billions of dollars pledged to Israel by the United States have enabled firestorms daily for more than a year in Gaza. Creating infrastructure that responds to increasingly deadly weather patterns caused by climate change and fueled by greed would be a better use of resources.


The footage of the conflagration is terrifying. 100 mile an hour winds carry embers that light fires anywhere they land. We race to help evacuate family and friends. Smoke leaves us red-eyed and sick as we watch the news. The skies are dark. We are in shock; it’s impossible to take it in all at once. Many of us recognize the desperate and determined conviction of a mountain lion and two cubs, recorded on Topanga Canyon Blvd, singed and blackened from smoke, escaping the fires.

Our bits of wild are precious; they tie us both to the earth and to our shared humanity. When I am within the mountains, I am not in Los Angeles or the United States, but in a nation without borders, defined by what actually exists, despite human interventions. Those who love the earth understand that the vast majority of humans are interlopers, no matter our stripes. We do not speak Coyote, know no words in Sycamore, do not understand the language of olive root or desert lichen and have forgotten how to listen to the wind.

Santa Inez Canyon is now immersed in the flames of the Palisades fire. Years ago, I once heard a soft patter along the trail there. I jumped into the dry creek bed and saw a mountain lion.

I am very close to it. With its back towards me it moves like an eastern breeze, its steps creating a muffled rhythm in the fallen leaves. He has no tracking collar and perhaps it means that no wildlife wardens have ever seen him. He is an older male, his coat scratched and scarred. Skinny, with a distended belly, he seems absolutely aware. Deer inhabit the wooded corridors here. When he looks at me for the briefest of moments I can tell he isn’t interested, he’s after other game. Vulnerable, he is a survivor looking for shelter. I stand in the dappled light of oaks and sycamore and he walks out of sight. The only other lion I have seen so closely was in the far Southern Patagonia of Chile. Now, I feel my true home must be somewhere between those cats, between nature and disaster, searching for safety despite smoke and ruins.


Fireman fighting the Palisades Fire courtesy KTLA
Fireman fighting the Palisades Fire (courtesy KTLA).

In Los Angeles, it is said that nothing lasts. Buildings are torn down, demolished and built again. Places that have been rebuilt abound in California. Valparaiso in 1848 is the major port on the Pacific when news of gold in California arrives. Chileans are the first to hear the news, and carpenters, miners, speculators, and prostitutes all head north. During the Gold Rush, Chilean hands that know ships and lumber help rebuild the boomtown of San Francisco. Plagued by wind-driven fires it burns to ashes several times. On the heels of the Mexican American War, groups of nativist, anti-foreigner gangs known as The Hounds, lynch and hunt through communities of Chileans. Today some names echo the forgotten Chilean roots of the state I live in, but that memory has virtually disappeared.


The 1906 San Francisco earthquake and fire lasts four days leaving 80% of the city in cinders. That same year of 1906 the port of Valparaiso, Chile experiences earthquakes that unleash destructive firestorms. Brigades of firefighters are formed, many by colonies from Europe. Italians are decorated for their bravery. Civic groups and volunteers join in an international effort to rebuild.

We have only just returned to Chile, when in 1974 we enter exile the second time, escaping the Pinochet dictatorship on a ship out of Valparaiso. I try to return to live in my country a few times, during the dictatorship and afterwards, before I grasp that my home will be rebuilt in another place, with relationships and children born and forged in other fires.

After the Woolsey Fire of 2018, ridges within Topanga Sate Park are left bare and a fire cut used to contain the fire is now disappearing in sprouting chaparral. Following the cut, there is a rocky point, normally so thick with brush it is unseen and impossible to reach. The sandstone beneath is blackened by fire and full of fossils. The Topanga formation is around 20 million years old; the mountains are only around four million. It is rich with fossils, and contains a wide range of fish, sea lions and whales. Another ridge over, the Sespe formation is revealed in Red Rock Canyon. Some of the rocks formed more than 66 million years ago and contain mollusks and microfossils.

There is a staggering amount of undiscovered history out there. On the furthermost outcropping, an overhang of sheltering rocks protects ancient native grinding holes. Sometimes we are able to get a glimpse of time and people in places we once took for granted.

It is believed the Palisades Fire originated on a ridge of Temescal Canyon. 

Temescal is the word for sweat lodge in the Nahuatl language of Meso-America and translates to “House of heat and steam.” In 1994, primatologist Jane Goodall visits the canyon to inaugurate the Snake Mound, an earthwork sculpture I and others create with hundreds of students from Los Angeles County. African drummers, Mayan botanists, teachers and community members turn out to support an effort that joins us globally to projects sponsored in Africa by the Jane Goodall Institute. Under a majestic sycamore tree near Temescal Creek, Dr. Goodall buries a time capsule with various messages sent into the future from children and community figures. Now the fire moves through the canyon and up the hills surrounding the site. The capsule might still be in the ground, and the magnificent tree still standing, but if not, on that day we created a memory now infused into its smoldering ruins.

