“The Summer They Heard Music”—a short story by MK Harb

Jude Rae, "Beirut July 2006," oil and acrylic on linen, 1950x2730mm, 2009 (courtesy University of Auckland art collection).

3 DECEMBER 2023 • By MK Harb
A flight from war and a never forgotten day at the beach.

 

MK Harb

 

Armed with his new and shiny new iPod, Malek entered the bus with heightened confidence. He clipped it to his waist and walked to the final row, looking cool and nonchalant. He sat next to Najeeb who was eating a labneh sandwich and drinking a Balqees orange juice. “I see Mimi’s back from the US with a new toy,” Najeeb said with a smirk. Mimi was Malek’s sister, studying architecture in Rhode Island and every summer she brought back the latest gadget to her little brother. “You bet she is,” Malek said. “I already took it to NabilNet and he uploaded all of Britney’s songs on it.” Najeeb pulled Malek from the back of his neck and said, “Play oops I did it again right now!”

As the song played, Spears’ effervescent voice put Malek and Najeeb in a hypnotic state, until Najeeb with his nasally speech found himself singing with expanding passion: OOPS I DID IT AGAIN WITH YOUR HEART. Their friends on the bus burst into abundant laughter and they awoke Eman who walked to the end of the bus and said, “Najeeb! Malek! Stop with this nonsense. You should be listening to Fairuz and Wadih El Safi, not some dumb blonde from the US.” Najeeb, offended by her comment, took the headset off and said, “Madame, who is Fairuz?” A look of shock crawled across Eman’s face and she said, “Your parents did not raise you well.” She walked away as Najeeb giggled and Malek whispered, “four-eyed witch.” Eman’s glasses were red, circular, and larger than life. She often took them off and told the kids on the bus the same story: “After the war I was part of a widowed women’s commune crocheting traditional Lebanese patterns and selling them to clients in Saudi Arabia and Kuwait. It was good money, but it damaged my hands and eyes. Look how my right hand trembles.” Eman used the money she saved up from crocheting and opened a summer camp that would take children and teenagers to different cities, towns, and villages across Lebanon. “Mimosa,” she called it, after her favorite summer drink.

Najeeb and Malek were on their way to Edde Sands, the newest beach resort in Byblos, and the place to be seen during the summer of 2006. The mood on the bus was somber, Rayya, the chaperone who had just failed her Lebanese Baccalaureate exams was talking to Eman about a potential war with Israel after hearing of border tension in the south. “No one has time for war,” Eman assured her, “It’s too hot.” They arrived at Edde Sands at 10:00 a.m., Eman wore her sombrero, looked at Rayya and said, “Forget about the exams. You’ll have your remedial ones in August. Go out and enjoy our God-given sun.” Rayya and Eman rounded up the kids, those under the age of 12 went with Eman and those over-12 went with Rayya to the adult pool. They entered the resort as a shirtless man wearing purple shorts gave each of them a bracelet that had “live love Byblos” written on it. They walked across a botanical garden with koi ponds on each side and the shirtless man who introduced himself as Charbel said, “We imported these beautiful and colorful fish from Japan. No other place in Lebanon has this.” He walked them towards the pool, which was large, rectangular, and engulfed with hundreds of purple chaise longues. “As for the pool, it’s designed with a Phoenician sensibility — elevated, and facing the sea to remind us of our ancestors and their journeys,” he said with a wilful smile. Rayya, unimpressed, looked at Charbel and asked, “Where is the lunch area?” Charbel smiled and said, “Great question! Bacchus restaurant is up north from the pool and here are your lunch vouchers.” “Merci,” said Rayya while Charbel nodded and walked away. She then looked at the kids, hardening her voice and said, “Laiko ya shyateen. You know my rules. I don’t want to see it and I don’t want to hear it. And most importantly I don’t want Eman to hear it. Do whatever you want, don’t drown, and be back here fully clothed and sleepy by 5:00 p.m.” Rayya unpacked her bag on the chair next to her, took out her cigarettes and told Najeeb and Malek to get her a cranberry Bacardi breezer. 


