Messages from Gaza Now / 2

Hossam Madhoun (left) in a Theatre for Everybody production in Gaza (courtesy Theatre for Everybody).

18 DECEMBER 2023 • By Hossam Madhoun
Firsthand accounts of the war by a theatre-maker reporting from rubble of Gaza.

 

Hossam Madhoun

 

Butterfly Effect

I was lucky yesterday; I secured a sack of 25kg of bread flour (five times the original price). It is enough for two weeks for the 18 people at home. I even expect to have, hopefully, half a cylinder of cooking gas, six kg, also could be good for ten days (also triple the original price).

Wood for fire is rare. Gaza Strip is so small and the agricultural area very limited — no woods or jungles. People have started to cut living trees to get wood for fire although fresh trees are wet and do not burn and do not make fire. Yet, people are desperate so they do whatever they can to survive. Poor Gaza. No trees will remain. Olive trees are slaughtered; trees in the streets are all shaved. Who can blame people who have no alternatives? Desperate situations are always driving people to desperate measures.

Going back home from the market on a wooden cart pulled by a poor, weak donkey, I saw a small, white butterfly flying side by side with the donkey for more than five minutes. It was so lovely to see something of beauty in the middle of this darkness. It made me smile until I remembered reading that in some cultures, the white butterfly is a sign of death coming. Personally I do not believe in such superstitions, but to be honest, the idea did not leave my head.

At night more than 500 human beings killed in Gaza, from north to south. The majority were children and women.

Writing this piece, around me intense bombing and shelling did not stop at all. Hundreds of people are being killed at this time. Maybe me and my family will be among them, who knows? All those who were killed, more than 22,000 human beings who have been killed during the last 55 days, did not know that they were going to be killed in this brutal way.

Poor butterfly, I don’t blame you at all. You are beautiful. I know it is not you or your effect. I know that it is the Israeli Occupation Army who killed, mercilessly, all these people.

p.s. I like butterflies.

 

Untold Story from Olympus

While sitting bored on his throne at the top of Olympus, Zeus ran his fingers through his long beard, looking down at Earth. There were lights in many places on Earth; there was darkness in many places as well. But he noticed a spot of light shining more than any other place. It was not artificial light; it was not sunlight, nor moon or starlight. He looked closer. It is coming from there, from a tiny place on the Mediterranean, a place called Gaza.

He wonders, what is shining there? There should be darkness in that place so what is shining?

Lucifer was not far and he heard the wonderings of Zeus. He said in his deep, low voice — these are the children and women of Gaza. They always shine. How does the God of Gods not know that?!

Zeus, frustrated that he did not know, said: “I want some of them here. Whoever can bring some of them now will be rewarded.”

Lucifer said: “Only the Army of the Dead can bring you these children and women.”

Zeus was shaken, “No! Not this army! They are brutal. They are gruesome, fierce, horrifying, inexorable, merciless, hideous.”

Lucifer: “This is the only army that can make your wish come true.”

Other Gods: “Please, no, not this army. Not the Army of the Dead. Take any other army. Send the Amazons, they are good and strong. Send the Trojan army or send any one of us and we will bring them to you. Send Mars, Neptune or Hera. Send Hercules or Axel but not this army.”

Zeus, as usual, acts as he always acts. He acts selfishly. His will is an order, his dreams must come true, and his wish must be met.

Zeus with his loud voice, holding high his lightning rod to spread fear among the other Gods, said: “Silence. No comment. No one speak. Let it be. Send the Army of the Dead. Get me some children and some women from that Gaza. My desire is a demand and my demands are orders. Send the Army of the Dead now.”

All the Gods looked angrily at Lucifer. They wanted to kill him. But he is protected by the God of Gods.

Lucifer said: “Lord, you know that the Army of the Dead has demands too.”

Zeus: “What demands?”

Lucifer: “No one should ask or question the means they will use to get you the children and women and no one can ask them to stop until they stop. Do you swear to do this?”

Zeus: “This is an Oath of Zeus, the God of all Gods.”

The Army of the Dead was waiting with anxiety and joy, waiting for Lucifer to give them the good news. He was not late, he arrived with the happy news.

Lucifer said in his deep voice: “Go, my friends, put the Palestinian to the sword. You are free, with no questioning, don’t stop until you quench your thirst with their blood.”

The Army of the Dead did not wait until he finished his speech. They launched their heavy hammers, their swords and spheres, their daggers and knives into the bodies of the Palestinian children and women.

Palestinian men were there, helpless, unable to do anything but to weep in pain and sorrow. Just like Prometheus in his chains.

Hundreds and hundreds of children and women ascended to the Throne Hall of Zeus. Group after group.

Zeus looks at them. They are not shining anymore, they have lost their beauty, they are not as he saw them from the top of Olympus. They are arriving in pieces, some are beheaded, some are without arms or legs, some are cut in half. Zeus starts to get frustrated, this is not what he wanted.

The Gods said with one voice: “Yes, this is what you wanted.”

Zeus: “I asked for some, for a few children and women. Some means three to four, ten but not tens, not hundreds, not thousands.”

