“Another German”—a short story by Ahmed Awadalla

"Selfless Self," Mo Baala, 120x65cm, watercolor on canvas, 2021

15 SEPTEMBER 2022 • By Ahmed Awadalla
Mo Baala (b. 1986 Casablanca, lives/works between Marrakech and Taroudant, “Selfless Self,” 120x65cm, watercolor on canvas, 2021 (courtesy Mo Baala).

 

Falling in love after moving to a new city could be the key for homemaking. But what if the key is lost?

 

Ahmed Awadalla     

 

I wanted to leave the bar, but my friend — a bearded guy with obvious signs of rigorous gym-going — wanted to stay. A hunky Arab, he is a popular product on Berlin’s market of desire. A couple of men are eying my friend, while he has eyes on another man. A vicious cycle. He and I didn’t start out as friends. After we hooked up a couple of times, he friend-zoned me. He doesn’t do relationships with other Arabs, he said. He prefers to be with a German. “You can go if you like, I am staying,” he responds in his dialect when I ask if he wants to leave the bar together. 

It’s a stretch after midnight on a Friday night. Flocks of people are arriving at the bar. The night is quite young. But I feel tired. It’s been a hard week. I began going to a German class in the evenings after I finish my work shift. I feel like a zombie, who craves human flesh but would instead be satisfied with a long, deep sleep.

The guy at the next table smiles in my direction. Possibly, we met before, and my memory couldn’t retain that encounter anymore. Possibly, he is high on some substance, and is simply channeling his state of mind. I smile back as a way of being a good sport. I reclaim my jacket from the Garderobe in preparation for the gusty wind on Berlin’s streets. He suddenly stepped towards me, the smile now turning into a grin. His smile was comforting, disarming. He convinced me to stay for another beer. I didn’t feel ashamed telling my friend that I wasn’t leaving the bar after all. He would do the same once he found his German.

I am curious about his roots, but I don’t ask. I find that question quite basic and sometimes outright rude. I speculate about it all the same. My guess is that he comes from somewhere around the Mediterranean, perhaps Turkish? Turkish guys can be quite confusing. They can completely pass as white. Especially when they’re dressed as hipsters.

He asks me where I am from. “I am from Egypt. What about you?” When he said he was German, my heart dropped. I don’t know if I can date another German. Too many of them have already broken my heart: The one who ghosted me after months of steamy dating. The one who was breadcrumbing me, while he was trying to get back with his ex-boyfriend — who was a Greek orthodox priest, by the way.

Flashback to a series of failed dates with German men:

—The one who spent our first date complaining about being rigged during his vacation in Egypt.
—The one who kept miscalling me Mohamed.
—The one who inexplicably got angry when I mentioned neo-Nazi demonstrations.
—The one who started our pillow talk by asking if I want to destroy Israel.
—The one who kept comparing me to his Lebanese ex.

—The one who would laugh at my accented German.
—The one who told me that I remind him of a song called Killing an Arab.
—The one who…

I hate this distance. I am done with Germans, I thought. I couldn’t keep my word. Wasn’t a loving relationship with a person from the native culture the best way to make a new home in diaspora? Love could be the key to unlock the foreign surroundings. I just wish we could separate love from geopolitics. I just wish I were less afraid of opening my heart. With him, the conversation was flowing smoothly. He felt warm. He said I had beautiful eyes. His kisses were slow, and his smell was sweet. He wasn’t much taller or stronger, he didn’t trigger my morbid kidnap scenarios. (That piece of news about the Berlin gay cannibal who lured his victim on dating apps continues to haunt me.)

Maybe he could change my mind. Maybe I should give him a chance. Maybe a new love story is about to be born, right here at this cruising bar.

We go to the darkroom. We passionately kiss, with occasional pauses for hugs. I love his average and slightly hairy body, though he is not inclined to please (a problem I find common among the Germans I have come to know). In that moment, I felt powerful enough to guide him, tell him what to do. I summoned upon the spirit of my past days. If I could cruise on Cairo streets, I could definitely handle this. He follows my instructions. I like him even more.

“Would you like to go home with me?” he asks me gently. My heart is racing. He wants to spend time even after the darkroom orgasm. Maybe something is really happening between us. Maybe I am not a delusional romantic after all. I pretend to consider it shortly but, in my head, I’ve already said yes. I miss falling asleep next to somebody. My body craves having sex with him another time. We do it again before we fall asleep.