Malek and Najeeb found a couple’s sunbed at the top corner of the pool with purple towels and under the shade of a fig tree — not sitting with crowds was a practice that held their friendship of over five years together. Next to the bed was a decorative green and gold statue of a Phoenician man with a pointy hat, rusting in the sun. Najeeb took his shirt off, hung his clothes over the statue’s head and jumped on the bed. Malek, afraid of the sun, kept his shirt on and took out a book from his backpack. “I can’t believe you brought a book to the beach,” Najeeb said. “Well unlike you, I like reading more than Barbar’s food delivery menu,” Malek said. “Fine! Give me the iPod then,” Najeeb replied. Najeeb played Cassie’s “Me and You” while Malek read from Anna Karenina, writing the names of the characters in an index with little notes so he didn’t forget who they are. “These Russians have so many names,” he said out loud to himself. The beach and its waves passed between their legs, but they lay still in their own world until Rayya awoke from her morning stupor, walked up to them and said, “Would one of you put some tanning lotion on my back?” Malek nodded in agreement and she gave him a bottle of Carrot Sun lotion. Malek lathered Rayya while Najeeb asked them to put some on his head, which his mother always shaved. Najeeb had rosy lips and eyes so green they sometimes seemed gray. Malek had hazel eyes and did not resemble Najeeb, but they both shared pubescent love handles, fed by orders from the Burger King under Malek’s house in Rouche. Rayya walked back to her sunbed while Najeeb and Malek walked to Bacchus for lunch. They handed their vouchers to the receptionist who with a jaded voice said, “Badkon burger or tabbouleh or tawook?” “I’ll have a burger,” Malek said. “Tabbouleh for me,” Najeeb replied as Malek looked at him with a look of surprise. “What? I told you I’m on a diet,” he said.

They sat at a table with a sea view, under ceiling fans that wafted the smell of the sea breeze and refined oil from the French fries. They watched the swimmers defy Byblos’ large waves, jumping in and out of them, vanishing into the water and reappearing. A woman standing with her back to the waves was struck with a monstrous one that unclipped the top part of her bikini. She covered herself, frantically looking for it as her friends hysterically laughed and yelled, “Mariebelle!” Malek and Najeeb also laughed. “Do you think they would let us order Bacardi breezers?” Malek said. “Habibi you’re 14 and people still ask you if you’re ten years old. Maybe grow a mustache first,” Najeeb said. “Maybe I should draw one,” Malek said. “You know, my brother told me if you don’t drink water at the beach the dehydration will make you feel drunk,” Najeeb said. And at that moment they both decided not to have water for the rest of the day.

 

July War 2006 (Beirut, men on hill), 2006etching, 37 x 42
Jude Rae, “July War 2006 (Beirut, men on hill),” etching, 37x42cm, 2006 (courtesy Philip Bacon Galleries).


When their lunch arrived, Malek commented that the burger tasted like kofta while Najeeb looked at it with envy, saying the tabbouleh was too sour. A short while later Malek heard his name being yelled with a frantic voice in the distance. “Malek waynak! Malouk, Malek,” a woman yelled. “What does Rayya want now,” Malek said only to look back and realize it was his sister Mimi. Mimi wore an oversized blue polo shirt on top of tight white shorts and sandals with silver cuffs. “I wish I was that thin,” Najeeb said while gawking at her. “Mimi, yiy, why are you here?” Malek said. “I called you a million times, why didn’t you answer your phone? War is breaking out and you two are having tabbouleh. What kind of of reckless summer camp is this?” Mimi exclaimed. “My phone is in my bag, what do you mean war is breaking out?” Malek said as he felt a dry lump forming in his throat. “On the news the Israelis are bombing everywhere in the south, left and right. They are saying the airport is next. Effat, who works at the duty free, called to tell us they began an evacuation plan,” Mimi said. “So what should we do?” Malek said. “Well, I don’t think they will bomb this beach?” Najeeb said. Najeeb had a calm fixation that never changed in matters of war and peace. “I called your mom Najeeb and she said she sent a driver to bring you back to Beirut. Malek put a shirt on, I packed you a bag. Mom is already on the way to Syria to buy us tickets to Qatar and be with dad. We have to go before the border closes,” Mimi said. She spoke so fast Malek’s ears did not have time to process it. “I’m not going to Syria! Are you crazy? We waited for this beach day for months,” Malek said. “Mimi you are exaggerating. It will calm down. That’s what Eman said on the bus,” Najeeb exclaimed. “Eman is delusional and I already told her I’m taking Malek,” Mimi said. “Malek, go shower. It’s going to be a long journey; half of Beirut is on the way to the Syrian border. We don’t want the car to stink of salt.” Malek, reeling from disbelief, looked at Najeeb and said, “Come with us to Qatar. They have a Zara there! And really big malls.” Najeeb laughed and said, “I can’t go habibi. Anyways you will be back here in a few weeks. Don’t worry. Now go before Mimi murders us.” They hugged, Malek walking away with Mimi and Najeeb turning to the beach.


