Egypt’s Gatekeeper—President or Despot?

Modern new mosque in new Cairo (photo Edward Gerges).

6 SEPTEMBER 2024 • By Elias Feroz
In Egypt Under El-Sisi, Maged Mandour argues that the president’s administration signifies a pivotal moment in Egyptian history, suggesting that El-Sisi has drawn valuable lessons from past mistakes and meticulously constructed a comprehensive system of barriers to forestall a recurrence of events reminiscent of those that transpired in 2011.

 

Egypt under El-Sisi: A Nation on the Edge, by Maged Mandour
I.B. Tauris/Bloomsbury 2024
ISBN 9780755649150

 

Elias Feroz

 

Myth and reality, the so-called “Arab Spring” that spread to Egypt in 2011 was in many ways a failed revolution. Those who initiated the mass protests, and the civil society actors who organized around it had hoped for more societal participation in political affairs, more freedom, and a better life in general — the kind of life that had been denied them under the corrupt and authoritarian Mubarak government. Today, Egypt is perhaps further removed from democracy and human rights than ever before. However, the process of revolution was a big success for Egypt’s current dictator, Abd al-Fattah El-Sisi, as political analyst Maged Mandour points out in his book Egypt under El-Sisi: A Nation on the Edge: A comprehensive study of Egypt’s system of fear. Using numerous references to several primary sources, Mandour’s study provides compelling insight into how El-Sisi’s exercise of power works, convincingly explaining how his rule differs from that of his predecessors and how he reshapes the power apparatus to consolidate the regime in ways reminiscent of an Orwell novel. Unfortunately, this is not a dystopian fiction, but a dystopian reality that is often overlooked in Western reporting.

Egypt under El-Sisi is published by I.B. Tauris/Bloomsbury.

Mandour avoids the common mistake of romanticizing the previous Egyptian presidents and their terms of office as he affirms El-Sisi’s authoritarianism. Rather, he conducts a comparison of the governing styles of different rulers from Gamal Abdel Nasser to Mohammed Mursi to that of El-Sisi, analyzing similarities and differences between the various regimes. Mandour comes to the conclusion that El-Sisi’s government represents a turning point in Egyptian history, a regime led by dual aims: not only to consolidate power within the military junta but also to erect permanent obstacles to democratization. It can be argued that El-Sisi learned from the mistakes of his predecessors, creating a legacy whose main achievement is the complex structure of barriers he built to prevent a repeat of events like those of 2011.

While Mandour correctly points out that the government of Mohammed Morsi was Egypt’s only democratically elected government, he doesn’t refrain from criticizing the political actions of the Muslim Brotherhood and how their attempt to monopolize power ended up alienating other civil society forces. In this, we see a political problem that often follows the rise to power of Islamic or Islamist parties, whereby all other parties can be deemed “un-Islamic” according to their standards, making plurality or coalition building difficult and sometimes impossible.

Ironically, this is also the approach El-Sisi adopted to defame the Muslim Brotherhood. Mandour refers to a Twitter post by Egypt’s Dar al-Ifta (an institution responsible for issuing Islamic legal opinions), in which they call the Muslim Brotherhood the “Khawarij” of the current era and thus deems the fight against them to be the “highest form of jihad.” The Khawarij were a group in the early days of Islam known for their extremist and intolerant interpretation of the religion, and thus the tweet by Dar al-Ifta was an attempt to delegitimize the Muslim Brotherhood as an extremist sect that is not recognized as “truly Islamic.”

In the first days of the coup d’état, El-Sisi was portrayed by several Western media outlets as a secular counterpart who’d managed to oust the fundamentalist Mohammed Morsi and his Muslim Brotherhood from power. This representation is, of course, nothing but a convenient fiction. El-Sisi in fact liberally uses Islamic rhetoric and exploits Islamic institutions to assert his power over the Egyptian population, which is majority conservative Sunni. As such, there is little that is “secular” about his regime.

Still, the assumption persists, owing to the distorted picture painted by many Western media outlets in the aftermath of El-Sisi’s coup. Mandour cites numerous quotes from the dictator in which he speaks of “divine support,” justifying and underpinning his exercise of power by language that stylizes his regime as one divinely chosen. This was a strategy also employed by Gamal Abdel Nasser during his term in office, when he similarly cracked down violently against the Muslim Brotherhood and had them imprisoned, claiming that the group was exploiting Islam for their own gain. Mandour describes El-Sisi’s dictatorship as a new variant of Nasserism that departs from the original’s emphasis on social justice, anti-imperialism, and mass mobilization and instead highlights its most authoritarian features.

