“Here, Freedom”—fiction from Danial Haghighi

Cloe Hakakian, Woman Life Freedom mural on the back wall of a shoe store on Melrose Avenue in Los Angeles, features Mahsa Amini dressed in black with the colors of the Iranian flag in her hair, with the words 'woman life freedom' to her left (photo Spectrum News/Anna Albaryan).

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
A small town couple have a brutally honest conversation about marriage in light of the “Woman, Life, Freedom” protests.

 

Danial Haghighi

Translated from Persian by Salar Abdoh

 

We were sitting on the balcony watching videos of the demonstrations in Tehran on our cellphones.

I told her, “This is the big one. This time they can’t just roll things up like all the times before.”

She was resting her head on my chest, watching the screen. “Is it really possible? Talk to me, Asghar. Tell me we’ll be free. We could go to concerts from now on. Go to the beach — and I could wear a bikini! Tell me it’s not all a dream.”

“It’s not a dream, my love. It’s real. We’ve turned into a nation of lions.”

“But the other afternoon when you were away, it got pretty rough around here. They hurt a lot of people.”

“I know. But it’s different this time. Don’t look at this nowhere town we live in. In the big cities, and not just in Tehran, no one’s backing down.”

She did not skip a beat: “Then I’m not wearing a hijab either, from now on. I’m going to the salon to bleach my hair. Afterwards, I’m going to the city.”

“City? What city?”

“You just called this a ‘nowhere town.’ And I agree. I want to go where the action is. Tehran, Mashhad, Tabriz, Esfahan … wherever.”

“What about me?”

“You can get yourself a new wife, darling.”

“I don’t want a new wife.”

“But ours was an arranged marriage.”

“Of course it was. Every marriage is arranged in this town. And what’s wrong with that?”

“Everything’s wrong with it. My youth was wasted on us, my dear. I like you, but I don’t love you. This town has slim pickings, and you and I got paired. Now I want out.” She pulled herself upright, put the cellphone away, and stared into my eyes. “If women are going to get their freedom, why should I spend the rest of my life with you? I don’t even like a man with blue eyes.”

“You don’t like my blue eyes?”

“I don’t trust them.”

“Then you’re going to find someone with brown eyes?”

“What I mean is, I’m not staying in this backwater anymore.”

“Fine. We’ll go to Rasht. Maybe even Shiraz. But, let’s admit, Tehran’s a bit expensive.”

She rolled her eyes. “If this government goes, you’ll have an army of women who’ll love your light hair and blue eyes. Come, let’s agree to get a divorce. Don’t waste yourself on me, dearest.”

“You’re being serious? If this regime falls, you want a divorce?”

“Yes.”

“Not on my life.”

“I am being honest with you, Asghar. How can you say you love me if you don’t appreciate my honesty?”

“I actually never said I loved you.”

“See? If you don’t love me, so much the more reason we should go our separate ways.”

“Are you insane? I’m out there every day, working myself stiff for a piece of bread and a roof over our heads, and you’re talking about divorce?”

“Asghar, whether you like it or not, I want a divorce.”

“But why?”

“Why? Because this life we live is empty. Empty! You think anyone will ever again want to watch a film with a woman wearing hijab once we’re free? Our lives are a lie, my precious. A woman in her own kitchen wearing hijab because she in a movie or a TV series. Do I wear a hijab in my kitchen?”

I shook my head.

“Exactly. It’s all a big lie. Admit it. And now the big lie is ending. Get used to it.”

She got up and left without another word. Went to her mother’s house, like all the other times we’d had a falling out. Two days later, when she returned, I’d been thinking.

I said, “I’ll give you back your dowry. Go do whatever the hell you want with it.”

“And what do you want?” she asked.

“A Peugeot. I’ve always wanted to drive a Peugeot. Without both of us to support, I can buy myself one of those beauties and move to Tehran and take my blue eyes with me.”

“So all that talk of ‘you are my one and only’ was just for show?”

“I swear, the thought of freedom got me truly thinking.”

“You’re not man enough yet for freedom. I was testing you to see what you’d do. You want a damn Peugeot out of all this. That’s all you care about.”

“But —”

“No but. Let’s watch some ‘Woman, Life, Freedom’ videos tonight. What do you say?”

“… I say whatever you say, my one and only.”

 

Salar Abdoh translated Danial Haghighi’s stories for the anthology Tehran Noir and the magazine N+1.