When Mimi and Malek got in the car, he found his grandma, Anbara, in the front seat wearing a white kaftan with red roses and Abu Arab the neighborhood taxi driver. Abu Arab had bloated arms and biceps and a belly so large he drove with it. He often cleaned his teeth with a miswak after smoking Marlboro Gold cigarettes. “Oh god, not this man,” Malek said while Mimi pinched him and said, “Khalas, just ignore him.” During the Civil War, Abu Arab was an accountant for Al-Mourabitoun, a Nasserist paramilitary faction, who fought alongside the Palestinians. Known for exaggeration, he would often say, “When I would leave the house, the traitors would tremble and say, ‘Close your windows Abu Arab is here.’” Malek’s grandma, friends with Abu Arab for decades, would laugh and say, “You only left your house to buy kaak and flour! Which you would sell to us at a higher price. That’s how you bought all those houses in Bhamdoun. With flour money.” Abu Arab would grimace and say: “Allah Ysamhek Hajjeh.”

“Listen, Hajjeh, I will avoid the Arida Border Crossing. I am hearing from friends that the Israelis plan to bomb the coastal border between Lebanon and Syria. I will take you through the Klayaat Road to the Masnaa Border Crossing. It’s safer.” Abu Arab said. Mimi and Malek looked at each other knowing that Abu Arab always had wrong information. But their grandma nodded and said, “Tawakal and go. There is a nice woman there called Em Jorge who can sell us some manakeesh and lahm bi ajeen for the road. I will call her.” Abu Arab rubbed his hands with Bien Entre perfume and said, “Yalla bismillah, let’s drive.” As they attempted to escape the highway towards the Klayaat road, they drove by cars with different license plates and jammed vans with travel bags and sordid faces. Mimi and Malek played a game of spotting a car with a foreign license plate. “Nigeria,” Malek said. “Oman, Saudi — oh and there in the distance — an EU one,” Mimi said. Their grandma told them to be quiet and asked Malek if the beach was nice. 

“It was really nice, the best beach resort I have seen in Lebanon,” Malek said. 

“Teta, there is war breaking out and you are asking him how the beach was?” Mimi said. 

“Habibti, I lived through three wars. If you are going to be afraid during each one, you will never have time to breathe,” said Anbara. “Isn’t that right, Abu Arab?” she asked. 

“Eh Hajjeh! It’s the Israelis who are afraid of us. We don’t care, it’s just another day,” he replied. 

Abu Arab began chanting revolutionary anthems from the Murabitoun while Anbara clapped and cheered him. Malek ignored them and stared at the sun setting outside a valley, it was so big he wondered if he could live in it. They drove across empty plains as the summer air tired their eyes, causing Malek and Mimi to fall asleep. Anbara dozed in and out of consciousness and occasionally asked if they arrived.

Abu Arab drove in silence for an hour, but as the night fell and the atmosphere was bereft of color, a trepidation creeped over him. He opened the radio to a low volume and heard the anchor say: Suspected attack on Klayaat airport. Sight of smoke. “Hamdella we crossed it safely,” he murmured to himself. He switched the channel to Sawt Beirut who was hosting the Minister of Tourism, who with a hysterical voice, discussed the potential financial losses of this war saying that they had a “record two million tourists this summer.” He was then joined by the President of Lebanon’s restaurant syndicate who demanded that the Lebanese government prevent the war from escalating. “This was supposed to be our summer of recovery,” he exclaimed. Anbara suddenly woke up, joining the disenchantment of the minister and said, “They never want us to be happy. Every time they see Lebanon prospering, they want to destroy it.” Anbara never indicated who the they” were but her sentiment often carried enormous blame and accusation. Malek, bothered by their sounds, looked for his iPod to play some music, only to realize that he forgot it with Najeeb. “Oh no, my iPod, I forgot it. Turn back, turn back,” he began yelling. Mimi woke up and said, “Shu fee?” thinking something serious had happened. “Your brother is complaining about something he forgot. I told you to stop buying him these gadgets,” Anbara said. Mimi hugged Malek and said, “It’s fine, we will buy a new one in Qatar.” Abu Arab looked at them in the mirror and said, “Men these days, all they want to do is wear short shorts and put earphones in their ears. Malek, when I was your age my father gave me a rifle!” Anbara laughed and said, “He should have given you a mouthguard.” Abu Arab laughed and said, “Allah ysahmek hajjeh. Yalla, all of you prepare your passports. Hajjeh do you have the gift for the customs official?” Anbara nodded and said, “There is a box of Pepsi and 7 Up in the trunk and a hundred dollars in my bag. That should be enough.” Anbara then looked outside the window, took a long sigh, and said, “Oh god, forgive me, Rafik Hariri’s blood is still fresh and we are crossing through the country of those who killed him.” “It’s okay Hajjeh, god is too busy to care about Bashar Al-Assad and Hariri right now,” Abu Arab said.