The current regime’s use of violence is a central strategy of the way it maintains power and control, surpassing even the violence of Mubarak’s era. The lesson El-Sisi learned from his predecessors is that increased violence is essential for the regime’s survival. To avoid a repeat of the 2011 protests, which overwhelmed and led to the collapse of security forces, his regime implemented a plan for urban control. It restructured the city’s landscape, relocating the urban poor away from government centers and developed a transportation network specifically designed to help security forces suppress protests more easily. Mandour describes the exercise of state violence as the “glue” that keeps the current system from collapsing and the key element in controlling public discourse.

Although the book’s scope doesn’t extend to the current war on Gaza and Egypt’s role in it, Mandour’s analysis is very much upheld by the violent repression of pro-Palestine protests and imprisonment of pro-Palestinian voices in Egypt. The El-Sisi regime fears any and every spark of dissent, regardless of whether it directly targets the regime itself or not. Since the regime presents itself as the guardian of the Egyptian nation (and as the true embodiment of Egyptian nationalism), it is therefore “justified” in suffocating any dissent at its roots, interpreting it as an attack on the nation. As such, extreme nationalist parties are no different from extremist Islamist ones (even though El-Sisi uses both components to control public discourse). Nationalist parties present themselves as pre-eminent representatives of the nation, and everything and everyone who doesn’t subscribe to their doctrine can thus be dismissed as a traitor to the nation.

A decade into El-Sisi’s reign, it appears that the regime has succeeded in consolidating its military rule and preventing any and all processes of democratization. But, as Mandour explains, meeting any discontent with repression makes the regime vulnerable in the long run, because repeated economic crises and increasing poverty can only be denied solution and met with suppression for so long.

Although the book makes clear from the outset that the regime’s international relations won’t be directly addressed, readers can nonetheless infer certain aspects from the comprehensive picture presented of the regime’s ideology and self-image. However, one criticism that might be leveled at the book is that an analysis of the current Egyptian regime that focuses mainly on the internal situation and ignores the international context provides an incomplete overview of how Egypt is being ruled. Important factors such as foreign government support, economic interdependencies, external political influences, and security dynamics are essential to a more comprehensive understanding (though Mandour does indeed address Egypt’s debt situation and its role in international investments in the fourth chapter of his book).

It would hence be interesting to see a little more analysis on the international attitude and power dynamics that underpin El-Sisi’s rule: Why is there little criticism from Europe, the USA, or Canada when it comes to human rights violations and state violence in Egypt? What international geopolitical power interests helped uphold El-Sisi’s coup? Mandour, on the other hand, does answer these questions, at least partially, in articles and interviews published on news platforms such as Middle East Eye or the Rosa Luxemburg Stiftung.  He concludes that European companies benefit greatly from Egypt’s debt-driven megaprojects. For example, the German company Siemens has profited from a multibillion-euro agreement to build power plants in Egypt. These projects create lucrative opportunities for European firms. Mandour also mentions this in his book, though he could have highlighted more — as he does in his articles — that “Western values” appear to take a backseat when countries like Germany see economic advantages in collaborating with a military dictator who disregards human rights. In his article for Middle East Eye, Mandour also points out that, although migration isn’t the main reason for the EU’s “strategic partnership” with Egypt, it does provide a way for the EU to involve Egypt in its efforts to control and manage migration — an important issue not addressed in the book. Nevertheless, Mandour’s study is an authentic analysis of El-Sisi’s system of fear from an Egyptian perspective, and it is worth reading the author’s texts published online to get a more nuanced picture of Egypt’s political situation.

 

Elias Feroz

Elias Feroz Elias Feroz works as a freelance writer and focuses on a variety of topics, including racism, antisemitism, Islamophobia, the politics of history, and cultures of remembrance.

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The Mystery of Enayat al-Zayyat in Iman Mersal’s Tour de Force
Amazigh

World Picks: Festival Arabesques in Montpellier

4 SEPTEMBER 2023 • By TMR
World Picks: Festival Arabesques in Montpellier
Fiction

“A Dog in the Woods”—a short story by Malu Halasa

3 SEPTEMBER 2023 • By Malu Halasa
“A Dog in the Woods”—a short story by Malu Halasa
Essays

They and I, in Budapest

3 SEPTEMBER 2023 • By Nadine Yasser
They and I, in Budapest
Essays

A Day in the Life of a Saturday Market Trawler in Cairo

3 SEPTEMBER 2023 • By Karoline Kamel, Rana Asfour
A Day in the Life of a Saturday Market Trawler in Cairo
Opinion

The Middle East is Once Again West Asia

14 AUGUST 2023 • By Chas Freeman, Jr.
The Middle East is Once Again West Asia
Books

Books That Will Chase me in the Afterlife

14 AUGUST 2023 • By Mohammad Rabie
Books That Will Chase me in the Afterlife
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
A Day in the Life