In Bil’in, on the West Bank, I find a trail through crumbling sunken walls to the ruins of the old mosque. No one is there; it is a silent and abandoned place. Potsherds have been found on these grounds from ancient Greeks, the Roman Empire, the Crusades, the Ayyubid dynasty and the Mamluk and Ottoman periods. There is memory and forgetting within the ruins. In a collapsed alcove, I don’t investigate what seem to be bones. Charred cannisters of tear gas appear in the rubble.


Francisco Letelier with children in village of Budrus, West Bank, Palestine 2014 (courtesy Francisco Letelier).
Francisco Letelier with children in village of Budrus, West Bank, Palestine 2014 (courtesy Francisco Letelier).

It is hard to convey the devastation that surrounds us now, and many continue to incur great losses. Our home in Venice is full of evacuated people. My partner’s parents are great grandparents, and live only a few blocks from the fire, but are now here with us. My son’s mother loses everything when her cottage in Pacific Palisades is burnt to ashes. Both the elementary school and high school once attended by my son are devastated. Everyone knows someone who has lost a home or is currently displaced.

The blaze continues to burn through chaparral and forest, where my animal teachers — lions, coyotes, deer, owls, and hawks, snakes, frogs, and amphibians, hummingbirds and countless birds — once dwelled. They are homeless now, as so many were before this fire, and as are thousands more now who have lost everything.

It’s true, we’ve seen this kind of thing before; there have been bigger fires and greater disasters, but for those who live, dream and struggle here, this is not just another fire. We will feel this for generations. Many have lost their homes but thousands of others their livelihoods as well. Those who incur loss are also those who work, build, garden, and cook in the places that now burn. Our memories and love and livelihoods are instilled into places our hands have touched.


A friend writes me from the island of Réunion east of the island of Madagascar to inquire about my safety. The images of the fires here in Los Angeles reaching her island home remind her of the thousands who lost their lives last month on the islands of Mayotte, on the other side of Madagascar when the Chido Cyclone devastated everything. Before her message I knew very little about it.

A little more than a year ago, beginning on February 2, 2024, fires descended from the hills and through the stream valleys that run through the cities of Viña del Mar, Valparaiso, and Quilpue on the central coast of Chile. Racing into residential areas and neighborhoods, the fire covered 112 square miles and damaged or destroyed more than 14,000 buildings. According to the International Disaster database it is the fifth deadliest fire globally since 1900. Drought, heat, and high winds create a fast-moving wildfire that is exceptionally dangerous and almost impossible to fight. Conditions are worsened by eucalyptus plantations that provide lumber and short term gain, but outcompete with native trees and plants for water. Hit by flame, they go up like match sticks. 

It’s the kind of fire that is increasingly frequent across the globe.

Sometimes, arsonists cause fires; or lightning or human accident. In other cases, leaders and public agencies foment conditions that lead to crisis and riots. On April 30, 1992, I also wake up to smoke and flames. The 1992 LA uprising, after the Rodney King verdict, results in riots and fires through swaths of the city. Long held anger over police violence spills into the streets. We live through that time knowing that a people held by a police force and subjected to oppression for generations may rise up in violence and anger. Under those conditions, fires will break out, becoming wilder and more unmanageable, creating generational harm not only for the occupied but also for the occupiers.

Budget allocations to the fire department in Los Angeles are under scrutiny, but more funding would not have created the systems needed to fight the Palisades Fire; they do not exist. “Municipal water delivery systems are not designed to handle fires like the Palisades Fire,” says a Fire department spokesperson. “It’s impossible to fight fire on the ground along ridges and canyons when dry fuel ignites across 35 square miles, and 80 mph winds create a cyclone of flame and embers. Even the planes and helicopters that drop water and retardant cannot fly in high winds and smoke.” 

Some are ready to return and rebuild, others have nothing left and insurance companies will not cover their losses.  Some may leave, but these conditions are everywhere and cover the map of the world.

As President Trump comes into office, the workforce of immigrants that would carry out the rebuilding is under attack. Only last week, 531,000 DACA (Deferred Action for Childhood Arrivals) recipients, the children of parents who entered the country illegally, suffered a setback when a federal appeals court ruled that an Obama-era amnesty program was unlawful. Others who have relied on birthright citizenship guaranteed by the 14th amendment are also threatened. Upon taking office, the incoming president has vowed to prioritize doing away with birthright laws and to begin the process of deporting “millions and millions.”

In 1848, Mexico lost more than half its territory to the USA when the Treaty of Guadalupe ended the expansionist Mexican American War. A century later, in 1948, the creation of the State of Israel was proclaimed. US President Harry Truman recognized Israel on the same day. Just as Palestinians have not disappeared, many mestizo, native and other people who inhabit the present-day states of California, Nevada, Utah, New Mexico, most of Arizona and Colorado and parts of Oklahoma, Kansas and Wyoming, remember the past and are in constant struggle. 

There are those who suffer everywhere, and some live under conditions of violence and genocide over generations. Life is not a competition of pain and suffering, but neither is it a race towards happiness; nature shows we are best when we are in balance. What we pay attention to can depend on more than which way the wind blows. Living on a planet with a climate changed by our human societies, we can recognize the places where we can exercise judgement, apply the law, and remedy suffering. 