We wake up in a room filled with sunlight. Boxes scattered on the floor and half-painted walls. He just moved into this flat, he explains. We discuss our plans for the day. I didn’t have any. He is going to IKEA to get furniture for his new flat. I wish he would invite me along, even though I don’t really like it there, too many couples arguing. Instead, I ask him how he found his flat. Can I get to have my own flat like him one day?

When I arrived in Berlin, I was sent to live in a refugee camp in Marzahn. The conditions were awful. Inside, there was no privacy. The security staff would open the doors without knocking, to check if the refugees were breaking one of their endless rules. Outside the camp, there were neo-Nazis demonstrating against the camp, against our existence. There was nowhere to hide.

I went to an LGBT NGO that promised to find housing for people like me. They arranged a meeting with a local gay couple who had an extra room in their apartment. The couple conducted a long interview with me, they asked about my life story, my family, and ultimately my sexual preferences. I was confused, I went back to the social worker at the NGO, who said she had referred to them an older Russian refugee in the past, but they refused as they preferred to host a young Arab. I declined the offer and decided to stay longer in the refugee camp.

I eventually moved into a shared flat with a queer German woman around my age. She maintained a good image of herself as the benevolent person who hosts refugees, and she wanted us to appear in the media to talk about our peaceful coexistence. While at home, I felt stifled and controlled, as if I were stepping on eggshells not to upset her. She monitored my moves and controlled my diet. She imposed strict vegetarianism in the house. When I mistakenly bought some cheese with tiny chunks of meat, she called to tell me she threw it away and wouldn’t tolerate such mistakes in the future. My confusion at her behavior only matched with that at the German supermarkets with their profuse products and the incomprehensible labels on them. I became reclusive in my room trying to avoid her. I was increasingly late for the Putzplan (cleaning schedule), and she blamed Arab masculinity for that.

I am jealous of his flat. Right in the heart of Neukölln, the sought-after trendy area where the cool people want to live. A balcony. So much light.

How did you find it? It wasn’t that hard, he said simply. He sent a few applications and landed a contract. Can it really be that easy, I ask myself in disbelief, as if we live in different worlds. I curl under the cover and observe him in the daylight. He looks paler now. We didn’t have morning sex, I thought we hinted at it before we cuddled and fell sleep. Is it the beginning of the end?

He suggests we get breakfast together. My heart races once more. We stroll the busy streets of Neukölln, heading to the restaurant he suggests. A cold wind blows in our faces, as he begins a conversation.

—Do you go back to Egypt?
—No. I haven’t been back since I came to Germany.
—You don’t want to or you can’t?
—I can’t.
—Why is that?
—Because I am a refugee.
—What does this have to do with it?

I can’t help but release an audible sigh. I want him to know without going to the trouble of explaining how asylum works. He asks a lot of questions; what is the situation for gays in Egypt? how was life at the refugee camp? how is my relationship with my family? I answer his questions. He listens to my answers while commenting. I find it hard to read his blank face. When our breakfast arrives, we begin talking about him; his struggles when he lived in Argentina, how he was angry about the lack of air conditioners, and how he missed good techno music. I nod as I listen, occasionally saying, “Yes. I understand.”

I notice that he isn’t showing emotion when I share my story. I notice that he asked me if I had a job three times already. I also observe that my voice quiveres, that I feel smaller. He offers to pay. ‘Are you sure?’ I ask. I don’t want him to pay because I don’t want him to feel superior. But eventually, I let him do it and I consider it a form of emotional reparation.

We walk to the station. We smile at each other, not sincerely. He leans toward me and gives me a kiss before he walks in the other direction. I realize we haven’t exchanged phone numbers. It is our last kiss. I feel surprisingly relieved. 

 

Ahmed Awadalla

Ahmed Awadalla Ahmed Awadalla is a writer and researcher from Egypt, currently based in Berlin. Their writing explores (queer) intimacies, identities, and historical narratives. Their work has been published in various publications and anthologies, including the Lambda finalist anthology, Between Certain Death and... Read more

