How Fragile We Are: Hisham Matar’s My Friends
Adib Rahhal reviews Hisham Matar’s latest novel, in which the precariousness of existence and Libya serve as springboards.
Adib Rahhal reviews Hisham Matar’s latest novel, in which the precariousness of existence and Libya serve as springboards.
TMR editors highlight the best events, books, films, podcasts and other cultural products from around the globe.
Hadani Ditmars reports on the calls to shut down the Israeli pavilion in the Venice Biennale, and a possible widespread artist boycott.
Sophie Kazan reports on the mood of Dubai Art Week this year with a roundup of the UAE and Arab artists and galleries in Art Dubai.
At times beautiful as a virtual meal experience, LACMA’s “Dining with the Sultan” is an old-fashioned, things-in-glass-cases exhibition.
Viola Shafik addresses the controversy at the 2024 Berlinale, following the screening of a Palestinian-Israeli “solidarity film.”
Malu Halasa offers an overview of three Middle Eastern films screening at the 2024 Human Rights Watch Film Festival in London.
TMR editors highlight the best events, books, films, podcasts and other cultural products from around the globe.
Syrian poet in Paris presents two poems in Hélène Cardona’s translation from the French from “The Abduction.”
Omar Sakr presents his thoughts along with two poems from his collection, “The Lost Arabs.”
Senior editor Lina Mounzer articulates the inexpressible, inconsolable feelings at a time when genocide is occurring before the eyes of the world.