Winds and wildfires are not bombs and rockets. In the fog of smoke and storm they might be easily confused. No one controls the clouds and wind, but some speculate on land and homes while water rights are sold and negotiated, without the participation or wisdom of rivers, trees, bees, people or history. 

Profit is not a crime. In LA, real estate agents are already actively pursuing profit and local government has stepped in to control rent gouging. All is fair in business or after disasters. Rebuilding becomes a catchword for business opportunities and crisis always favors those who exploit the suffering of others, here, there, everywhere. In the hills of Los Angeles, in Palestine, in Lebanon, in the Sudan, in Chile and in California’s Central Valley, it is not a local management problem, it’s a fundamental issue we all share as human beings.

The world is burning in many places, but sadly many think they are the only ones who confront challenges. Others want to point fingers, but the wind and heat belong to no one in particular today. They create ash, they scar hearts and neighborhoods no matter the race, bank account or belief. Wherever you are, hold your loved ones close. Here at home we are alive, safe and well for today, and in today’s world that is a lot.


Detail of Already Home Installation and public art project, mixed media Venice, CaFrancisco Letelier 2015
Francisco Letelier, detail, “Already Home,” Installation and public art project, mixed media Venice, CA 2015 (courtesy of the artist).


At the end of Sunday, January 12, after six days of growth, the Palisades Fire is reported to be largely in check. Significant gains have also been made in containing the Eaton Fire to the east. It is a beautiful sunny day in Venice, with clear blue skies, with only a faint smell of smoke, although eddies of ash cover all outdoor surfaces. The wind is picking up and even though increasingly under control, the threat of renewed blazes remains high. Flurries of white particles drift in the waning light of apocalyptic orange sunset skies, as we prepare for the return of high winds in the coming week.

The fires are made worse by decisions taken decades ago and ways of life that can lead to worse conflagrations, but communities all over Los Angeles show incredible organization. Volunteers are of all ages, races and walks of life, and there is an outpouring of donations of both money and time. Many countries lend a hand; it’s an international effort.

An indifference to what happens to others is not uncommon. Some don’t care about hostages, others are not troubled by the deaths of innocent civilians, women, and children. Some care only about the poor, and hold a special disdain for the rich. No one will know the names of myriad victims in places far away, but here movies, television and media are a local industry and it’s likely that funding campaigns, podcasts, movies and miniseries will memorialize and echo the destruction and the names of the fallen. 

Nonetheless, we all breathe air that is increasingly toxic. All of us rely on threatened and contaminated water supplies. The salt water and fire retardants used to douse flame leave behind a poisonous miasma of rubble that affects us all.

We leave many things behind in life, carrying phantoms that both haunt and push us forward to build a world that will contain us. From this place of loss some will create bridges across earthquakes and fire, across bombs and struggle. How much do we have to lose before we recognize each other in the flames? 

For the rest of January during a rare celestial phenomena seen only once every hundred years, the planets will align in the night sky. Here in California against the horizon at twilight, I can see Jupiter, Venus, Uranus, Mars and Saturn with the naked eye as the sun sets in the west. In a week or so, Neptune and Mercury will join the parade but shortly the show will drift as the planets continue their orbital journeys. 

Our old ways of looking at the world were built for a climate we no longer have. I imagine a system that understands we are traveling through space alongside other worlds that we often cannot see. Although some think we have things figured out, there is much more we have yet to learn.

 

Francisco Letelier

Francisco Letelier Chilean American artist Francisco Letelier creates art that crosses disciplines and cultures. Integrating narratives that explore cultural memory and identity, his projects offer opportunities for cultural exchange and education. He has worked on projects throughout the Americas, Europe, India and the West Bank of Palestine. Follow him on Twitter @franlete.

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Palestine’s Places and Memorials Are Not <em>Forgotten</em>
Essays

