Wanis El Kabbaj fondly reminisces about his father's elation while in Paris and the profound significance the city...
1 APRIL 2024 • By Wanis El Kabbaj, Jordan Elgrably
There is no excerpt because this is a protected post.
21 MARCH 2024 • By Jordan Elgrably
A few entries on a genocidal map...A walk in the Valley of Death that is the war on...
3 MARCH 2024 • By Faris Lounis, Jordan Elgrably
An editorial from the editor in chief as we close the end of an often painful, difficult and...
3 DECEMBER 2023 • By Jordan Elgrably
TMR's editor in chief, Jordan Elgrably, asks four Beirutis why they stay, and how they manage, enduring one...
3 DECEMBER 2023 • By Jordan Elgrably
What happens when public universities begin shutting down entire area studies departments, and learning foreign languages becomes a...
28 AUGUST 2023 • By Jordan Elgrably
Sarah Naili interviews musical artists who meld eastern and western instruments, and forms, to create their unique sounds...
17 JULY 2023 • By Jordan Elgrably
An Afghan refugee, survivor of a shipwreck, washes up on the shores of southern France and applies for...
2 JULY 2023 • By Jordan Elgrably
Editor-in-chief, Jordan Elgrably, explains why TMR chose the EARTH theme for its 32nd issue.
4 JUNE 2023 • By Jordan Elgrably
Jordan Elgrably interviews the Algerian-French iconoclast about her first album after Covid and about why she's devoted her...
1 MAY 2023 • By Jordan Elgrably
A Pultizer winner for his play "Disgraced," Ayad Akhtar is the current President of PEN America and author...
5 FEBRUARY 2023 • By Jordan Elgrably
Pierre Daum, a correspondent for Le Monde Diplomatique, goes in search of Algerian artists in Algiers.
12 DECEMBER 2022 • By Pierre Daum, Jordan Elgrably
