Why I left Lebanon and Became a Transitional Citizen

Tom Young, "Port Explosion," Beirut, Lebanon, 2020 (courtesy Tom Young).

27 JUNE 2022 • By Myriam Dalal
Tom Young, “Port Explosion,” Beirut, Lebanon, 2020 (courtesy Tom Young).

 

Myriam Dalal

 

I booked an appointment for my passport renewal earlier this year, while my sisters continued to update me on what might be described as a “passport shortage crisis” in Lebanon. All three Dalal sisters were bombarding our WhatsApp group with links to article headlines such as “No means to leave”, “Lebanon running out of passports,” “Thousands stuck as Lebanese authorities suspend passport renewals” or “Lebanon halts passport renewals as fears of exodus grow.” We discussed the alternatives, we argued, we cursed, we shouted (mainly through voice notes). I might be the one with the lowest level of anxiety among my sisters, even when I’m the one they’re worried about these days in the paperwork fiasco. Simply put, this anxiety can be tied to the fact that my parents had all five of their children between 1976 and 1986 in either Lebanon, the UAE or Kuwait — depending on the progression of the Lebanese civil war since 1975 — so my sisters and I have been through one life experience after the other, both as a family (there are only four of us, now), and as Lebanese citizens, namely surviving the 1996 and 2006 Israeli wars on the country and some 60 other “smaller” inter-Lebanese conflicts and violent events from car bombs to terrorist attacks and beyond.


I’ve moved in and out of at least seven different places since the August 4th Beirut Port blast, nearly two years ago…maybe more. I’ve lost count. I had left Lebanon because I came to realize that this country that I was told was mine, actually wasn’t. This understanding felt more like an aha moment, in which I became aware that an institutional/governmental declaration asserting your adherence to some country would not guarantee your feeling of belonging to this piece of land that your parents passed on to you. Lebanon was not my country, it belonged to someone else, and it was something I saw very clearly in the year preceding my departure. The thing is, once you see something, you cannot unsee it — I love it when the English language proves the impossibility of such an act by showing you the absurdity in using the verb’s contrary…you know, like unlove.

I think that it is a spiritual disaster to pretend that one doesn’t love one’s country. You may disapprove of it, you may be forced to leave it, you may live your whole life as a battle, yet I don’t think you can escape it.  —James Baldwin, Paris Review

I started looking at the concept of “home country” as more of a starter kit, one that your parents are forced to give you at birth, for administrative reasons and to facilitate your upbringing, and one that includes your name, surname, and religion. The time will eventually come when you’ll be able to make your choices and continue the remainder of your life with a name, a surname, a religion, and a nationality that you choose for yourself.

A “nation” is not a fact; it’s a concept. That’s why philosophers, sociologists, and many others have tried to define it throughout history: for German philosopher Johann von Herder, the nation refers to a cultural ensemble which precedes the creation of the state, while for French historian and philosopher Ernest Renan, the nation brings together people who share a common past. I now think of the nation as more of a sociopolitical construct which feeds on tribal instincts, and a systemic institutional invention to separate, isolate, and eventually rule . We tend to mix up words and meanings sometimes for the sake of simplifying our terminology and expressions, and in so doing , we end up assuming that one thing undeniably means the other. As such, nationality doesn’t necessarily mean belonging, nor does motherland mean birth country; I, for instance, was born in Kuwait, a country in which my parents spent most of the Lebanese civil war years. So, in this case, my birth country wasn’t my home country, and my nationality didn’t make me feel like I belonged in Lebanon. It’s true that my Lebanese ID never promised my amalgamation with Lebanese society, but I didn’t know that until much later.

Nationalism is an assertion of belonging in and to a place, a people, a heritage. It affirms the home created by a community of language, culture, and customs; and, by so doing, it fends off exile, fights to prevent its ravages.  —Edward Said, Reflections On Exile

And so, I left Lebanon. I took with me some nearly weightless objects that could serve as mementos, and therefore be easily transported through continents, airports, and checkpoints; objects that could act as souvenirs once they’re placed in their new environment, and through which Proust’s madeleine experience could be reenacted. I packed my suitcase with this homey feeling and moved to France, thinking I had reached a point in my life where I could be privileged enough to choose a country for myself, a place with which I shared common values, or at the very least, a piece of land that permits me to exist. In my quest for a new country, I was determined to sign a social contract with this new piece of land/regime to make sure the choice was mutual. Citizenship is like marriage; it’s an administrative contract for which love isn’t a prerequisite.