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Book Reviews

Reading The Orchards of Basra

12 SEPTEMBER 2025 • By Jacob Wirtschafter
Reading <em>The Orchards of Basra</em>
Book Reviews

Egyptian Novelist Skewers British Bureaucracy with Black Humor

15 AUGUST 2025 • By Valeria Berghinz
Egyptian Novelist Skewers British Bureaucracy with Black Humor
Book Reviews

Without Women, the 2011 Revolution Might Have Never Been

8 AUGUST 2025 • By Jasmin Attia
Without Women, the 2011 Revolution Might Have Never Been
Book Reviews

Brutally Honest Exploration of Taboo Subjects in Empty Cages

8 AUGUST 2025 • By Ahmed Naji
Brutally Honest Exploration of Taboo Subjects in <em>Empty Cages</em>
Art

Architectural Biennale Confronts Brutality of Climate Change

1 AUGUST 2025 • By Iason Athanasiadis
Architectural Biennale Confronts Brutality of Climate Change
Fiction

“Waving at the Sky”—a story by Nahla Karam

4 JULY 2025 • By Nahla Karam
“Waving at the Sky”—a story by Nahla Karam
Art & Photography

Cairo: A Downtown in Search of Lost Global City Status

13 JUNE 2025 • By Iason Athanasiadis
Cairo: A Downtown in Search of Lost Global City Status
Film

From A World Not Ours to a Land Unknown

13 JUNE 2025 • By Jim Quilty
From A World Not Ours to a <em>Land Unknown</em>
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Books

Exile and Hope: Sudanese creatives and the question of home

2 MAY 2025 • By Ati Metwaly
Exile and Hope: Sudanese creatives and the question of home
Art

Afghanistan’s Histories of Conflict, Resistance & Desires

7 MARCH 2025 • By Jelena Sofronijevic
Afghanistan’s Histories of Conflict, Resistance & Desires
Essays

Return to Damascus…the Long Road Home

13 DECEMBER 2024 • By Zaher Omareen, Rana Asfour
Return to Damascus…the Long Road Home
Fiction

“The Small Clay Plate”—a Siwa folk tale

6 DECEMBER 2024 • By Bel Parker
“The Small Clay Plate”—a Siwa folk tale
Books

“Ghosts of Farsis”—a cyberpunk story

6 DECEMBER 2024 • By Hussein Fawzy, Rana Asfour
“Ghosts of Farsis”—a cyberpunk story
Books

The Time-Travels of the Man who Sold Pickles and Sweets—an Excerpt

6 DECEMBER 2024 • By Khairy Shalaby, Michael Cooperson
<em>The Time-Travels of the Man who Sold Pickles and Sweets</em>—an Excerpt
Fiction

“As Much of Life as the World Can Show”—a short story

6 DECEMBER 2024 • By Fil Inocencio Jr.
“As Much of Life as the World Can Show”—a short story
Essays

Liberation Cosplay: on the Day of the Imprisoned Writer

15 NOVEMBER 2024 • By Abdelrahman ElGendy
Liberation Cosplay: on the Day of the Imprisoned Writer
Editorial

Animal Truths

1 NOVEMBER 2024 • By Malu Halasa
Animal Truths
Art

Photographer Mohamed Mahdy—Artist at Work

27 SEPTEMBER 2024 • By Marianne Roux
Photographer Mohamed Mahdy—Artist at Work
Art & Photography

Featured Artists: “Barred From Home”

6 SEPTEMBER 2024 • By Malu Halasa
Featured Artists: “Barred From Home”
Centerpiece

Mohammad Hafez Ragab: Upsetting the Guards of Cairo

6 SEPTEMBER 2024 • By Maha Al Aswad, Rana Asfour
Mohammad Hafez Ragab: Upsetting the Guards of Cairo
Book Reviews

Egypt’s Gatekeeper—President or Despot?

6 SEPTEMBER 2024 • By Elias Feroz
Egypt’s Gatekeeper—President or Despot?
Book Reviews

All That Rage: On Comma Press’ Egypt +100

2 AUGUST 2024 • By Alex Tan
All That Rage: On Comma Press’ <em>Egypt +100</em>
Art

Deena Mohamed

5 JULY 2024 • By Katie Logan
Deena Mohamed
Essays

The Butcher’s Assistant—a true story set in Alexandria

5 JULY 2024 • By Bel Parker
The Butcher’s Assistant—a true story set in Alexandria
Fiction

“Certainty”—a short story by Nora Nagi

5 JULY 2024 • By Nora Nagi, Nada Faris
“Certainty”—a short story by Nora Nagi
Book Reviews

Upheavals of Beauty and Oppression in The Oud Player of Cairo

28 JUNE 2024 • By Tala Jarjour
Upheavals of Beauty and Oppression in <em>The Oud Player of Cairo</em>
Essays

Laughing for Change—Activist Theatre Tours Egypt

7 JUNE 2024 • By Nada Sabet
Laughing for Change—Activist Theatre Tours Egypt
Essays

What Is Home?—Gazans Redefine Place Amid Displacement

31 MAY 2024 • By Nadine Aranki
What Is Home?—Gazans Redefine Place Amid Displacement
Editorial

Why FORGETTING?