A Day in the Life: Cairo

24 JULY 2023 • By Sarah Eltantawi
A Day in the Life: Cairo
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Cities

In Shahrazad’s Hammam—fiction by Ahmed Awadalla

2 JULY 2023 • By Ahmed Awadalla
In Shahrazad’s Hammam—fiction by Ahmed Awadalla
Fiction

Abortion Tale: On Our Ground

2 JULY 2023 • By Ghadeer Ahmed, Hala Kamal
Abortion Tale: On Our Ground
Fiction

Genesis and East Cairo—fiction from Shady Lewis Botros

2 JULY 2023 • By Shady Lewis Botros, Salma Moustafa Khalil
Genesis and East Cairo—fiction from Shady Lewis Botros
Columns

The Rite of Flooding: When the Land Speaks

19 JUNE 2023 • By Bint Mbareh
The Rite of Flooding: When the Land Speaks
Book Reviews

Youssef Rakha Practices Literary Deception in Emissaries

19 JUNE 2023 • By Zein El-Amine
Youssef Rakha Practices Literary Deception in <em>Emissaries</em>
Books

The Markaz Review Interview—Leila Aboulela, Writing Sudan

29 MAY 2023 • By Yasmine Motawy
The Markaz Review Interview—Leila Aboulela, Writing Sudan
Books

Cruising the Abu Dhabi International Book Fair

29 MAY 2023 • By Rana Asfour
Cruising the Abu Dhabi International Book Fair
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Book Reviews

Radius Recounts a History of Sexual Assault in Tahrir Square

15 MAY 2023 • By Sally AlHaq
<em>Radius</em> Recounts a History of Sexual Assault in Tahrir Square
Book Reviews

A Debut Novel, Between Two Moons, is set in “Arabland” Brooklyn

15 MAY 2023 • By R.P. Finch
A Debut Novel, <em>Between Two Moons</em>, is set in “Arabland” Brooklyn
Cities

In Luxor, Egypt Projects Renewed Tourism Economy

10 APRIL 2023 • By William Carruthers
In Luxor, Egypt Projects Renewed Tourism Economy
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Fiction

“The Stranger”—a Short Story by Hany Ali Said

2 APRIL 2023 • By Hany Ali Said, Ibrahim Fawzy
“The Stranger”—a Short Story by Hany Ali Said
Arabic

The Politics of Wishful Thinking: Deena Mohamed’s Shubeik Lubeik

13 MARCH 2023 • By Katie Logan
The Politics of Wishful Thinking: Deena Mohamed’s <em>Shubeik Lubeik</em>
Fiction

“Raise Your Head High”—new fiction from Leila Aboulela

5 MARCH 2023 • By Leila Aboulela
“Raise Your Head High”—new fiction from Leila Aboulela
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Cities

Coming of Age in a Revolution

5 MARCH 2023 • By Lushik Lotus Lee
Coming of Age in a Revolution
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Columns

Letter From Tehran: From Hair to Hugs, Times Are Changing

28 NOVEMBER 2022 • By TMR
Film

The Chess Moves of Tarik Saleh’s Spy Thriller, Boy From Heaven

15 NOVEMBER 2022 • By Karim Goury
The Chess Moves of Tarik Saleh’s Spy Thriller, <em>Boy From Heaven</em>
Essays

Stadiums, Ghosts & Games—Football’s International Intrigue

15 NOVEMBER 2022 • By Francisco Letelier
Stadiums, Ghosts & Games—Football’s International Intrigue
Columns

Free Alaa Now

7 NOVEMBER 2022 • By Jordan Elgrably
Free Alaa Now
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

Cassette Tapes Once Captured Egypt’s Popular Culture

10 OCTOBER 2022 • By Mariam Elnozahy
Cassette Tapes Once Captured Egypt’s Popular Culture
Book Reviews

The Egyptian Revolution and “The Republic of False Truths”

