<em>What Kind Of Liar Am I?</em>—a Short Play

Ruba Salameh (b. Nazareth 1985), "Carmel," acrylic on linen, 128 × 183 cm, 2020 (courtesy Zawyeh Gallery).

7 JUNE 2024 • By Mona Mansour
An original short play by playwright and theatre maker Mona Mansour — “a short dark confession, in a time of catastrophe.”

 

Mona Mansour

 

A woman in her 40s addresses us. She is Lebanese-American, Arab-American, take your pick. She is in a panic of some sort. 

SHE

So you realize what you’ve done is you’ve lied. 

You realize that you told her that your family was in the midst of this catastrophe. 

You weren’t supposed to be texting her at all.
Your therapist and your girls,
your posse,
they all forbade you. Nothing good will come of it.
She left you. She left. She left.
But somehow there you were, texting.
You both said “Hi” at the same time,
and you took this as a miracle, something that solidified your belief that no matter what, you two were connected on a quantum level. 

You knew you shouldn’t have been talking at all,
as you are now the one who is deadass alone
and she is likely no more than five feet away from the basic white bitch she left you for.

But people do things they shouldn’t.

In a moment of grief that was — well it’s hard to tell what the grief is these days, exactly, what the root of it at any given moment — but in a moment of grief you said, And I’m so worried about my family over there.

And suddenly everything changed.
Somehow that shook her out of her new overwhelming love for this new woman

and

she decided to move back in.
She moved back in.
And then you were relieved. 

Order was restored. Forks became “our forks” again. Groceries. Things fell into place.

But what she thinks is happening is not happening.
And you let it go because she moved back in.

She left the woman that she left you for, so hey it’s a lesbian quilting circle. And now — you’re doing all that you were supposed to be doing before this terrible thing happened between the two of you, which is to say you’re actually getting to know each other, and you know, the practice of intentionally listening and all that, blah blah —

And you love this person.

But you fucking lied.

Your cousins aren’t packing up. They are not under immediate threat. They are fine.

They are traumatized, sure, but as per usual. Maybe a bit more?

A cousin sold his restaurant in California and with the money from the sale, moved back to a village near the border, Aalma ech Chaab. Where his wife is from. Basically everyone in the village has left, except this woman’s family. But the cousin felt he owed his wife a return to homeland, and so maybe a year ago, they built a house on the family property. And before they had a chance to move in, the house got hit twice: once by missiles from Israel, and once by missiles from Iran, which were on their way to Israel.

Hit twice, once by south and once by north.

So now the house is halfway destroyed. Not fully. But like…

And the conversation is, should he pay to have it demolished, which is complicated because no one has money, or should he wait for the next go-round of bombs to finish it off?

That would be the cheapest option.

But no one’s building anything now because there’s smoke filling the air, and anyone with an apartment in Beirut has grabbed their things and moved there for the foreseeable.

So no it’s not dire.

But of course a few hours away (a day’s drive, if you could drive it) it’s dire. Beyond dire. Beyond comprehension. And maybe that’s just what made you bring back this person. 

And now she is in the next room — you got her back!

But why did she come back?

Because she realized she loved you?

Or — she wants some proximity to some center of the tragedy…? 

And you
are not sure who you actually are in this world because you lied,
you let her misunderstand.

Your family is adjacent to the catastrophe, but it’s the common, everyday adjacent-ness. Nothing special.

Then you think, you are a liar. This is just true.

But is your lying morally defensible because those other people have lied about worse things? The person who lied about seeing pictures of beheaded children he never saw — that one? And all his people? All the liars?

And now, what you realize you’re doing is comparing your own morality to that of a war criminal.

And that is either something all of us should be doing,
or maybe just the war criminals should be doing.

 

Mona Mansour

Mona Mansour Mona Mansour is a Lebanese-American playwright who explores themes of displacement, identity, and politics in her plays. She has written The Vagrant Trilogy, Unseen, We Swim, We Talk, We Go to War, and more. She received the Kesselring Prize in 2020, and,... Read more

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Beirut

In Lebanon, It’s Business as Usual

21 NOVEMBER 2025 • By Amal Ghandour
In Lebanon, It’s Business as Usual
Columns

How Much Do We Miss Umm Khulthum?