3 MAY 2024 • By Malu Halasa, Jordan Elgrably
Why FORGETTING?
Essays

A Proustian Alexandria

3 MAY 2024 • By Mohamed Gohar
A Proustian Alexandria
Essays

The Elephant in the Box

3 MAY 2024 • By Asmaa Elgamal
The Elephant in the Box
Fiction

“Cotton Flower”—a short story by Areej Gamal

3 MAY 2024 • By Areej Gamal, Manal Shalaby
“Cotton Flower”—a short story by Areej Gamal
Books

Four Books to Revolutionize Your Thinking

3 MARCH 2024 • By Rana Asfour
Four Books to Revolutionize Your Thinking
Book Reviews

Rotten Evidence: Ahmed Naji Writes About Writing in Prison

12 FEBRUARY 2024 • By Lina Mounzer
<em>Rotten Evidence</em>: Ahmed Naji Writes About Writing in Prison
Essays

Tears of the Patriarch

4 FEBRUARY 2024 • By Dina Wahba
Tears of the Patriarch
Essays

Don’t Ask me to Reveal my Lover’s Name لا تسألوني ما اسمهُ حبيبي

4 FEBRUARY 2024 • By Mohammad Shawky Hassan
Don’t Ask me to Reveal my Lover’s Name لا تسألوني ما اسمهُ حبيبي
Poetry

Four Poems by Alaa Hassanien from The Love That Doubles Loneliness

4 FEBRUARY 2024 • By Alaa Hassanien, Salma Moustafa Khalil
Four Poems by Alaa Hassanien from <em>The Love That Doubles Loneliness</em>
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Theatre

Lebanese Thespian Aida Sabra Blossoms in International Career

9 OCTOBER 2023 • By Nada Ghosn
Lebanese Thespian Aida Sabra Blossoms in International Career
Essays

The Vanishing of the Public Intellectual

1 OCTOBER 2023 • By Moustafa Bayoumi
The Vanishing of the Public Intellectual
Essays

Alaa Abd El-Fattah: Political Prisoner and Public Intellectual

1 OCTOBER 2023 • By Yasmine El Rashidi
Alaa Abd El-Fattah: Political Prisoner and Public Intellectual
Amazigh

World Picks: Festival Arabesques in Montpellier

4 SEPTEMBER 2023 • By TMR
World Picks: Festival Arabesques in Montpellier
Fiction

“A Dog in the Woods”—a short story by Malu Halasa

3 SEPTEMBER 2023 • By Malu Halasa
“A Dog in the Woods”—a short story by Malu Halasa
Opinion

The Middle East is Once Again West Asia

14 AUGUST 2023 • By Chas Freeman, Jr.
The Middle East is Once Again West Asia
A Day in the Life

A Day in the Life: Cairo

24 JULY 2023 • By Sarah Eltantawi
A Day in the Life: Cairo
Essays

“My Mother is a Tree”—a story by Aliyeh Ataei

2 JULY 2023 • By Aliyeh Ataei, Siavash Saadlou
“My Mother is a Tree”—a story by Aliyeh Ataei
Fiction

“The Afghan and the Persian”—a short story by Jordan Elgrably

2 JULY 2023 • By Jordan Elgrably
“The Afghan and the Persian”—a short story by Jordan Elgrably
Fiction

The Ship No One Wanted—a story by Hassan Abdulrazak

2 JULY 2023 • By Hassan Abdulrazzak
The Ship No One Wanted—a story by Hassan Abdulrazak
Fiction

Abortion Tale: On Our Ground

2 JULY 2023 • By Ghadeer Ahmed, Hala Kamal
Abortion Tale: On Our Ground
Fiction

Genesis and East Cairo—fiction from Shady Lewis Botros

2 JULY 2023 • By Shady Lewis Botros, Salma Moustafa Khalil
Genesis and East Cairo—fiction from Shady Lewis Botros
Featured Artist