They arrived in Damascus around 9:30 p.m. Anbara had asked Abu Arab to take them to the storied Abu Kamal restaurant on May 29th Street. Her son-in-law’s sister owned the restaurant and while Anbara did not get along with the Syrians, she loved their kibbeh. “I’m glad we made it in one piece with your reckless driving, Abu Arab,” Anbara said as she exited the car. “Hajjeh, the mountain roads into Damascus are full of wolves, I had to speed,” Abu Arab replied. “Khalas, khalas, stop talking. Yalla, let’s eat. Malek, Mimi, get out of the car. Your mom is waiting at the restaurant,” Anbara commanded. In the square near her, a bald man, noticing her Lebanese accent, looked at her and said, “Last year you kicked us out and now you need us for safety!” “Skot, I won’t be spending more than four hours here,” she said as she walked into Abu Kamal. As they entered the restaurant, Arabic music played from the underground where Abu Kamal’s nighttime haunt, Ali Baba, entertained musicians, Baath officials, and artists. Anbara told the kids she will go there and sent them with Abu Arab upstairs to their mother. They arrived on the second floor with empty tables covered in ornate white sheets and guarded by men in black suits and red roses pinned to their suit pockets. Their mother, Nadine, was sitting under a portrait of Hafez Al-Assad in a black suit and Bashar Al-Assad in military gear and Wayfarer sunglasses. She had two plates of cordon bleu, Abu Kamal’s signature dish, ready for them. She hugged them and cried, saying “I’m so glad you made it out safely.” Mimi laughed and said, “Don’t make a scene mom.” Nadine wiped her tears, looked at her and said, “I can’t believe what you are wearing! And in Syria! Go change now before we become the talk of the town.” Malek, famished, sat next to his mother and began to eat. She played with his hair and asked him: how was the beach?


At 2:00 a.m., Abu Arab drove the Mrayseh family to the airport. Everyone was too tired to talk, but Abu Arab, bothered by silence, opened the windows and said, “The Syrians are so lucky with their dry air. They don’t suffer the humidity of summer in Beirut.” Nadine lit up a cigarette and asked, “Abu Arab what will you do, are you going to go back to Lebanon?”

“Of course, I will, if I am going to die, I will die in Ras Beirut!” Abu Rab replied. Anbara laughed and said, “Nadine, how much do you want to bet he is going to take his usual hotel in Ladkieh by the beach?” Abu Arab beat the steering wheel of his car and said, “Allah ysahmek hajjeh.”

At the airport, people scrambled to buy tickets to all sorts of destinations. Nadine, proud that she is always ready, even in times of war, showed her tickets to the military officer. “Bel Salameh,” he said. They bid farewell to Abu Arab who smiled a half smile and when they finally boarded the plane, Malek looked at his mom and said, “Mom, can I buy a new iPod in Qatar?” 

“We will see when we get there,” she said. For a month after, the war continued to rage, claiming countless lives and ravaging Lebanon. Malek felt lost and sad, spending most of his time shuffling between Al Jazeera and YouTube on his computer. He would speak to Najeeb on MSN Chat asking him how Lebanon was. “It’s the same. MISERABLE. But at least I have your iPod. On days when the situation is not too tense, my mom lets me go for a walk on the Corniche and I play music on it pretending it’s that day at the beach,” Najeeb typed. “I wish we never left. This is all just a nightmare, and I keep hearing my parents saying we might live here because they’re worried about sectarian tension in Lebanon. I can’t live here Najeeb!” Malek wrote. “Don’t worry, like I said, you will be back here in August. Plus, your mom will never survive in Qatar, it’s too beige for her!” Najeeb typed back. Malek laughed his first sincere laugh since leaving Lebanon and typed, “You’re right. Beige is not her color.”

One day, Nadine, who had made the living room her abode since the beginning of the war, emitted a loud cry and said, “It’s finally over. Guys, it’s finally over.” The Mrayseh family huddled over the tv and watched women throw flowers and rice across the roads in Lebanon as if it was a wedding. Anbara, standing in the middle, took on a somber tone and said, “Let’s pray for the lives lost in our country.” Malek looked at his mom and dad, happy that the war was over, but filled with dread that they would never return to Lebanon. And his eyes spoke of truth; the Mrayseh family never returned to Beirut. Malek’s father, Zahi, insisted that the family relocate to Qatar for their own safety and they enrolled Malek in high school there. Mimi eventually graduated and settled in the US, working at an architecture firm in Colorado while Anbara split her time between Qatar and Lebanon. Malek tried to stay in touch with Najeeb who immigrated to France with his mother, but somehow, their friendship, which survived so many crowds, could not survive distance.


One summer evening, Malek was visiting Beirut and he walked over to Bardo on Clemenceau Street to have a drink with his friend Rabea, the resident DJ on Fridays. Malek sat next to Rabea as dewy-eyed clients danced their youth away. While they talked about perfume and films, a bald man with rosy lips approached them, looked at Rabea and said, “Can I have a request?” 

“Let me guess, Britney Spears!” Rabea replied. 

“Oh, come on Rabea, you are such a snob, you never accept my requests. It can’t all be niche music,” said the man with the nasally voice.   

