The Ossuary of Evolving Forms—selected poems

Lynn Osman, "Natural Evolution 3" (detail)

4 SEPTEMBER 2026 • By Umniya Najaer

A poet moves between missiles and minerals, geological time and imagined futures, transforming the page into a site of planetary and bodily encounter.

A Human-Animal with Ten Phalanges Worships Omnipotence

a
fragile
flesh being
a human-animal
born with ten phalanges
worships insatiable omnipotence, a
visionary of singularity, of brutality
beyond its utility for survival
molds the arc of planetary
history into the
shape of a
puncture
unhealed
bloodletting
turns contagious
before long all beings
bear marks of unnecessary wounding:
a humpback whale deafened by sound bombs
a famished seal exiled at           op a fugitive polar bear
the African elephant evox                   lves to be born without
tusks, the dugong navigatesx                  naval mines and oil spills
xxxxwhilst dolphins reach         xzx the Black Sea’s shores asx
corpses.  in thishere year our planetbeing is
circumscribed  by  a halo  of  debris:
Resilient Missile Warning and
Tracking constellations
with nuclear powered
infrared sensors
detect ballistic
and hypersonic missiles
perch in outer space
alongside thermal
blankets and
bags of
human
waste
**

 

*

in
the
archive
of gravity
and orbital
debris, future
generations will
discover primitive
instruments of obliteration
discarded amidst extra terrestrial
voyages undertaken in the
long interval before
unilateral
disarmament
before our
species
finally
agreed
to portion
resources
according
to need
rather
than
g
xxr
xe
exx
dx


Lynn Osman, “Natural Evolution 3,” woodcut print, 25x25cm, 2026 (courtesy the artist).

If We Must Have War, What Ought War to Achieve?

xxxxxxxxxxxxxxxxxxxxxxxxx*

                                                                                                xxxxxa  child xis xa
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxsoldier questioning
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx.xxxxxxxxthe  abacus  of  history
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxif xwe  must xhave  war
 xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxwhat  xought  xwar
                                                        xxxxxxxxxxxxxxxxxxxxxxxxxxxxto achieve?

        xxxxx

xxa
child
xxis                        a

xxxxxxxxxxxxxxxxxxxxxt                            xxxxxxxxxxxx                                         *
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxr
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxa
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxn
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxs

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxi
xxxxxxxxxxxx*
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxe

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxn

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxt
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx*

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxb

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxe

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxixxxxxxxxxxxxxi

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxn

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxexxxxxxxxxxxxxxxg
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

on
course to
metamorphosis
the answer to which
war is a question remains
unfound, unresolved, dissolved
and  reentered  into  the  texture of
historical time in allegedly new | old forms.

Umniya Najaer

Umniya Najaer is an interdisciplinary poet, essayist and Black Studies scholar of Sudanese origin. She is an Assistant Professor of Ethnic Studies at the University of Colorado Boulder. Umniya’s writing is invested in activating the human ability to feel what each other... Read more

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