Why Fawwaz Traboulsi?
Twenty years ago, argues Amal Ghandour, it would have been Edward Said. It’s Traboulsi, his best translator, in 2023.
Twenty years ago, argues Amal Ghandour, it would have been Edward Said. It’s Traboulsi, his best translator, in 2023.
In her new book, Dima Issa argues that the influence of Lebanese vocal artist Fairouz on the Arab diaspora has been profound.
Yasmine Al Rashidi on writer-thinker Alaa Abdel Fattah who advocates for the rights of those without platforms to campaign for themselves.
Caught between Beirut and a town in the Californian desert, Buthayna searches for the meaning amid life’s absurdities.
Adel Abidin is an Iraqi-Finnish artist who explores history, memory and identity in his installations, painting, drawings and videos.
Naima Morelli talks to Rose Issa, Sara Raza, Farah Abushullaih and Alia Al-Senussi about art and intellectuals.
A Markaz Review bi-weekly roundup of our editors’ favorite selections from within the global arts and culture scene.
Selma Dabbagh reviews a masterpiece that gives insight into the life of a remarkable woman artist striving to live on her own terms.
Aomar Boom describes the centrality of donkeys and mules to life in the unforgiving earthquake-shattered terrain of the High Atlas Mountains.
Brahim El Guabli argues that Morocco’s disaster survivors must be able to communicate in their mother tongue.
Noshin Bokth reviews a Palestinian literary classic set in Nablus about resignation and resistance under Israeli military occupation.
Nazlı Koca interviews novelist Ebru Ojen and her translators on the creative process of bringing her latest book into English.