Artist at Work: Syrian Filmmaker Afraa Batous

26 JUNE 2023 • By Dima Hamdan
Artist at Work: Syrian Filmmaker Afraa Batous
Book Reviews

Youssef Rakha Practices Literary Deception in Emissaries

19 JUNE 2023 • By Zein El-Amine
Youssef Rakha Practices Literary Deception in <em>Emissaries</em>
Essays

Turkey’s Earthquake as a Generational Disaster

4 JUNE 2023 • By Sanem Su Avci
Turkey’s Earthquake as a Generational Disaster
Books

The Markaz Review Interview—Leila Aboulela, Writing Sudan

29 MAY 2023 • By Yasmine Motawy
The Markaz Review Interview—Leila Aboulela, Writing Sudan
Books

Cruising the Abu Dhabi International Book Fair

29 MAY 2023 • By Rana Asfour
Cruising the Abu Dhabi International Book Fair
Book Reviews

Radius Recounts a History of Sexual Assault in Tahrir Square

15 MAY 2023 • By Sally AlHaq
<em>Radius</em> Recounts a History of Sexual Assault in Tahrir Square
Book Reviews

A Debut Novel, Between Two Moons, is set in “Arabland” Brooklyn

15 MAY 2023 • By R.P. Finch
A Debut Novel, <em>Between Two Moons</em>, is set in “Arabland” Brooklyn
Cities

In Luxor, Egypt Projects Renewed Tourism Economy

10 APRIL 2023 • By William Carruthers
In Luxor, Egypt Projects Renewed Tourism Economy
Fiction

“The Stranger”—a Short Story by Hany Ali Said

2 APRIL 2023 • By Hany Ali Said, Ibrahim Fawzy
“The Stranger”—a Short Story by Hany Ali Said
Fiction

“Raise Your Head High”—new fiction from Leila Aboulela

5 MARCH 2023 • By Leila Aboulela
“Raise Your Head High”—new fiction from Leila Aboulela
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Cities

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

5 MARCH 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Cities

Coming of Age in a Revolution

5 MARCH 2023 • By Lushik Lotus Lee
Coming of Age in a Revolution
Book Reviews

To Receive Asylum, You First Have to be Believed, and Accepted

5 MARCH 2023 • By Mischa Geracoulis
To Receive Asylum, You First Have to be Believed, and Accepted
Art

Displacement, Migration are at the Heart of Istanbul Exhibit

13 FEBRUARY 2023 • By Jennifer Hattam
Displacement, Migration are at the Heart of Istanbul Exhibit
Featured excerpt

Fiction: Inaam Kachachi’s The Dispersal, or Tashari

5 FEBRUARY 2023 • By Inaam Kachachi
Fiction: Inaam Kachachi’s <em>The Dispersal</em>, or <em>Tashari</em>
Fiction

“The Truck to Berlin”—Fiction from Hassan Blasim

5 FEBRUARY 2023 • By Hassan Blasim
“The Truck to Berlin”—Fiction from Hassan Blasim
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Essays

Stadiums, Ghosts & Games—Football’s International Intrigue

15 NOVEMBER 2022 • By Francisco Letelier
Stadiums, Ghosts & Games—Football’s International Intrigue
Film Reviews

Why Muslim Palestinian “Mo” Preferred Catholic Confession to Therapy

7 NOVEMBER 2022 • By Sarah Eltantawi
Why Muslim Palestinian “Mo” Preferred Catholic Confession to Therapy
Poetry

We Say Salt from To Speak in Salt

15 OCTOBER 2022 • By Becky Thompson
We Say Salt from <em>To Speak in Salt</em>
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

Cassette Tapes Once Captured Egypt’s Popular Culture

10 OCTOBER 2022 • By Mariam Elnozahy
Cassette Tapes Once Captured Egypt’s Popular Culture
Centerpiece

“What Are You Doing in Berlin?”—a short story by Ahmed Awny

15 SEPTEMBER 2022 • By Ahmed Awny, Rana Asfour
“What Are You Doing in Berlin?”—a short story by Ahmed Awny
Fiction

“Another German”—a short story by Ahmed Awadalla

15 SEPTEMBER 2022 • By Ahmed Awadalla
“Another German”—a short story by Ahmed Awadalla
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Art

My Berlin Triptych: On Museums and Restitution

15 SEPTEMBER 2022 • By Viola Shafik
My Berlin Triptych: On Museums and Restitution
Book Reviews

After Nine Years in Detention, an Iraqi is Finally Granted Asylum

22 AUGUST 2022 • By Rana Asfour
After Nine Years in Detention, an Iraqi is Finally Granted Asylum
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Book Reviews

Alaa Abd El-Fattah—the Revolutionary el-Sissi Fears Most?