26 SEPTEMBER 2022 • By Aimee Dassa Kligman
The Egyptian Revolution and “The Republic of False Truths”
Centerpiece

“What Are You Doing in Berlin?”—a short story by Ahmed Awny

15 SEPTEMBER 2022 • By Ahmed Awny, Rana Asfour
“What Are You Doing in Berlin?”—a short story by Ahmed Awny
Fiction

“Another German”—a short story by Ahmed Awadalla

15 SEPTEMBER 2022 • By Ahmed Awadalla
“Another German”—a short story by Ahmed Awadalla
Art

My Berlin Triptych: On Museums and Restitution

15 SEPTEMBER 2022 • By Viola Shafik
My Berlin Triptych: On Museums and Restitution
Essays

Kairo Koshary, Berlin’s Egyptian Food Truck

15 SEPTEMBER 2022 • By Mohamed Radwan
Kairo Koshary, Berlin’s Egyptian Food Truck
Essays

Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants

15 SEPTEMBER 2022 • By Diana Abbani
Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Columns

Tunisia—Towards the End of the Dream of Democracy

1 AUGUST 2022 • By Emna Mizouni
Tunisia—Towards the End of the Dream of Democracy
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Book Reviews

Poetry as a Form of Madness—Review of a Friendship

15 JULY 2022 • By Youssef Rakha
Poetry as a Form of Madness—Review of a Friendship
Book Reviews

Alaa Abd El-Fattah—the Revolutionary el-Sissi Fears Most?

11 JULY 2022 • By Fouad Mami
Alaa Abd El-Fattah—the Revolutionary el-Sissi Fears Most?
Book Reviews

Traps and Shadows in Noor Naga’s Egypt Novel

20 JUNE 2022 • By Ahmed Naji
Traps and Shadows in Noor Naga’s Egypt Novel
Book Reviews

A Poet and Librarian Catalogs Life in Gaza

20 JUNE 2022 • By Eman Quotah
A Poet and Librarian Catalogs Life in Gaza
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Fiction

“Godshow.com”—a short story by Ahmed Naji

15 JUNE 2022 • By Ahmed Naji, Rana Asfour
“Godshow.com”—a short story by Ahmed Naji
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Fiction

“The Suffering Mother of the Whole World”—a story by Amany Kamal Eldin

15 JUNE 2022 • By Amany Kamal Eldin
“The Suffering Mother of the Whole World”—a story by Amany Kamal Eldin
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Book Reviews

Siena and Her Art Soothe a Writer’s Grieving Soul

25 APRIL 2022 • By Rana Asfour
Siena and Her Art Soothe a Writer’s Grieving Soul
Book Reviews

Egyptian Comedic Novel Captures Dark Tale of Bedouin Migrants

18 APRIL 2022 • By Saliha Haddad
Egyptian Comedic Novel Captures Dark Tale of Bedouin Migrants
Latest Reviews

Food in Palestine: Five Videos From Nasser Atta

15 APRIL 2022 • By Nasser Atta
Food in Palestine: Five Videos From Nasser Atta
Book Reviews

Mohamed Metwalli’s “A Song by the Aegean Sea” Reviewed

28 MARCH 2022 • By Sherine Elbanhawy
Mohamed Metwalli’s “A Song by the Aegean Sea” Reviewed
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Film Reviews

“Ghodwa” or the Bitter Taste of the Unfinished Tunisian Revolution

21 MARCH 2022 • By Sarah Ben Hamadi
“Ghodwa” or the Bitter Taste of the Unfinished Tunisian Revolution
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Art

“A Tunisian Revolt” — the Rebel Power of Arab Comics

21 FEBRUARY 2022 • By Nada Ghosn
“A Tunisian Revolt” — the Rebel Power of Arab Comics
Essays

The Alexandrian: Life and Death in L.A.

15 FEBRUARY 2022 • By Noreen Moustafa
The Alexandrian: Life and Death in L.A.
Film

“The Translator” Brings the Syrian Dilemma to the Big Screen

7 FEBRUARY 2022 • By Jordan Elgrably
“The Translator” Brings the Syrian Dilemma to the Big Screen
Art & Photography

Mapping an Escape from Cairo’s Hyperreality through informal Instagram archives

24 JANUARY 2022 • By Yahia Dabbous
Mapping an Escape from Cairo’s Hyperreality through informal Instagram archives
Essays

Taming the Immigrant: Musings of a Writer in Exile

15 JANUARY 2022 • By Ahmed Naji, Rana Asfour
Taming the Immigrant: Musings of a Writer in Exile
Fiction

“Turkish Delights”—fiction from Omar Foda

15 DECEMBER 2021 • By Omar Foda
“Turkish Delights”—fiction from Omar Foda
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Essays

The Complexity of Belonging: Reflections of a Female Copt

15 SEPTEMBER 2021 • By Nevine Abraham
The Complexity of Belonging: Reflections of a Female Copt
Latest Reviews

Shelf Life: The Irreverent Nadia Wassef

15 SEPTEMBER 2021 • By Sherine Elbanhawy
Shelf Life: The Irreverent Nadia Wassef
Weekly

Reading Egypt from the Outside In, Youssef Rakha’s “Baraa and Zaman”