“It’s not me, it’s the management. But fine, la oyounak Najeeb, hit me baby one more time,” Rabea said. 

Malek looked up from his phone and said, “Oh my god, Najeeb?” 

“You two know each other?” Rabea said. 

“He’s my childhood friend,” Najeeb yelled. He jumped on Malek, squeezed him tight and whispered in his ear, “I still have your iPod.”

 

The IDF had been caught unaware by Hezbollah’s raid on northern Israel on July 11, 2006. Israel imposed a land, sea, and air blockade on Lebanon, and Israeli warplanes bombed Beirut’s international airport — resulting in thousands of deaths. The short story “The Summer They Heard Music” by MK Harb takes place during what became known as the 2006 Lebanon War.

MK Harb

MK Harb Mohamad Khalil (MK) Harb is a writer from Beirut. He received his graduate degree in Middle Eastern Studies from Harvard University in 2018 where he wrote an award-winning thesis on escapism in Beirut. MK served as Editor-at-Large for Lebanon at... Read more

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Birth in a Poem: Maram Al-Masri’s The Abduction

23 AUGUST 2024 • By Eman Quotah
Birth in a Poem: Maram Al-Masri’s <em>The Abduction</em>
Art

Nabil Kanso: Lebanon and the Split of Life—a Review

2 AUGUST 2024 • By Sophie Kazan Makhlouf
Nabil Kanso: <em>Lebanon and the Split of Life</em>—a Review
Book Reviews

Israel’s Black Panthers by Asaf Elia-Shalev—a Review

19 JULY 2024 • By Ilan Benattar
<em>Israel’s Black Panthers</em> by Asaf Elia-Shalev—a Review
Fiction

“Ten-Armed Gods”—a short story by Odai Al Zoubi

5 JULY 2024 • By Odai Al Zoubi, Ziad Dallal
“Ten-Armed Gods”—a short story by Odai Al Zoubi
Fiction

“We Danced”—a story by MK Harb

5 JULY 2024 • By MK Harb
“We Danced”—a story by MK Harb
Fiction

“Deferred Sorrow”—fiction from Haidar Al Ghazali

5 JULY 2024 • By Haidar Al Ghazali, Rana Asfour
“Deferred Sorrow”—fiction from Haidar Al Ghazali
Beirut

Ripped from Memoirs of a Lebanese Policeman

5 JULY 2024 • By Fawzi Zabyan
Ripped from <em>Memoirs of a Lebanese Policeman</em>
Book Reviews

Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?

14 JUNE 2024 • By Farah-Silvana Kanaan
Is Amin Maalouf’s Latest Novel, <em>On the Isle of Antioch</em>, a Parody?
Centerpiece

Dare Not Speak—a One-Act Play

7 JUNE 2024 • By Hassan Abdulrazzak
<em>Dare Not Speak</em>—a One-Act Play
Theatre

The Return of Danton—a Play by Mudar Alhaggi & Collective Ma’louba

7 JUNE 2024 • By Mudar Alhaggi
<em>The Return of Danton</em>—a Play by Mudar Alhaggi & Collective Ma’louba
Theatre

Noor and Hadi Go to Hogwarts—a Short Play

7 JUNE 2024 • By Lameece Issaq
<em>Noor and Hadi Go to Hogwarts</em>—a Short Play
Essays

What Is Home?—Gazans Redefine Place Amid Displacement

31 MAY 2024 • By Nadine Aranki
What Is Home?—Gazans Redefine Place Amid Displacement
Essays

Freedom—Ruminations of a Syrian Refugee

3 MAY 2024 • By Reem Alghazzi, Manal Shalaby
Freedom—Ruminations of a Syrian Refugee
Opinion

Equating Critique of Israel with Antisemitism, US Academics are Being Silenced

12 APRIL 2024 • By Maura Finkelstein
Equating Critique of Israel with Antisemitism, US Academics are Being Silenced
Fiction

“Paris of the Middle East”—fiction by MK Harb

1 APRIL 2024 • By MK Harb
“Paris of the Middle East”—fiction by MK Harb
Art & Photography

Will Artists Against Genocide Boycott the Venice Biennale?

18 MARCH 2024 • By Hadani Ditmars
Will Artists Against Genocide Boycott the Venice Biennale?
Poetry

Two Poems from Maram Al-Masri

3 MARCH 2024 • By Maram Al-Masri, Hélène Cardona
Two Poems from Maram Al-Masri
Essays

Israel’s Environmental and Economic Warfare on Lebanon

3 MARCH 2024 • By Michelle Eid
Israel’s Environmental and Economic Warfare on Lebanon
Columns

Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”

3 MARCH 2024 • By Amal Ghandour
Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”
Essays

The Oath of Cyriac: Recovery or Spin?