Danial Haghighi

Danial Haghighi Danial Haghighi (born in 1988) is a Tehran-based author of seven books and numerous essays in Persian. His works have appeared in N+1 and the short story collection, Tehran Noir (2014). He explains to Writing between the Lines: “Young Iranian writers... Read more

Salar Abdoh

Salar Abdoh Salar Abdoh is an Iranian novelist, essayist and translator, who divides his time between New York and Tehran. He is the author of the novels Poet Game (2000), Opium (2004), Tehran at Twilight (2014), and Out of Mesopotamia (2020) and the editor of... Read more

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Uncategorized

Reading the Landscape: Cultural Clues and Regime Messages in Iran

12 SEPTEMBER 2025 • By Raha Nik-Andish
Reading the Landscape: Cultural Clues and Regime Messages in Iran
Essays

Remaining in Light: Iranians Search for Solace and Well-Being

5 SEPTEMBER 2025 • By Malu Halasa
Remaining in Light: Iranians Search for Solace and Well-Being
Book Reviews

Hope Without Hope: Rojava and Revolutionary Commitment

11 JULY 2025 • By Arie Amaya-Akkermans
Hope Without Hope: Rojava and Revolutionary Commitment
Columns

The Bullet, the Missile and the Woman In-Between

4 JULY 2025 • By Alireza Iranmehr
The Bullet, the Missile and the Woman In-Between
Essays

Life Under the Shadow of Missiles: the View From Iran

20 JUNE 2025 • By Amir
Life Under the Shadow of Missiles: the View From Iran
Book Reviews

The Evin Prison Bakers’ Club — Review

6 JUNE 2025 • By Hannah Kaviani
The Evin Prison Bakers’ Club — Review
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Essays

Leaving Abdoh, Finding Chamran

2 MAY 2025 • By Salar Abdoh
Leaving Abdoh, Finding Chamran
Essays

Looking for a Job, Living and Dying in Iran: The Logistics of Going Back

2 MAY 2025 • By Raha Nik-Andish
Looking for a Job, Living and Dying in Iran: The Logistics of Going Back
Centerpiece

Love and Resistance in Online Persian Dating Shows

7 MARCH 2025 • By Malu Halasa
Love and Resistance in Online Persian Dating Shows
Art & Photography

Mostafa Nodeh: Featured Artist Interview

7 FEBRUARY 2025 • By Mostafa Nodeh
Mostafa Nodeh: Featured Artist Interview
Film

My Favorite Cake, Iranian Cinema’s Bittersweet Ode to Love

17 JANUARY 2025 • By Karim Goury
<em>My Favorite Cake</em>, Iranian Cinema’s Bittersweet Ode to Love
Book Reviews

In Killing Gilda Yahya Gharagozlou Tells an Intriguing Iranian Tale

10 JANUARY 2025 • By Azadeh Moaveni
In <em>Killing Gilda</em> Yahya Gharagozlou Tells an Intriguing Iranian Tale
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Essays

The Felines that Leave Us, and the Humans that Left

1 NOVEMBER 2024 • By Farnaz Haeri, Salar Abdoh
The Felines that Leave Us, and the Humans that Left
Film

Freedom is a Combat Sport: On Tatami

11 OCTOBER 2024 • By Karim Goury
Freedom is a Combat Sport: On <em>Tatami</em>
Editorial

A Year of War Without End

4 OCTOBER 2024 • By Lina Mounzer
A Year of War Without End
Poetry

Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach

15 JULY 2024 • By Erfan Mojib, Gary Gach
Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach
Fiction

“Firefly”—a short story by Alireza Iranmehr

5 JULY 2024 • By Alireza Iranmehr, Salar Abdoh
“Firefly”—a short story by Alireza Iranmehr
Essays

The Mourning Diaries of Atash Shakarami

5 JULY 2024 • By Poupeh Missaghi
The Mourning Diaries of Atash Shakarami
Poetry

Three Poems by Somaia Ramish

12 JUNE 2024 • By Somaia Ramish
Three Poems by Somaia Ramish
Interviews

Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)

7 JUNE 2024 • By Mehrnaz Daneshvar, Salar Abdoh
Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)
Art & Photography

Bani Khoshnoudi: Featured Artist for PARIS

1 APRIL 2024 • By TMR
Bani Khoshnoudi: Featured Artist for PARIS
Book Reviews

Eyeliner: A Cultural History by Zahra Hankir—A Review

19 FEBRUARY 2024 • By Nazli Tarzi
<em>Eyeliner: A Cultural History</em> by Zahra Hankir—A Review
short story

“Water”—a short story by Salar Abdoh

4 FEBRUARY 2024 • By Salar Abdoh
“Water”—a short story by Salar Abdoh
Essays

A Treatise on Love

4 FEBRUARY 2024 • By Maryam Haidari, Salar Abdoh
A Treatise on Love
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Book Reviews

An Iranian Novelist Seeks the Truth About a Plane Crash

15 JANUARY 2024 • By Sepideh Farkhondeh
An Iranian Novelist Seeks the Truth About a Plane Crash
Film

Religious Misogyny Personified in Ali Abbasi’s Holy Spider

11 DECEMBER 2023 • By Bavand Karim
Religious Misogyny Personified in Ali Abbasi’s <em>Holy Spider</em>
Fiction

“The Waiting Bones”—an essay by Maryam Haidari

3 DECEMBER 2023 • By Maryam Haidari, Salar Abdoh
“The Waiting Bones”—an essay by Maryam Haidari
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Fiction

Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran

20 NOVEMBER 2023 • By Joumana Haddad
Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran
Art & Photography

Iranian Women Photographers: Life, Freedom, Music, Art & Hair

20 NOVEMBER 2023 • By Malu Halasa
Iranian Women Photographers: Life, Freedom, Music, Art & Hair
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Books

The Contemporary Literary Scene in Iran

1 OCTOBER 2023 • By Salar Abdoh
The Contemporary Literary Scene in Iran
Book Reviews

Reza Aslan’s An American Martyr in Persia Argues for US-Iranian Friendship

1 OCTOBER 2023 • By Dalia Sofer
Reza Aslan’s <em>An American Martyr in Persia</em> Argues for US-Iranian Friendship
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Essays

A Day in the Life with Forugh Farrokhzad (and a Tortoise)

3 SEPTEMBER 2023 • By Fargol Malekpoosh
A Day in the Life with Forugh Farrokhzad (and a Tortoise)
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Fiction

Arrival in the Dark—fiction from Alireza Iranmehr

2 JULY 2023 • By Alireza Iranmehr, Salar Abdoh
Arrival in the Dark—fiction from Alireza Iranmehr
Fiction

“Here, Freedom”—fiction from Danial Haghighi

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
“Here, Freedom”—fiction from Danial Haghighi
Essays

“My Mother is a Tree”—a story by Aliyeh Ataei

2 JULY 2023 • By Aliyeh Ataei, Siavash Saadlou
“My Mother is a Tree”—a story by Aliyeh Ataei
Essays

Zahhāk: An Etiology of Evil

2 JULY 2023 • By Omid Arabian
Zahhāk: An Etiology of Evil
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Art & Photography

From the City to the Desert—Tahmineh Monzavi

4 JUNE 2023 • By Tahmineh Monzavi
From the City to the Desert—Tahmineh Monzavi
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Art & Photography

TMR Conversations: Mana Neyestani, Graphic Novelist

1 MAY 2023 • By Malu Halasa
TMR Conversations: Mana Neyestani, Graphic Novelist
Film

Seven Winters in Tehran and the Execution of Reyhaneh Jabbari

10 APRIL 2023 • By Malu Halasa
<em>Seven Winters in Tehran</em> and the Execution of Reyhaneh Jabbari
Art

Nazanin Pouyandeh

5 MARCH 2023 • By TMR
Nazanin Pouyandeh
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Columns

Music for Tomorrow: Iranians Yearn for Freedom

15 DECEMBER 2022 • By Nazanin Malekan
Music for Tomorrow: Iranians Yearn for Freedom
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Columns

Letter From Tehran: From Hair to Hugs, Times Are Changing

28 NOVEMBER 2022 • By TMR
Essays

Farewell to a Football Love Affair in Iran

15 NOVEMBER 2022 • By Sara Mokhavat
Farewell to a Football Love Affair in Iran
Poetry

5 Poems & a Video—Essential Voices: Poetry of Iran and Its Diaspora

15 NOVEMBER 2022 • By TMR, Sholeh Wolpé
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Columns

Women Are the Face of Iran’s Leaderless Revolution

24 OCTOBER 2022 • By Mahmood Karimi Hakak
Women Are the Face of Iran’s Leaderless Revolution
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Music

Roxana Vilk’s Personal History of Iranian Music

20 JUNE 2022 • By Melissa Chemam
Roxana Vilk’s Personal History of Iranian Music
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Fiction

“Buenos Aires of Her Eyes”—a story by Alireza Iranmehr

15 JUNE 2022 • By Alireza Iranmehr, Salar Abdoh
“Buenos Aires of Her Eyes”—a story by Alireza Iranmehr
Featured excerpt

Hawra Al-Nadawi: “Tuesday and the Green Movement”

15 JUNE 2022 • By Hawra Al-Nadawi, Alice Guthrie
Hawra Al-Nadawi: “Tuesday and the Green Movement”
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Book Reviews

The Art of Remembrance in Abacus of Loss

15 MARCH 2022 • By Sherine Elbanhawy
The Art of Remembrance in <em>Abacus of Loss</em>
Art

Atia Shafee: Raw and Distant Memories

15 FEBRUARY 2022 • By Atia Shafee
Atia Shafee: Raw and Distant Memories
Art

Farzad Kohan: Love, Migration, Identity

15 FEBRUARY 2022 • By Farzad Kohan
Farzad Kohan: Love, Migration, Identity
Art

Baba Karam Lessons: Artist Amitis Motevalli

15 FEBRUARY 2022 • By Amitis Motevalli
Baba Karam Lessons: Artist Amitis Motevalli
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later

Leave a Comment

Your email address will not be published. Required fields are marked *

eighteen + 1 =

Scroll to Top