7 NOVEMBER 2025 • By Amal Ghandour
How Much Do We Miss Umm Khulthum?
Fiction

Sultana to the Rescue

7 NOVEMBER 2025 • By MK Harb
Sultana to the Rescue
Essays

The Absent Homeland

7 NOVEMBER 2025 • By Maysaa Alajjan
The Absent Homeland
Columns

Dear Souseh: Stuck Between Families

24 OCTOBER 2025 • By Lina Mounzer
Dear Souseh: Stuck Between Families
Book Reviews

What Will People Think? Blends Comedy, Culture and Family Secrets

3 OCTOBER 2025 • By Natasha Tynes
What Will People Think? Blends Comedy, Culture and Family Secrets
Art & Photography

Ali Cherri’s show at Marseille’s [mac] Is Watching You

15 AUGUST 2025 • By Naima Morelli
Ali Cherri’s show at Marseille’s [mac] Is Watching You
Art

Architectural Biennale Confronts Brutality of Climate Change

1 AUGUST 2025 • By Iason Athanasiadis
Architectural Biennale Confronts Brutality of Climate Change
Film

From A World Not Ours to a Land Unknown

13 JUNE 2025 • By Jim Quilty
From A World Not Ours to a <em>Land Unknown</em>
Essays

Imagining Ghanem—My Return to Lebanon

6 JUNE 2025 • By Amelia Izmanki
Imagining Ghanem—My Return to Lebanon
Book Reviews

An Intimate History of Violence: Beirut Under Siege in Nejmeh Khalil Habib’s A Spring that Did Not Blossom 

30 MAY 2025 • By Rebecca Ruth Gould
An Intimate History of Violence: Beirut Under Siege in Nejmeh Khalil Habib’s <em>A Spring that Did Not Blossom</em> 
Arabic

Jawdat Fakreddine Presents Three Poems

20 MAY 2025 • By Jawdat Fakhreddine, Huda J. Fakhreddine
Jawdat Fakreddine Presents Three Poems
Art

Going Home to South Lebanon: Abdel Hamid Baalbaki

2 MAY 2025 • By Karina El Helou
Going Home to South Lebanon: Abdel Hamid Baalbaki
Essays

A Letter To My Cruel Lover: Tripoli

2 MAY 2025 • By Lara Kassem
A Letter To My Cruel Lover: Tripoli
Art

Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief

11 APRIL 2025 • By Marta Mendes
Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief
Advice

Dear Souseh: Existential Advice for Third World Problems

4 APRIL 2025 • By Lina Mounzer
Dear Souseh: Existential Advice for Third World Problems
Poetry

Sonnet Mondal: Three Poems

21 FEBRUARY 2025 • By Sonnet Mondal
Sonnet Mondal: Three Poems
Book Reviews

Maya Abu Al-Hayyat’s Defiant Exploration of Palestinian Life

20 DECEMBER 2024 • By Zahra Hankir
Maya Abu Al-Hayyat’s Defiant Exploration of Palestinian Life
Poetry

Darius Atefat-Peckham: Three Poems

19 DECEMBER 2024 • By Darius Atefat-Peckham
Darius Atefat-Peckham: Three Poems
Fiction

“As Much of Life as the World Can Show”—a short story

6 DECEMBER 2024 • By Fil Inocencio Jr.
“As Much of Life as the World Can Show”—a short story
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Film

The Haunting Reality of Beirut, My City

8 NOVEMBER 2024 • By Roger Assaf, Zeina Hashem Beck
The Haunting Reality of <em>Beirut, My City</em>
Art & Photography

Beyond Our Gaze: Rethinking Animals in Contemporary Art

1 NOVEMBER 2024 • By Naima Morelli
Beyond Our Gaze: Rethinking Animals in Contemporary Art
TMR 45 • From Here, One Year On