All the Gods: “You get what you ask for.”

Zeus: “Why do they slaughter their men? Why do they destroy their homes? Why do they cut their trees down? Why do they burn their fields? Why do they kill their cattle? Why do they deprive them of food and water? Why?”

All the Gods: “You get what you ask for.”

He called for Lucifer but Lucifer had disappeared. Lucifer hid among the Army of the Dead. Zeus became angry. He shouted “Enough.” But his loud voice was covered by the screams of the Palestinians and the roars of the Army of the Dead. Children and women continued ascending with no light, with no shine, ascending dead. The Throne Hall started to be filled with their bodies. The huge hall, which could contain all the Gods, half-Gods, their wives and children and even their servants, became full — completely full up to the ceiling with piles of bodies. Thousands of Palestinian children, thousands of Palestinian women and thousands of Palestinian men.

Zeus on his throne astonished, speechless, unable to break his oath. And while all the Gods were watching him sadly, helplessly, they saw something they had never seen before. They saw Zeus with tears in his eyes. Tears of regret. Tears of sorrow, tears of weakness. The God of all Gods is crying for the Gaza bloodshed and yet the Army of the Dead continues putting the sword into the soft flesh of Palestinian children and women.


Survival Recipe

How can one survive war in a very small place, where bombing, shelling, bombardment, striking, shooting is everywhere? Where there is no way to predict the next strike, especially when civilians are the main target?

How to find a safe place?

How to secure food and water when there is no food or water allowed in?

How to get health treatment when you get sick while hospitals are targeted and no medical supplies are allowed in?

How to provide safety and comfort for your children when you can’t even have it for yourself?

How to find shelter when homes, houses, buildings are deliberately hit?

How to keep warm when there is no electricity to put on a heater, or no winter clothes available in the market, or when you have no money to buy them even if some are available?

How to cook your food when cooking gas is not allowed in?

How to escape? To leave the city which becomes a battlefield and is locked and closed and there is no way out but to your grave, if you can find a grave and find someone to put you in it?

The answer is: I DON’T KNOW.


Annoying Words

The most annoying words I hear are coming from journalists and politicians and official representatives of UN agencies and political analysts when they describe things in Gaza.

Words such as “difficult.”

For example: 

When the Shifa Hospital was surrounded by the Israeli army and bombed after depriving it from water, electricity, oxygen, food;

When injured people in the ICU are dying one after another;

When newborn babies in the incubators are dying one after another;

When sick people suffocated because there is no oxygen;

When corpses are rotting in the sun and no one can bury them or move them; 

A clever representative of the WHO, or a smart journalist:

What????? Difficult!!!

Sir, when you have an argument with your wife, you come and say it was difficult. When you don’t find milk for your morning coffee, you say it is a difficult situation. When you look for a taxi to get to work on time and don’t find one, then it is difficult. When you try to convince your son to stay with the babysitter, and he is stubborn and does not listen, you can say it is difficult.

What is happening at Shifa Hospital is not difficult. It is a massacre. It is a crime against humanity. It is terror in its worst form.

Screw difficult.


Fire Belt

When the Israeli Occupation Army hit, strike and destroy a row of 20-30 buildings, which would include hundreds of apartments, homes and houses, stores and markets:

A journalist appearing with his bulletproof vest and helmet or a political analyst with a tie round his neck, describe the action by saying that the Israeli army created a fire belt in Yarmouk Street.

What? “Fire Belt”???!!!

It is homes, it is belongings, it is shelters, it is the warm places, it is the comfort after a long day’s work, it is memories, it is all that people have, it is their beds and sofas, it is their TVs and kitchens, it is their favorite cups and plates. In every corner of these hundreds of houses they have memories, everything they have they chose themselves, over years and years of working hard to save money and buy it, in order to use it, and enjoy it. It is the beds of their children, it is the blanket they chose because they liked its color, it is their photos on the walls and where they planned their children’s futures. It is their past and their planned future.

Screw “fire belt.”

 

Messages from Gaza Now by Hossam Madhoun appears courtesy of Jonathan Chadwick and Az Theatre, in London.

Hossam Madhoun

Hossam Madhoun Hossam Madhoun is the co-founder of Gaza’s Theatre for Everybody. The war in Gaza has made productions impossible. As project coordinator for the local nonprofit Ma’an Development Agency in Rafah, Madhoun and the theater’s co-founder Jamal Al Rozzi now dedicate... Read more

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What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Book Reviews

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Art

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31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Fiction

Tears from a Glass Eye—a story by Samira Azzam

2 JULY 2023 • By Samira Azzam, Ranya Abdelrahman
Tears from a Glass Eye—a story by Samira Azzam
Arabic

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4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Essays

Alien Entities in the Desert

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Alien Entities in the Desert
Featured Artist

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4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

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11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

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5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Art & Photography

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15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Fiction

Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Latest Reviews

Four Poems from Mosab Abu Toha

14 JULY 2021 • By Mosab Abu Toha
Four Poems from Mosab Abu Toha
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Poetry

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14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

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