Unwritten Stories from Palestine

4 JULY 2025 • By Thoth
Unwritten Stories from Palestine
Essays

A Voice That Defied Silence: The Legacy of Dr. Refaat Al-Areer

4 JULY 2025 • By Taqwa Ahmed Al-Wawi
A Voice That Defied Silence: The Legacy of Dr. Refaat Al-Areer
Poetry

Nasser Rabah on Poetry and Gaza

4 JULY 2025 • By Nasser Rabah
Nasser Rabah on Poetry and Gaza
Essays

Doaa: From a Dreamworld to the Ashes of Displacement

30 MAY 2025 • By Taqwa Ahmed Al-Wawi
Doaa: From a Dreamworld to the Ashes of Displacement
Interviews

23 Hours Inside State Dept. Press Briefings on the Gaza Genocide

23 MAY 2025 • By Malu Halasa
23 Hours Inside State Dept. Press Briefings on the Gaza Genocide
Featured article

Arrested and Rearrested: Palestinian Women in the West Bank

16 MAY 2025 • By Lynzy Billing
Arrested and Rearrested: Palestinian Women in the West Bank
Books

Algerian-French Author Kamel Daoud on the Defensive

16 MAY 2025 • By Lara Vergnaud
Algerian-French Author Kamel Daoud on the Defensive
Books

Editors’ 2025 Palestinian Lit List

15 MAY 2025 • By TMR
Editors’ 2025 Palestinian Lit List
Books

Poet Mosab Abu Toha Wins Pulitzer Prize for Essays on Gaza

9 MAY 2025 • By Jordan Elgrably
Poet Mosab Abu Toha Wins Pulitzer Prize for Essays on Gaza
Essays

A Kashmiri in Cashmere

2 MAY 2025 • By Nafeesa Syeed
A Kashmiri in Cashmere
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Art

Neither Here Nor There

2 MAY 2025 • By Myriam Cohenca
Neither Here Nor There
Literature

The Pen and the Sword—Censorship Threatens Us All

2 MAY 2025 • By Anna Badkhen
The Pen and the Sword—Censorship Threatens Us All
Art

Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief

11 APRIL 2025 • By Marta Mendes
Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief
Advice

Dear Souseh: Existential Advice for Third World Problems

4 APRIL 2025 • By Souseh
Dear Souseh: Existential Advice for Third World Problems
Film

Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki

28 MARCH 2025 • By Iason Athanasiadis
Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki
Essays

A Conversation Among My Homeland’s Trees

7 MARCH 2025 • By Alia Yunis
A Conversation Among My Homeland’s Trees
Fiction

Manifesto of Love & Revolution

7 MARCH 2025 • By Iskandar Abdalla
Manifesto of Love & Revolution
Art

Finding Emptiness: Gaza Artist Taysir Batniji in Beirut

21 FEBRUARY 2025 • By Jim Quilty
Finding Emptiness: Gaza Artist Taysir Batniji in Beirut
Book Reviews

Omar El Akkad & Mohammed El-Kurd: Liberalism in a Time of Genocide

14 FEBRUARY 2025 • By Rebecca Ruth Gould
Omar El Akkad & Mohammed El-Kurd: Liberalism in a Time of Genocide
Editorial

Memoir in the Age of Narcissism

7 FEBRUARY 2025 • By TMR
Memoir in the Age of Narcissism
Centerpiece

Ravaged by Fire

7 FEBRUARY 2025 • By Francisco Letelier
Ravaged by Fire
Book Reviews

Memories of Palestine through Contemporary Media

7 FEBRUARY 2025 • By Malu Halasa
Memories of Palestine through Contemporary Media
Essays

Flight Plans: From Gaza to Singapore

7 FEBRUARY 2025 • By Chin-chin Yap
Flight Plans: From Gaza to Singapore
Cuisine

“Culinary Palestine”—Fadi Kattan in an excerpt from Sumud

31 JANUARY 2025 • By Fadi Kattan
“Culinary Palestine”—Fadi Kattan in an excerpt from <em>Sumud</em>
Book Reviews

Yassini Girls—a Powerful Yet Flawed Account of Historical Trauma

31 JANUARY 2025 • By Natasha Tynes
<em>Yassini Girls</em>—a Powerful Yet Flawed Account of Historical Trauma
Arabic

Huda Fakhreddine & Yasmeen Hanoosh: Translating Arabic & Gaza

17 JANUARY 2025 • By Yasmeen Hanoosh, Huda Fakhreddine
Huda Fakhreddine & Yasmeen Hanoosh: Translating Arabic & Gaza
Book Reviews

Radwa Ashour’s Classic Granada Now in a New English Edition

17 JANUARY 2025 • By Guy Mannes-Abbott
Radwa Ashour’s Classic <em>Granada</em> Now in a New English Edition
Uncategorized