A view from the writer’s window, Rouen, April ’22 (courtesy Myriam Dalal).

 

It turned out that the French tend to have a different definition of a French citizen, and it is not that of an Arab woman with a name not encrypted in the Larousse of European names. Instead, I was a foreigner at the very least, an Arab Muslim most of the time, and a low-class refugee for those who wanted to take things a step further in their classification. Classifying me didn’t require any further investigation beyond an appraisal of my looks, because, you know, “hips don’t lie.” And with French presidential elections happening in April of 2022, the rightwing candidates were very clear about their understanding of what a French citizen can and should be like. It didn’t matter much if the journalist/author and one of France’s presidential candidates Eric Zemmour wanted to strip any convicted binational of their French citizenship (based on a supposedly logical argument in which he assumes that French nationals never break the law); neither did it matter if he wanted to change the names of all non-French sounding citizens. What saddened me was that there were many who applauded these statements (32% of electoral votes went to right wing candidates in France’s first round of elections), and I was destined to run into one of them, soon.

As much as it angered me to be classified in Lebanon, based on my parents’ religions, my looks, my academic pursuit, where I lived, my habits and just about everything else,  it seems that people here in France also have an urge to box everything and everyone. But in my idealistic little mind (perhaps mostly in my heart), I had begun to draw myself a new home here. A new life was beginning to take shape and I thought my nation-scouting was beginning to conclude. It now seems as though foreign souls are destined to roam this world endlessly and tirelessly, and only in their statelessness will they find their true citizenship. In fact, the past year or so can be summed up as life in between lockdowns and moving in and out of Chatillon, Paris, Sartrouville, Bonsecours, and Rouen. All the while in Beirut, Dad was going through his own moves, hospitalized, and in and out of the ICU. My sisters’ anxious WhatsApp messages updated me on his health condition through their informal headlines, as I wasn’t allowed to leave France before the renewal of my residence permit here. It seems to me all I do as a transitional citizen is either wait, move, or hide (the exile’s equivalent to the body’s usual “fight, flight, freeze” reaction to threat/danger).

I’m currently negotiating a new work contract abroad which requires residence in yet another country, and for that, I’ll soon have to repack my posters, pens, and clothes. I’m trying to cope with the feeling of having little in common with any place; perhaps in knowing that this time, I’ll be able embrace this whirling dervish status…even try and dance along as if life were one wild dabke.


They say some people anchor themselves in other people, so he/she becomes their home, their country, their nation. While that sounds beautiful in theory, I still haven’t figured out a way to direct my heart’s compass while my brain is swimming in all directions. I keep leaving behind a crush here and there, writing confession letters to some, post-departure. So, I’m either writing or reading as a pastime during this uncategorizable transitional state, in an attempt to learn more about my stateless compatriots in books, novels, and poems, as words are proving to be our only valid and true passports to date.

With these volumes piling up here on a shelf here in Rouen, I know I will be needing an extra suitcase for them if I relocate soon.

 

Myriam Dalal

Myriam Dalal Transitional Lebanese waiting for her new nationality, Myriam Dalal is currently concluding her doctoral thesis in plastic arts, aesthetics, and sciences of art at the Sorbonne. She has been writing about arts and culture for the past 12 years, for... Read more

Transitional Lebanese waiting for her new nationality, Myriam Dalal is currently concluding her doctoral thesis in plastic arts, aesthetics, and sciences of art at the Sorbonne. She has been writing about arts and culture for the past 12 years, for many platforms and daily newspapers in Arabic, English and French, including Annahar, Al Akhbar, Al Modon, Sawt el Niswa, and the journal of Philology and Intercultural Communication/Military Technical Academy Romania.