11 JULY 2022 • By Fouad Mami
Alaa Abd El-Fattah—the Revolutionary el-Sissi Fears Most?
Book Reviews

Traps and Shadows in Noor Naga’s Egypt Novel

20 JUNE 2022 • By Ahmed Naji
Traps and Shadows in Noor Naga’s Egypt Novel
Fiction

“Godshow.com”—a short story by Ahmed Naji

15 JUNE 2022 • By Ahmed Naji, Rana Asfour
“Godshow.com”—a short story by Ahmed Naji
Fiction

“The Salamander”—fiction from Sarah AlKahly-Mills

15 JUNE 2022 • By Sarah AlKahly-Mills
“The Salamander”—fiction from Sarah AlKahly-Mills
Fiction

“The Suffering Mother of the Whole World”—a story by Amany Kamal Eldin

15 JUNE 2022 • By Amany Kamal Eldin
“The Suffering Mother of the Whole World”—a story by Amany Kamal Eldin
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Book Reviews

Siena and Her Art Soothe a Writer’s Grieving Soul

25 APRIL 2022 • By Rana Asfour
Siena and Her Art Soothe a Writer’s Grieving Soul
Book Reviews

Joumana Haddad’s The Book of Queens: a Review

18 APRIL 2022 • By Laila Halaby
Joumana Haddad’s <em>The Book of Queens</em>: a Review
Book Reviews

Egyptian Comedic Novel Captures Dark Tale of Bedouin Migrants

18 APRIL 2022 • By Saliha Haddad
Egyptian Comedic Novel Captures Dark Tale of Bedouin Migrants
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Essays

The Alexandrian: Life and Death in L.A.

15 FEBRUARY 2022 • By Noreen Moustafa
The Alexandrian: Life and Death in L.A.
Film

“The Translator” Brings the Syrian Dilemma to the Big Screen

7 FEBRUARY 2022 • By Jordan Elgrably
“The Translator” Brings the Syrian Dilemma to the Big Screen
Essays

Taming the Immigrant: Musings of a Writer in Exile

15 JANUARY 2022 • By Ahmed Naji, Rana Asfour
Taming the Immigrant: Musings of a Writer in Exile
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Fiction

“Turkish Delights”—fiction from Omar Foda

15 DECEMBER 2021 • By Omar Foda
“Turkish Delights”—fiction from Omar Foda
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Essays

The Complexity of Belonging: Reflections of a Female Copt

15 SEPTEMBER 2021 • By Nevine Abraham
The Complexity of Belonging: Reflections of a Female Copt
Essays

Voyage of Lost Keys, an Armenian art installation

15 SEPTEMBER 2021 • By Aimée Papazian
Voyage of Lost Keys, an Armenian art installation
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Columns

Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility

8 AUGUST 2021 • By Anonymous
Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Latest Reviews

No Exit

14 JULY 2021 • By Allam Zedan
No Exit
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Editorial

Why WALLS?

14 MAY 2021 • By Jordan Elgrably
Why WALLS?
Art & Photography

Walls, Graffiti and Youth Culture in Egypt, Libya & Tunisia

14 MAY 2021 • By Claudia Wiens
Walls, Graffiti and Youth Culture in Egypt, Libya & Tunisia
Fiction

A Home Across the Azure Sea

14 MAY 2021 • By Aida Y. Haddad
A Home Across the Azure Sea
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
Book Reviews

The Polyphony of a Syrian Refugee Speaks Volumes

25 JANUARY 2021 • By Farah Abdessamad
The Polyphony of a Syrian Refugee Speaks Volumes
Weekly

Cairo 1941: Excerpt from “A Land Like You”

27 DECEMBER 2020 • By TMR
Cairo 1941: Excerpt from “A Land Like You”
TMR 4 • Small & Indie Presses

Hassan Blasim’s “God 99”

14 DECEMBER 2020 • By Hassan Blasim
Hassan Blasim’s “God 99”
World Picks

World Art, Music & Zoom Beat the Pandemic Blues

28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues

1 thought on ““Another German”—a short story by Ahmed Awadalla”

Leave a Comment

Your email address will not be published. Required fields are marked *

17 − six =

Scroll to Top