24 AUGUST 2021 • By Sherifa Zuhur
Reading Egypt from the Outside In, Youssef Rakha’s “Baraa and Zaman”
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Book Reviews

Egypt Dreams of Revolution, a Review of “Slipping”

8 AUGUST 2021 • By Farah Abdessamad
Egypt Dreams of Revolution, a Review of “Slipping”
Weekly

Heba Hayek’s Gaza Memories

1 AUGUST 2021 • By Shereen Malherbe
Heba Hayek’s Gaza Memories
Memoir

“Guns and Figs” from Heba Hayek’s new Gaza book

1 AUGUST 2021 • By Heba Hayek
“Guns and Figs” from Heba Hayek’s new Gaza book
Weekly

Wafa Shami’s Palestinian Mulukhiyah

25 JULY 2021 • By Wafa Shami
Wafa Shami’s Palestinian Mulukhiyah
Weekly

Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية

25 JULY 2021 • By Fadi Kattan
Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية
Columns

When War is Just Another Name for Murder

15 JULY 2021 • By Norman G. Finkelstein
When War is Just Another Name for Murder
Fiction

Gazan Skies, from the novel “Out of It”

14 JULY 2021 • By Selma Dabbagh
Gazan Skies, from the novel “Out of It”
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Essays

The Gaza Mythologies

14 JULY 2021 • By Ilan Pappé
The Gaza Mythologies
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Latest Reviews

No Exit

14 JULY 2021 • By Allam Zedan
No Exit
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Essays

Sailing to Gaza to Break the Siege

14 JULY 2021 • By Greta Berlin
Sailing to Gaza to Break the Siege
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Columns

Gaza’s Catch-22s

14 JULY 2021 • By Khaled Diab
Gaza’s Catch-22s
Essays

Gaza IS Palestine

14 JULY 2021 • By Jenine Abboushi
Gaza IS Palestine
Latest Reviews

A Response to “Gaza: Mowing the Lawn” 2014-15

14 JULY 2021 • By Tony Litwinko
A Response to “Gaza: Mowing the Lawn” 2014-15
Centerpiece

“Gaza: Mowing the Lawn” by Artist Jaime Scholnick

14 JULY 2021 • By Sagi Refael
“Gaza: Mowing the Lawn” by Artist Jaime Scholnick
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Weekly

A New Book on Music, Palestine-Israel & the “Three State Solution”

28 JUNE 2021 • By Mark LeVine
A New Book on Music, Palestine-Israel & the “Three State Solution”
Weekly

Midnight in Cairo: The Divas of Egypt’s Roaring 20s

16 MAY 2021 • By Selma Dabbagh
Midnight in Cairo: The Divas of Egypt’s Roaring 20s
Art & Photography

Walls, Graffiti and Youth Culture in Egypt, Libya & Tunisia

14 MAY 2021 • By Claudia Wiens
Walls, Graffiti and Youth Culture in Egypt, Libya & Tunisia
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
TMR 6 • Revolutions

Revolution Viewed from the Crow’s Nest of History

15 FEBRUARY 2021 • By Melissa Chemam
Revolution Viewed from the Crow’s Nest of History
Centerpiece

Egypt’s Night of the Battle of Horses and Camels

14 FEBRUARY 2021 • By Iason Athanasiadis
Egypt’s Night of the Battle of Horses and Camels
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Revolution in Art, a review of “Reflections” at the British Museum

14 FEBRUARY 2021 • By Malu Halasa
Revolution in Art, a review of “Reflections” at the British Museum
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
Weekly

Cairo 1941: Excerpt from “A Land Like You”

27 DECEMBER 2020 • By TMR
Cairo 1941: Excerpt from “A Land Like You”
The Red and the Blue

Trump’s “Favorite Dictator” Imprisons Journalists

15 OCTOBER 2020 • By Monique El-Faizy
Trump’s “Favorite Dictator” Imprisons Journalists
Book Reviews

Egypt—Abandoned but not Forgotten

4 OCTOBER 2020 • By Ella Shohat
Egypt—Abandoned but not Forgotten
World Picks

World Art, Music & Zoom Beat the Pandemic Blues

28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues
Columns

Why Non-Arabs Should Read Hisham Matar’s “The Return”

3 AUGUST 2017 • By Jordan Elgrably
Why Non-Arabs Should Read Hisham Matar’s “The Return”

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