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13 JUNE 2022 • By Arie Amaya-Akkermans
Film Review: “Memory Box” on Lebanon Merges Art & Cinema
Opinion

France’s new Culture Minister Meets with Racist Taunts

23 MAY 2022 • By Rosa Branche
France’s new Culture Minister Meets with Racist Taunts
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Book Reviews

Joumana Haddad’s The Book of Queens: a Review

18 APRIL 2022 • By Laila Halaby
Joumana Haddad’s <em>The Book of Queens</em>: a Review
Art & Photography

Ghosts of Beirut: a Review of “displaced”

11 APRIL 2022 • By Karén Jallatyan
Ghosts of Beirut: a Review of “displaced”
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”

15 MARCH 2022 • By Abbas Baydoun, Lily Sadowsky
“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Essays

The Alexandrian: Life and Death in L.A.

15 FEBRUARY 2022 • By Noreen Moustafa
The Alexandrian: Life and Death in L.A.
Book Reviews

Hananah Zaheer’s “Lovebirds”? Don’t Be Fooled by the Title

31 JANUARY 2022 • By Mehnaz Afridi
Hananah Zaheer’s “Lovebirds”? Don’t Be Fooled by the Title
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

Sudden Journeys: From Munich with Love and Realpolitik

27 DECEMBER 2021 • By Jenine Abboushi
Sudden Journeys: From Munich with Love and Realpolitik
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

Lebanon at the Point of Drowning in Its Own…

15 DECEMBER 2021 • By Raja Abu Kasm, Rahil Mohsin
Lebanon at the Point of Drowning in Its Own…
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Music Reviews

Electronic Music in Riyadh?

22 NOVEMBER 2021 • By Melissa Chemam
Electronic Music in Riyadh?
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Interviews

The Anguish of Being Lebanese: Interview with Author Racha Mounaged

18 OCTOBER 2021 • By A.J. Naddaff
The Anguish of Being Lebanese: Interview with Author Racha Mounaged
Book Reviews

Racha Mounaged’s Debut Novel Captures Trauma of Lebanese Civil War

18 OCTOBER 2021 • By A.J. Naddaff
Racha Mounaged’s Debut Novel Captures Trauma of Lebanese Civil War
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Art & Photography

Displaced: From Beirut to Los Angeles to Beirut

15 SEPTEMBER 2021 • By Ara Oshagan
Displaced: From Beirut to Los Angeles to Beirut
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Columns

Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility

8 AUGUST 2021 • By Anonymous
Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility
Columns

Remember 18:07 and Light a Flame for Beirut

4 AUGUST 2021 • By Jordan Elgrably
Remember 18:07 and Light a Flame for Beirut
Art & Photography

Gaza’s Shababek Gallery for Contemporary Art

14 JULY 2021 • By Yara Chaalan
Gaza’s Shababek Gallery for Contemporary Art
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Columns

Lebanon’s Wasta Has Contributed to the Country’s Collapse

14 JUNE 2021 • By Samir El-Youssef
Lebanon’s Wasta Has Contributed to the Country’s Collapse
Columns

Lebanese Oppose Corruption with a Game of Wasta

14 JUNE 2021 • By Victoria Schneider
Lebanese Oppose Corruption with a Game of Wasta
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Essays

Reviving Hammam Al Jadeed

14 MAY 2021 • By Tom Young
Reviving Hammam Al Jadeed
Art

The Labyrinth of Memory

14 MAY 2021 • By Ziad Suidan
The Labyrinth of Memory
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
TMR 6 • Revolutions

Revolution in Art, a review of “Reflections” at the British Museum

14 FEBRUARY 2021 • By Malu Halasa
Revolution in Art, a review of “Reflections” at the British Museum
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
TMR 3 • Racism & Identity

Find the Others: on Becoming an Arab Writer in English

15 NOVEMBER 2020 • By Rewa Zeinati
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
World Picks

World Art, Music & Zoom Beat the Pandemic Blues

28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
Beirut

Beirut In Pieces

15 SEPTEMBER 2020 • By Jenine Abboushi
Beirut In Pieces
Art

Beirut Comix Tell the Story

15 SEPTEMBER 2020 • By Lina Ghaibeh & George Khoury
Beirut Comix Tell the Story
Editorial

Beirut, Beirut

15 SEPTEMBER 2020 • By Jordan Elgrably
Beirut

It’s Time for a Public Forum on Lebanon

15 SEPTEMBER 2020 • By Wajdi Mouawad
It’s Time for a Public Forum on Lebanon
Beirut

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>

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