Malu Halasa and Jordan Elgrably publish Sumūd: a New Palestinian Reader

4 JANUARY 2025 • By TMR
Malu Halasa and Jordan Elgrably publish Sumūd: a New Palestinian Reader
Book Reviews

Maya Abu Al-Hayyat’s Defiant Exploration of Palestinian Life

20 DECEMBER 2024 • By Zahra Hankir
Maya Abu Al-Hayyat’s Defiant Exploration of Palestinian Life
Book Reviews

Criticizing a Militaristic Israel is not Inherently Antisemitic

20 DECEMBER 2024 • By Stephen Rohde
Criticizing a Militaristic Israel is not Inherently Antisemitic
Art & Photography

Palestine Features in Larissa Sansour’s Sci-Fi Future

6 DECEMBER 2024 • By Larissa Sansour
Palestine Features in Larissa Sansour’s Sci-Fi Future
Books

Susan Abulhawa at Oxford Union on Palestine/Israel

6 DECEMBER 2024 • By Susan Abulhawa
Susan Abulhawa at Oxford Union on Palestine/Israel
Essays

A Fragile Ceasefire as Lebanon Survives, Traumatized

29 NOVEMBER 2024 • By Tarek Abi Samra
A Fragile Ceasefire as Lebanon Survives, Traumatized
Art

Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek

22 NOVEMBER 2024 • By Arie Amaya-Akkermans
Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek
Essays

A Jewish Meditation on the Palestinian Genocide

15 NOVEMBER 2024 • By Sheryl Ono
A Jewish Meditation on the Palestinian Genocide
Art & Photography

Palestinian Artists Reflect on the Role of Art in Catastrophic Times

1 NOVEMBER 2024 • By Nina Hubinet
Palestinian Artists Reflect on the Role of Art in Catastrophic Times
Centerpiece

“Habib”—a story by Ghassan Ghassan

1 NOVEMBER 2024 • By Ghassan Ghassan
“Habib”—a story by Ghassan Ghassan
Memoir

“The Ballad of Lulu and Amina”—from Jerusalem to Gaza

1 NOVEMBER 2024 • By Izzeldin Bukhari
“The Ballad of Lulu and Amina”—from Jerusalem to Gaza
Art & Photography

The Palestinian Gazelle

1 NOVEMBER 2024 • By Manal Mahamid
The Palestinian Gazelle
Books

November World Picks from the Editors

25 OCTOBER 2024 • By TMR
November World Picks from the Editors
Book Reviews

The Hybrid—The Case of Michael Vatikiotis

18 OCTOBER 2024 • By Rana Haddad
The Hybrid—The Case of Michael Vatikiotis
Essays

Palestine, the Land of Grapes and Wine

11 OCTOBER 2024 • By Fadi Kattan, Anna Patrowicz
Palestine, the Land of Grapes and Wine
Editorial

A Year of War Without End

4 OCTOBER 2024 • By Lina Mounzer
A Year of War Without End
Art

Witnessing Catastrophe: a Painter in Lebanon

4 OCTOBER 2024 • By Ziad Suidan
Witnessing Catastrophe: a Painter in Lebanon
Art

Visuals and Voices: Palestine Will Not Be a Palimpsest

4 OCTOBER 2024 • By Malu Halasa
Visuals and Voices: Palestine Will Not Be a Palimpsest
Featured article

Censorship and Cancellation Fail to Camouflage the Ugly Truth

4 OCTOBER 2024 • By Jordan Elgrably
Censorship and Cancellation Fail to Camouflage the Ugly Truth
Essays

Shamrocks & Watermelons: Palestine Politics in Belfast

4 OCTOBER 2024 • By Stuart Bailie
Shamrocks & Watermelons: Palestine Politics in Belfast
Essays

Depictions of Genocide: The Un-Imaginable Visibility of Extermination

4 OCTOBER 2024 • By Viola Shafik
Depictions of Genocide: The Un-Imaginable Visibility of Extermination
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Art

Activism in the Landscape: Environmental Arts & Resistance in Palestine

4 OCTOBER 2024 • By Katie Logan
Activism in the Landscape: Environmental Arts & Resistance in Palestine
Poetry

Poems by Nasser Rabah, Amanee Izhaq and Mai Al-Nakib

4 OCTOBER 2024 • By Nasser Rabah, Amanee Izhaq, Mai Al-Nakib, Wiam El-Tamami
Poems by Nasser Rabah, Amanee Izhaq and Mai Al-Nakib
Book Reviews

Don’t Look Left: A Diary of Genocide by Atif Abu Saif

20 SEPTEMBER 2024 • By Selma Dabbagh
<em>Don’t Look Left: A Diary of Genocide</em> by Atif Abu Saif
Art & Photography

Featured Artists: “Barred From Home”

6 SEPTEMBER 2024 • By Malu Halasa
Featured Artists: “Barred From Home”
Book Reviews

Egypt’s Gatekeeper—President or Despot?

6 SEPTEMBER 2024 • By Elias Feroz
Egypt’s Gatekeeper—President or Despot?
Fiction

“Fragments from a Gaza Nightmare”—fiction from Sama Hassan

30 AUGUST 2024 • By Sama Hassan, Rana Asfour
“Fragments from a Gaza Nightmare”—fiction from Sama Hassan
Essays

Beyond Rubble—Cultural Heritage and Healing After Disaster

23 AUGUST 2024 • By Arie Amaya-Akkermans
Beyond Rubble—Cultural Heritage and Healing After Disaster
Books

“Kill the Music”—an excerpt from a new novel by Badar Salem

16 AUGUST 2024 • By Badar Salem
“Kill the Music”—an excerpt from a new novel by Badar Salem
Film

World Picks from the Editors: AUGUST

2 AUGUST 2024 • By TMR
World Picks from the Editors: AUGUST
Art & Photography

World Picks from the Editors: July 15 — August 2

12 JULY 2024 • By TMR
World Picks from the Editors: July 15 — August 2
Fiction

“The Cockroaches”—flash fiction

5 JULY 2024 • By Stanko Uyi Srsen
“The Cockroaches”—flash fiction
Fiction

“Deferred Sorrow”—fiction from Haidar Al Ghazali

5 JULY 2024 • By Haidar Al Ghazali, Rana Asfour
“Deferred Sorrow”—fiction from Haidar Al Ghazali
Book Reviews

Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?