Witnessing Catastrophe: a Painter in Lebanon

4 OCTOBER 2024 • By Ziad Suidan
Witnessing Catastrophe: a Painter in Lebanon
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Fiction

The Last Millefeuille in Beirut

4 OCTOBER 2024 • By MK Harb
The Last Millefeuille in Beirut
Opinion

Lebanon’s Holy Gatekeepers of Free Speech

6 SEPTEMBER 2024 • By Joumana Haddad
Lebanon’s Holy Gatekeepers of Free Speech
Book Reviews

Birth in a Poem: Maram Al-Masri’s The Abduction

23 AUGUST 2024 • By Eman Quotah
Birth in a Poem: Maram Al-Masri’s <em>The Abduction</em>
Essays

Meditations on Palestinian Exile and Return

16 AUGUST 2024 • By Dana El Saleh
Meditations on Palestinian Exile and Return
Books

On The Anthropologists—an interview with Aysegül Savas

26 JULY 2024 • By Amy Omar
On <em>The Anthropologists</em>—an interview with Aysegül Savas
Books

Excerpt from The Anthropologists by Ayşegül Savaş

26 JULY 2024 • By Aysegul Savas
Excerpt from <em>The Anthropologists</em> by Ayşegül Savaş
Books

Ripped from Memoirs of a Lebanese Policeman

5 JULY 2024 • By Fawzi Zabyan, Lina Mounzer
Ripped from <em>Memoirs of a Lebanese Policeman</em>
Columns

Creating Community with Community Theatre

21 JUNE 2024 • By Victoria Lupton
Creating Community with Community Theatre
Book Reviews

Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?

14 JUNE 2024 • By Farah-Silvana Kanaan
Is Amin Maalouf’s Latest Novel, <em>On the Isle of Antioch</em>, a Parody?
Theatre

What Kind Of Liar Am I?—a Short Play

7 JUNE 2024 • By Mona Mansour
<em>What Kind Of Liar Am I?</em>—a Short Play
Essays

Wajdi Mouawad’s “Controversial” Wedding Day

7 JUNE 2024 • By Elie Chalala
Wajdi Mouawad’s “Controversial” <em>Wedding Day</em>
Essays

Omar Naim Exclusive: Two Films on Beirut & Theatre

7 JUNE 2024 • By Omar Naim
Omar Naim Exclusive: Two Films on Beirut & Theatre
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Fiction

“I, Mariam”—a story by Joumana Haddad

26 APRIL 2024 • By Joumana Haddad
“I, Mariam”—a story by Joumana Haddad
Art

Paris, Abstraction and the Art of Yvette Achkar

1 APRIL 2024 • By Arie Amaya-Akkermans
Paris, Abstraction and the Art of Yvette Achkar
Poetry

Two Poems from Maram Al-Masri

3 MARCH 2024 • By Maram Al-Masri, Hélène Cardona
Two Poems from Maram Al-Masri
Essays

Israel’s Environmental and Economic Warfare on Lebanon

3 MARCH 2024 • By Michelle Eid
Israel’s Environmental and Economic Warfare on Lebanon
Essays

A Treatise on Love

4 FEBRUARY 2024 • By Maryam Haidari, Salar Abdoh
A Treatise on Love
Columns

The Day My Life Ended, It Began

3 DECEMBER 2023 • By Karim Shamshi-Basha
The Day My Life Ended, It Began
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Featured Artist

Mohamed Al Mufti, Architect and Painter of Our Time

5 NOVEMBER 2023 • By Nicole Hamouche
Mohamed Al Mufti, Architect and Painter of Our Time
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Fiction