19 FEBRUARY 2024 • By Arie Amaya-Akkermans
<em>The Oath of Cyriac</em>: Recovery or Spin?
Art

Issam Kourbaj’s Love Letter to Syria in Cambridge

12 FEBRUARY 2024 • By Sophie Kazan Makhlouf
Issam Kourbaj’s Love Letter to Syria in Cambridge
Poetry

“The Scent Censes” & “Elegy With Precious Oil” by Majda Gama

4 FEBRUARY 2024 • By Majda Gama
“The Scent Censes” & “Elegy With Precious Oil” by Majda Gama
Editorial

Shoot That Poison Arrow to My Heart: The LSD Editorial

4 FEBRUARY 2024 • By Malu Halasa
Shoot That Poison Arrow to My Heart: The LSD Editorial
Essays

“Double Apple”—a short story by MK Harb

4 FEBRUARY 2024 • By MK Harb
“Double Apple”—a short story by MK Harb
Book Reviews

Love Across Borders—on Romance, Restrictions and Happy Endings

4 FEBRUARY 2024 • By Lina Mounzer
<em>Love Across Borders</em>—on Romance, Restrictions and Happy Endings
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Poetry

Brian Turner: 3 Poems From Three New Books

14 JANUARY 2024 • By Brian Turner
Brian Turner: 3 Poems From Three New Books
Art & Photography

Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous

8 JANUARY 2024 • By Arie Amaya-Akkermans
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
Books

Inside Hamas: From Resistance to Regime

25 DECEMBER 2023 • By Paola Caridi
Inside <em>Hamas: From Resistance to Regime</em>
Columns

Messages From Gaza Now

11 DECEMBER 2023 • By Hossam Madhoun
Messages From Gaza Now
Editorial

Why Endings & Beginnings?

3 DECEMBER 2023 • By Jordan Elgrably
Why Endings & Beginnings?
Beirut

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Books

Huda Fakhreddine’s A Brief Time Under a Different Sun

3 DECEMBER 2023 • By Huda Fakhreddine, Rana Asfour
Huda Fakhreddine’s <em>A Brief Time Under a Different Sun</em>
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Art

Hanan Eshaq

3 DECEMBER 2023 • By Hanan Eshaq
Hanan Eshaq
Fiction

“The Followers”—a short story by Youssef Manessa

3 DECEMBER 2023 • By Youssef Manessa
“The Followers”—a short story by Youssef Manessa
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Opinion

Gaza vs. Mosul from a Medical and Humanitarian Standpoint

27 NOVEMBER 2023 • By Ahmed Twaij
Gaza vs. Mosul from a Medical and Humanitarian Standpoint
Art & Photography

Palestinian Artists & Anti-War Supporters of Gaza Cancelled

27 NOVEMBER 2023 • By Nada Ghosn
Palestinian Artists & Anti-War Supporters of Gaza Cancelled
Book Reviews

The Fiction of Palestine’s Ghassan Zaqtan

13 NOVEMBER 2023 • By Cory Oldweiler
The Fiction of Palestine’s Ghassan Zaqtan
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Books

Domicide—War on the City

5 NOVEMBER 2023 • By Ammar Azzouz
<em>Domicide</em>—War on the City
Book Reviews

Suad Aldarra’s I Don’t Want to Talk About Home

5 NOVEMBER 2023 • By Ammar Azzouz
Suad Aldarra’s <em>I Don’t Want to Talk About Home</em>
Art

Mohamed Al Mufti, Architect and Painter of Our Time

5 NOVEMBER 2023 • By Nicole Hamouche
Mohamed Al Mufti, Architect and Painter of Our Time
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Art & Photography

Middle Eastern Artists and Galleries at Frieze London

23 OCTOBER 2023 • By Sophie Kazan Makhlouf
Middle Eastern Artists and Galleries at Frieze London
Editorial

Palestine and the Unspeakable

16 OCTOBER 2023 • By Lina Mounzer
Palestine and the Unspeakable
Essays

Forging Peace for Artsakh—The Debacle of Nagorno Karabagh

16 OCTOBER 2023 • By Seta Kabranian-Melkonian
Forging Peace for Artsakh—The Debacle of Nagorno Karabagh
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Theatre

Lebanese Thespian Aida Sabra Blossoms in International Career

9 OCTOBER 2023 • By Nada Ghosn
Lebanese Thespian Aida Sabra Blossoms in International Career
Books

Fairouz: The Peacemaker and Champion of Palestine

1 OCTOBER 2023 • By Dima Issa
Fairouz: The Peacemaker and Champion of Palestine
Fiction

“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem

1 OCTOBER 2023 • By Dina Abou Salem
“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem
Art & Photography

Adel Abidin, October 2023

1 OCTOBER 2023 • By TMR
Adel Abidin, October 2023
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Books

“Sadness in My Heart”—a story by Hilal Chouman

3 SEPTEMBER 2023 • By Hilal Chouman, Nashwa Nasreldin
“Sadness in My Heart”—a story by Hilal Chouman
Book Reviews

What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?

