Can love transform in the face of bombs, drones, AI surveillance, snipers, annexation, and expulsion?
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Lameece Issaq presents a short play borrowing a popular fantasy world.
07 JUNE, 2024 • By Lameece Issaq
What shall we forget and what shall we remember, and can forgetting also be a force for good? The editors inquire.
03 MAY, 2024 • By Malu Halasa, Jordan Elgrably
Mai Al-Nakib explores memory, forgetting, and writing through the lenses of Woolf, Proust, and a Wim Wenders film.
03 MAY, 2024 • By Mai Al-Nakib
Gazan artist Hazem Harb remembers and celebrates the old, new, destroyed, erased and dead of Palestine in a personal response to a nasty war.
03 MAY, 2024 • By Malu Halasa
Photographs of Iraqis imply doom due to generational violence, even in happy pictures.
03 MAY, 2024 • By Nabil Salih
Revisiting her memories of Egypt's January 25 revolution, Asmaa Elgamal finds that denying common sense is the worst oppression.
03 MAY, 2024 • By Asmaa Elgamal
Areej Gamal's translated short story from Egypt depicts a potted plant and forbidden love that become intertwined, with an unexpected outcome
03 MAY, 2024 • By Areej Gamal, Manal Shalaby
The assault on Gaza is the longest and deadliest Israeli offensive to date, and the worst in targeting journalists and their families.
03 MAY, 2024 • By Ahmed Isselmou, Rana Asfour
Jordan Elgrably explores a PARIS issue from the perspective of Arab and Middle Eastern residents.
01 APRIL, 2024 • By Jordan Elgrably
Bani Khoshnoudi's work is often inhabited by displacement and uprooting, explore themes of exile, modernity and its violences, memory and the invisible.
01 APRIL, 2024 • By TMR, Jordan Elgrably
Paris provided the grit and opportunity for Nass el Ghiwane to hone a new sound that would rock the Magreb and Europe, writes Benjamin Jones.
01 APRIL, 2024 • By Benjamin Jones
Baya was among first Algerian artists recognized in Paris. Though labeled naïve, her art remains influential and enduring.
01 APRIL, 2024 • By Naima Morelli