I, SOUAD or the Six Deaths of a Refugee From Aleppo

9 OCTOBER 2023 • By Joumana Haddad
I, SOUAD or the Six Deaths of a Refugee From Aleppo
Theatre

Hartaqât: Heresies of a World with Policed Borders

9 OCTOBER 2023 • By Nada Ghosn
<em>Hartaqât</em>: Heresies of a World with Policed Borders
Theatre

Lebanese Thespian Aida Sabra Blossoms in International Career

9 OCTOBER 2023 • By Nada Ghosn
Lebanese Thespian Aida Sabra Blossoms in International Career
Fiction

“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem

1 OCTOBER 2023 • By Dina Abou Salem
“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem
Amazigh

World Picks: Festival Arabesques in Montpellier

4 SEPTEMBER 2023 • By TMR
World Picks: Festival Arabesques in Montpellier
Books

“Sadness in My Heart”—a story by Hilal Chouman

3 SEPTEMBER 2023 • By Hilal Chouman, Nashwa Nasreldin
“Sadness in My Heart”—a story by Hilal Chouman
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Film

The Soil and the Sea: The Revolutionary Act of Remembering

7 AUGUST 2023 • By Farah-Silvana Kanaan
<em>The Soil and the Sea</em>: The Revolutionary Act of Remembering
A Day in the Life

A Day in the Life: Cairo

24 JULY 2023 • By Sarah Eltantawi
A Day in the Life: Cairo
Arabic

Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel

2 JULY 2023 • By Rawand Issa, Amy Chiniara
Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel
Fiction

“Nadira of Tlemcen”—fiction from Abdellah Taïa

2 JULY 2023 • By Abdellah Taïa
“Nadira of Tlemcen”—fiction from Abdellah Taïa
Beirut

The Saga of Mounia Akl’s Costa Brava, Lebanon

1 MAY 2023 • By Meera Santhanam
The Saga of Mounia Akl’s <em>Costa Brava, Lebanon</em>
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Fiction

“Raise Your Head High”—new fiction from Leila Aboulela

5 MARCH 2023 • By Leila Aboulela
“Raise Your Head High”—new fiction from Leila Aboulela
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Fiction

“Mother Remembered”—Fiction by Samir El-Youssef

5 MARCH 2023 • By Samir El-Youssef
“Mother Remembered”—Fiction by Samir El-Youssef
Beirut

The Curious Case of Middle Lebanon

13 FEBRUARY 2023 • By Amal Ghandour
The Curious Case of Middle Lebanon
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Columns

For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches

24 OCTOBER 2022 • By Melissa Chemam
For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches
Fiction

“Ride On, Shooting Star”—fiction from May Haddad

15 OCTOBER 2022 • By May Haddad
“Ride On, Shooting Star”—fiction from May Haddad
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Art & Photography

16 Formidable Lebanese Photographers in an Abbey

5 SEPTEMBER 2022 • By Nada Ghosn
16 Formidable Lebanese Photographers in an Abbey
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

Why I left Lebanon and Became a Transitional Citizen

27 JUNE 2022 • By Myriam Dalal
Why I left Lebanon and Became a Transitional Citizen
Featured excerpt

Joumana Haddad: “Victim #232”

15 JUNE 2022 • By Joumana Haddad, Rana Asfour
Joumana Haddad: “Victim #232”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”

15 MARCH 2022 • By Abbas Baydoun, Lily Sadowsky
“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”
Book Reviews

The Art of Remembrance in Abacus of Loss

15 MARCH 2022 • By Sherine Elbanhawy
The Art of Remembrance in <em>Abacus of Loss</em>
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Columns

Remember 18:07 and Light a Flame for Beirut

4 AUGUST 2021 • By Jordan Elgrably
Remember 18:07 and Light a Flame for Beirut
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Essays

Reviving Hammam Al Jadeed

14 MAY 2021 • By Tom Young
Reviving Hammam Al Jadeed
Art

The Labyrinth of Memory

14 MAY 2021 • By Ziad Suidan
The Labyrinth of Memory
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
Beirut

Beirut In Pieces

15 SEPTEMBER 2020 • By Jenine Abboushi
Beirut In Pieces
Book Reviews

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>

Leave a Comment

Your email address will not be published. Required fields are marked *

two × three =

Scroll to Top