21 AUGUST 2023 • By Jonathan Ofir
What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Opinion

The Middle East is Once Again West Asia

14 AUGUST 2023 • By Chas Freeman, Jr.
The Middle East is Once Again West Asia
Film

The Soil and the Sea: The Revolutionary Act of Remembering

7 AUGUST 2023 • By Farah-Silvana Kanaan
<em>The Soil and the Sea</em>: The Revolutionary Act of Remembering
Poetry

Three Poems from Pantea Amin Tofangchi’s Glazed With War

3 AUGUST 2023 • By Pantea Amin Tofangchi
Three Poems from Pantea Amin Tofangchi’s <em>Glazed With War</em>
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Interviews

Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline

17 JULY 2023 • By Jordan Elgrably
Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Essays

“My Mother is a Tree”—a story by Aliyeh Ataei

2 JULY 2023 • By Aliyeh Ataei, Siavash Saadlou
“My Mother is a Tree”—a story by Aliyeh Ataei
Beirut

“The City Within”—fiction from MK Harb

2 JULY 2023 • By MK Harb
“The City Within”—fiction from MK Harb
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Cities

In Shahrazad’s Hammam—fiction by Ahmed Awadalla

2 JULY 2023 • By Ahmed Awadalla
In Shahrazad’s Hammam—fiction by Ahmed Awadalla
Arabic

Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel

2 JULY 2023 • By Rawand Issa, Amy Chiniara
Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel
Featured Artist

Artist at Work: Syrian Filmmaker Afraa Batous

26 JUNE 2023 • By Dima Hamdan
Artist at Work: Syrian Filmmaker Afraa Batous
Art & Photography

Newly Re-Opened, Beirut’s Sursock Museum is a Survivor

12 JUNE 2023 • By Arie Amaya-Akkermans
Newly Re-Opened, Beirut’s Sursock Museum is a Survivor
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Essays

Turkey’s Earthquake as a Generational Disaster

4 JUNE 2023 • By Sanem Su Avci
Turkey’s Earthquake as a Generational Disaster
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Essays

Alien Entities in the Desert

4 JUNE 2023 • By Dror Shohet
Alien Entities in the Desert
Featured Artist

Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Music

Artist At Work: Maya Youssef Finds Home in the Qanun

22 MAY 2023 • By Rana Asfour
Artist At Work: Maya Youssef Finds Home in the Qanun
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Film

The Refugees by the Lake, a Greek Migrant Story

8 MAY 2023 • By Iason Athanasiadis
The Refugees by the Lake, a Greek Migrant Story
Opinion

Nurredin Amro’s Epic Battle to Save His Home From Demolition

24 APRIL 2023 • By Nora Lester Murad
Nurredin Amro’s Epic Battle to Save His Home From Demolition
Essays

When a Country is not a Country—the Chimera of Borders

17 APRIL 2023 • By Ara Oshagan
When a Country is not a Country—the Chimera of Borders
Essays

Artsakh and the Truth About the Legend of Monte Melkonian

17 APRIL 2023 • By Seta Kabranian-Melkonian
Artsakh and the Truth About the Legend of Monte Melkonian
Beirut

Remembering the Armenian Genocide From Lebanon

17 APRIL 2023 • By Mireille Rebeiz
Remembering the Armenian Genocide From Lebanon
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Beirut

War and the Absurd in Zein El-Amine’s Watermelon Stories

20 MARCH 2023 • By Rana Asfour
War and the Absurd in Zein El-Amine’s <em>Watermelon</em> Stories
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Fiction

“Mother Remembered”—Fiction by Samir El-Youssef

5 MARCH 2023 • By Samir El-Youssef
“Mother Remembered”—Fiction by Samir El-Youssef
Cities

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

5 MARCH 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Art & Photography

Becoming Palestine Imagines a Liberated Future

27 FEBRUARY 2023 • By Katie Logan
<em>Becoming Palestine</em> Imagines a Liberated Future
Columns

Letter From Turkey—Antioch is Finished

20 FEBRUARY 2023 • By Arie Amaya-Akkermans
Letter From Turkey—Antioch is Finished
Book Reviews

Yemen War Survivors Speak in What Have You Left Behind?