14 JUNE 2024 • By Farah-Silvana Kanaan
Is Amin Maalouf’s Latest Novel, <em>On the Isle of Antioch</em>, a Parody?
Centerpiece

Dare Not Speak—a One-Act Play

7 JUNE 2024 • By Hassan Abdulrazzak
<em>Dare Not Speak</em>—a One-Act Play
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Essays

A Small Kernel of Human Kindness: Some Notes on Solidarity and Resistance

24 MAY 2024 • By Nancy Kricorian
A Small Kernel of Human Kindness: Some Notes on Solidarity and Resistance
Art

Demarcations of Identity: Rushdi Anwar

10 MAY 2024 • By Malu Halasa
Demarcations of Identity: Rushdi Anwar
Editorial

Why FORGETTING?

3 MAY 2024 • By Malu Halasa, Jordan Elgrably
Why FORGETTING?
Centerpiece

Memory Archive: Between Remembering and Forgetting

3 MAY 2024 • By Mai Al-Nakib
Memory Archive: Between Remembering and Forgetting
Essays

The Elephant in the Box

3 MAY 2024 • By Asmaa Elgamal
The Elephant in the Box
Art & Photography

Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines

3 MAY 2024 • By Gabriel Polley
Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines
Book Reviews

Palestinian Culture, Under Assault, Celebrated in New Cookbook

3 MAY 2024 • By Mischa Geracoulis
Palestinian Culture, Under Assault, Celebrated in New Cookbook
Art

Malak Mattar: No Words, Only Scenes of Ruin

26 APRIL 2024 • By Nadine Nour el Din
Malak Mattar: No Words, Only Scenes of Ruin
Opinion

Censorship over Gaza and Palestine Roils the Arts Community

12 APRIL 2024 • By Hassan Abdulrazzak
Censorship over Gaza and Palestine Roils the Arts Community
Art

Past Disquiet at the Palais de Tokyo in Paris

1 APRIL 2024 • By Kristine Khouri, Rasha Salti
<em>Past Disquiet</em> at the Palais de Tokyo in Paris
Essays

Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay

1 APRIL 2024 • By Sasha Moujaes, Jordan Elgrably
Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay
Book Reviews

Fady Joudah’s […] Dares Us to Listen to Palestinian Words—and Silences

25 MARCH 2024 • By Eman Quotah
Fady Joudah’s <em>[…]</em> Dares Us to Listen to Palestinian Words—and Silences
Art & Photography

Will Artists Against Genocide Boycott the Venice Biennale?

18 MARCH 2024 • By Hadani Ditmars
Will Artists Against Genocide Boycott the Venice Biennale?
Essays

Israeli & Palestinian Filmmakers Accused of Anti-semitism at Berlinale

11 MARCH 2024 • By Viola Shafik
Israeli & Palestinian Filmmakers Accused of Anti-semitism at Berlinale
Editorial

Why “Burn It all Down”?

3 MARCH 2024 • By Lina Mounzer
Why “Burn It all Down”?
Books

Four Books to Revolutionize Your Thinking

3 MARCH 2024 • By Rana Asfour
Four Books to Revolutionize Your Thinking
Columns

Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”

3 MARCH 2024 • By Amal Ghandour
Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”
Essays

The Story of the Keffiyeh

3 MARCH 2024 • By Rajrupa Das
The Story of the Keffiyeh
Essays

Messages from Gaza Now / 5

26 FEBRUARY 2024 • By Hossam Madhoun
Messages from Gaza Now / 5
Weekly

World Picks from the Editors: Feb 23 — Mar 7

23 FEBRUARY 2024 • By TMR
World Picks from the Editors: Feb 23 — Mar 7
Poetry

“WE” and “4978 and One Nights” by Ghayath Almadhoun

4 FEBRUARY 2024 • By Ghayath Al Madhoun
“WE” and “4978 and One Nights” by Ghayath Almadhoun
Editorial

Shoot That Poison Arrow to My Heart: The LSD Editorial

4 FEBRUARY 2024 • By Malu Halasa
Shoot That Poison Arrow to My Heart: The LSD Editorial
Art & Photography

The Body, Intimacy and Technology in the Middle East

4 FEBRUARY 2024 • By Naima Morelli
The Body, Intimacy and Technology in the Middle East
Columns

Driving in Palestine Now is More Dangerous Than Ever

29 JANUARY 2024 • By TMR
Driving in Palestine Now is More Dangerous Than Ever
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Essays

Nothing out of the Ordinary: A Journalist’s West Bank Memories

22 JANUARY 2024 • By Chloé Benoist
Nothing out of the Ordinary: A Journalist’s West Bank Memories
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Fiction

“New Reasons”—a short story by Samira Azzam

15 JANUARY 2024 • By Samira Azzam, Ranya Abdelrahman
“New Reasons”—a short story by Samira Azzam
Art

Palestinian Artists

12 JANUARY 2024 • By TMR
Palestinian Artists
Essays

Gaza Sunbirds: the Palestinian Para-Cyclists Who Won’t Quit

25 DECEMBER 2023 • By Malu Halasa
Gaza Sunbirds: the Palestinian Para-Cyclists Who Won’t Quit
Essays

Jesus Was Palestinian, But Bethlehem Suspends Christmas

25 DECEMBER 2023 • By Ahmed Twaij
Jesus Was Palestinian, But Bethlehem Suspends Christmas
Books

Inside Hamas: From Resistance to Regime

25 DECEMBER 2023 • By Paola Caridi
Inside <em>Hamas: From Resistance to Regime</em>
Columns

Messages from Gaza Now / 2

18 DECEMBER 2023 • By Hossam Madhoun
Messages from Gaza Now / 2
Music

We Will Sing Until the Pain Goes Away—a Palestinian Playlist

18 DECEMBER 2023 • By Brianna Halasa
We Will Sing Until the Pain Goes Away—a Palestinian Playlist
Columns

Messages From Gaza Now

11 DECEMBER 2023 • By Hossam Madhoun
Messages From Gaza Now
Featured excerpt

The Palestine Laboratory and Gaza: An Excerpt

4 DECEMBER 2023 • By Antony Loewenstein
<em>The Palestine Laboratory</em> and Gaza: An Excerpt
Editorial

Why Endings & Beginnings?

3 DECEMBER 2023 • By Jordan Elgrably
Why Endings & Beginnings?
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Opinion

Gaza vs. Mosul from a Medical and Humanitarian Standpoint

27 NOVEMBER 2023 • By Ahmed Twaij
Gaza vs. Mosul from a Medical and Humanitarian Standpoint
Opinion

What’s in a Ceasefire?

20 NOVEMBER 2023 • By Adrian Kreutz, Enzo Rossi, Lillian Robb
What’s in a Ceasefire?
Book Reviews

The Fiction of Palestine’s Ghassan Zaqtan

13 NOVEMBER 2023 • By Cory Oldweiler
The Fiction of Palestine’s Ghassan Zaqtan
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Arabic

Poet Ahmad Almallah

9 NOVEMBER 2023 • By Ahmad Almallah
Poet Ahmad Almallah
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Books

Domicide—War on the City

5 NOVEMBER 2023 • By Ammar Azzouz
<em>Domicide</em>—War on the City
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Editorial

Palestine and the Unspeakable

16 OCTOBER 2023 • By Lina Mounzer
Palestine and the Unspeakable
Art

The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series

16 OCTOBER 2023 • By Rasha Al Jundi
The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series
Art

Vera Tamari’s Lifetime of Palestinian Art

16 OCTOBER 2023 • By Taline Voskeritchian
Vera Tamari’s Lifetime of Palestinian Art
Book Reviews

A Day in the Life of Abed Salama: A Palestine Story

16 OCTOBER 2023 • By Dalia Hatuqa
<em>A Day in the Life of Abed Salama</em>: A Palestine Story
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Books

Edward Said: Writing in the Service of Life 

9 OCTOBER 2023 • By Layla AlAmmar
Edward Said: Writing in the Service of Life 
Books

Fairouz: The Peacemaker and Champion of Palestine

1 OCTOBER 2023 • By Dima Issa
Fairouz: The Peacemaker and Champion of Palestine
Book Reviews

Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel Wild Thorns

25 SEPTEMBER 2023 • By Noshin Bokth
Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel <em>Wild Thorns</em>
Essays

September 11, 1973 and Ariel Dorfman’s The Suicide Museum

3 SEPTEMBER 2023 • By Francisco Letelier
September 11, 1973 and Ariel Dorfman’s <em>The Suicide Museum</em>
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Book Reviews

What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?

21 AUGUST 2023 • By Jonathan Ofir
What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Book Reviews

Ilan Pappé on Tahrir Hamdi’s Imagining Palestine

7 AUGUST 2023 • By Ilan Pappé
Ilan Pappé on Tahrir Hamdi’s <em> Imagining Palestine</em>
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Fiction

Tears from a Glass Eye—a story by Samira Azzam

2 JULY 2023 • By Samira Azzam, Ranya Abdelrahman
Tears from a Glass Eye—a story by Samira Azzam
Columns

The Rite of Flooding: When the Land Speaks

19 JUNE 2023 • By Bint Mbareh
The Rite of Flooding: When the Land Speaks
Centerpiece

Lithium Dreams, Crisis of the Anthropocene

4 JUNE 2023 • By Francisco Letelier
Lithium Dreams, Crisis of the Anthropocene
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Essays

Alien Entities in the Desert

4 JUNE 2023 • By Dror Shohet
Alien Entities in the Desert
Featured Artist

Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Fiction

“Holy Land”—short fiction from Asim Rizki

27 FEBRUARY 2023 • By Asim Rizki
“Holy Land”—short fiction from Asim Rizki
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Essays

Stadiums, Ghosts & Games—Football’s International Intrigue

15 NOVEMBER 2022 • By Francisco Letelier
Stadiums, Ghosts & Games—Football’s International Intrigue
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Book Reviews

A Poet and Librarian Catalogs Life in Gaza

20 JUNE 2022 • By Eman Quotah
A Poet and Librarian Catalogs Life in Gaza
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Fiction

Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Columns

On the Streets of Santiago: a Culture of Wine and Empanadas

15 APRIL 2022 • By Francisco Letelier
On the Streets of Santiago: a Culture of Wine and Empanadas
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Latest Reviews

Food in Palestine: Five Videos From Nasser Atta

15 APRIL 2022 • By Nasser Atta
Food in Palestine: Five Videos From Nasser Atta
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Centerpiece

Climate Disasters Hasten the Advent of a World Refugee Crisis

15 NOVEMBER 2021 • By Omar El Akkad
Climate Disasters Hasten the Advent of a World Refugee Crisis
Featured article

Killing Olive Trees Fails to Push Palestinians Out

15 NOVEMBER 2021 • By Basil Al-Adraa
Killing Olive Trees Fails to Push Palestinians Out
Columns

FIRE: An Abbreviated Reading List

15 NOVEMBER 2021 • By TMR
FIRE: An Abbreviated Reading List
Latest Reviews

Poem: An Allegory for Our Times

15 NOVEMBER 2021 • By Jenny Pollak
Poem: An Allegory for Our Times
Columns

Sacred Fire, Profane Fire: From Ritual to Barbecue

15 NOVEMBER 2021 • By Fadi Kattan
Sacred Fire, Profane Fire: From Ritual to Barbecue
Essays

Reconsidering Thoreau in a Burning World

15 NOVEMBER 2021 • By Megan Marshall
Reconsidering Thoreau in a Burning World
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Weekly

Heba Hayek’s Gaza Memories

1 AUGUST 2021 • By Shereen Malherbe
Heba Hayek’s Gaza Memories
Memoir

“Guns and Figs” from Heba Hayek’s new Gaza book

1 AUGUST 2021 • By Heba Hayek
“Guns and Figs” from Heba Hayek’s new Gaza book
Weekly

Wafa Shami’s Palestinian Mulukhiyah

25 JULY 2021 • By Wafa Shami
Wafa Shami’s Palestinian Mulukhiyah
Weekly

Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية

25 JULY 2021 • By Fadi Kattan
Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية
Columns

When War is Just Another Name for Murder

15 JULY 2021 • By Norman G. Finkelstein
When War is Just Another Name for Murder
Fiction

Gazan Skies, from the novel “Out of It”

14 JULY 2021 • By Selma Dabbagh
Gazan Skies, from the novel “Out of It”
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Essays

The Gaza Mythologies

14 JULY 2021 • By Ilan Pappé
The Gaza Mythologies
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Latest Reviews

No Exit

14 JULY 2021 • By Allam Zedan
No Exit
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Essays

Sailing to Gaza to Break the Siege

14 JULY 2021 • By Greta Berlin
Sailing to Gaza to Break the Siege
Columns

Gaza’s Catch-22s

14 JULY 2021 • By Khaled Diab
Gaza’s Catch-22s
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Essays

Gaza IS Palestine

14 JULY 2021 • By Jenine Abboushi
Gaza IS Palestine
Latest Reviews

A Response to “Gaza: Mowing the Lawn” 2014-15

14 JULY 2021 • By Tony Litwinko
A Response to “Gaza: Mowing the Lawn” 2014-15
Centerpiece

“Gaza: Mowing the Lawn” by Artist Jaime Scholnick

14 JULY 2021 • By Sagi Refael
“Gaza: Mowing the Lawn” by Artist Jaime Scholnick
Weekly

A New Book on Music, Palestine-Israel & the “Three State Solution”

28 JUNE 2021 • By Mark LeVine
A New Book on Music, Palestine-Israel & the “Three State Solution”
Columns

Wasta Tawla, or how the Wastafarians Fared at Fawda

14 JUNE 2021 • By Fadi Kattan
Wasta Tawla, or how the Wastafarians Fared at Fawda
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Latest Reviews

Maqloubeh Behind the Wall in Bethlehem

14 MAY 2021 • By Fadi Kattan
Maqloubeh Behind the Wall in Bethlehem
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
My Favorite Things

Covid and Zaatar

18 APRIL 2021 • By Fadi Kattan
Covid and Zaatar
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Essays

Dinner at the White House, in the Lion’s Den

14 MARCH 2021 • By Francisco Letelier
Dinner at the White House, in the Lion’s Den
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
My Favorite Things

Freekeh, freekeh, freekeh!

16 NOVEMBER 2020 • By Fadi Kattan
Freekeh, freekeh, freekeh!
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
My Favorite Things

Eating in Palestine in the Time of Corona

20 OCTOBER 2020 • By Fadi Kattan
Eating in Palestine in the Time of Corona
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels
What We're Into

Dismantlings and Exile

14 SEPTEMBER 2020 • By Francisco Letelier
Dismantlings and Exile

4 thoughts on “Ravaged by Fire”

  1. What a powerful account of so many periods of history. Personal accounts by Fransisco leaves me feeling, smelling, tasting and touching the fire and ashes. He teaches us to recognize our interdependence.

  2. Francisco such a comprehensive moving piece! We all live in the shadow of history. Thank you for your deep heart and beautiful writing. I too feel the connection to those devastated by war much more personally now that I have lost my past to this fire.

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