20 FEBRUARY 2023 • By Saliha Haddad
Yemen War Survivors Speak in <em>What Have You Left Behind?</em>
Beirut

The Curious Case of Middle Lebanon

13 FEBRUARY 2023 • By Amal Ghandour
The Curious Case of Middle Lebanon
Beirut

Arab Women’s War Stories, Oral Histories from Lebanon

13 FEBRUARY 2023 • By Evelyne Accad
Arab Women’s War Stories, Oral Histories from Lebanon
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Book Reviews

Sabyl Ghoussoub Heads for Beirut in Search of Himself

23 JANUARY 2023 • By Adil Bouhelal
Sabyl Ghoussoub Heads for Beirut in Search of Himself
Art

On Lebanon and Lamia Joreige’s “Uncertain Times”

23 JANUARY 2023 • By Arie Amaya-Akkermans
On Lebanon and Lamia Joreige’s “Uncertain Times”
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Book Reviews

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

26 DECEMBER 2022 • By Saliha Haddad
Mohamed Makhzangi Despairs at Man’s Cruelty to Animals
Fiction

Broken Glass, a short story

15 DECEMBER 2022 • By Sarah AlKahly-Mills
<em>Broken Glass</em>, a short story
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Essays

Conflict and Freedom in Palestine, a Trip Down Memory Lane

15 DECEMBER 2022 • By Eman Quotah
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Film

You Resemble Me Deconstructs a Muslim Life That Ends Radically

21 NOVEMBER 2022 • By Jordan Elgrably
<em>You Resemble Me</em> Deconstructs a Muslim Life That Ends Radically
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 2

31 OCTOBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 2
Columns

For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches

24 OCTOBER 2022 • By Melissa Chemam
For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches
Editorial

You Don’t Have to Be A Super Hero to Be a Heroine

15 OCTOBER 2022 • By TMR
You Don’t Have to Be A Super Hero to Be a Heroine
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

A London Murder Mystery Leads to Jihadis and Syria

3 OCTOBER 2022 • By Ghazi Gheblawi
A London Murder Mystery Leads to Jihadis and Syria
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Art & Photography

Kader Attia, Berlin Biennale’s Curator

15 SEPTEMBER 2022 • By Melissa Chemam
Kader Attia, Berlin Biennale’s Curator
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Essays

Kairo Koshary, Berlin’s Egyptian Food Truck

15 SEPTEMBER 2022 • By Mohamed Radwan
Kairo Koshary, Berlin’s Egyptian Food Truck
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Columns

Unapologetic Palestinians, Reactionary Germans

15 SEPTEMBER 2022 • By Abir Kopty
Unapologetic Palestinians, Reactionary Germans
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Essays

Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants

15 SEPTEMBER 2022 • By Diana Abbani
Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants
Art & Photography

16 Formidable Lebanese Photographers in an Abbey

5 SEPTEMBER 2022 • By Nada Ghosn
16 Formidable Lebanese Photographers in an Abbey
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Columns

Tunisia’s Imed Alibi Crosses Borders in new “Frigya” Electronica Album

18 JULY 2022 • By Melissa Chemam
Tunisia’s Imed Alibi Crosses Borders in new “Frigya” Electronica Album
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Film Reviews

War and Trauma in Yemen: Asim Abdulaziz’s “1941”

15 JULY 2022 • By Farah Abdessamad
War and Trauma in Yemen: Asim Abdulaziz’s “1941”
Film

Lebanon in a Loop: A Retrospective of “Waves ’98”

15 JULY 2022 • By Youssef Manessa
Lebanon in a Loop: A Retrospective of “Waves ’98”
Columns

Why I left Lebanon and Became a Transitional Citizen

27 JUNE 2022 • By Myriam Dalal
Why I left Lebanon and Became a Transitional Citizen
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Fiction

Rabih Alameddine: “Remembering Nasser”

15 JUNE 2022 • By Rabih Alameddine
Rabih Alameddine: “Remembering Nasser”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Fiction

Dima Mikhayel Matta: “This Text Is a Very Lonely Document”

15 JUNE 2022 • By Dima Mikhayel Matta
Dima Mikhayel Matta: “This Text Is a Very Lonely Document”
Fiction

“The Salamander”—fiction from Sarah AlKahly-Mills

15 JUNE 2022 • By Sarah AlKahly-Mills
“The Salamander”—fiction from Sarah AlKahly-Mills
Art & Photography

Film Review: “Memory Box” on Lebanon Merges Art & Cinema

13 JUNE 2022 • By Arie Amaya-Akkermans
Film Review: “Memory Box” on Lebanon Merges Art & Cinema
Opinion

Israel and Palestine: Focus on the Problem, Not the Solution

30 MAY 2022 • By Mark Habeeb
Israel and Palestine: Focus on the Problem, Not the Solution
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Essays

We, Palestinian Israelis

15 MAY 2022 • By Jenine Abboushi
We, Palestinian Israelis
Book Reviews

In East Jerusalem, Palestinian Youth Struggle for Freedom

15 MAY 2022 • By Mischa Geracoulis
Featured excerpt

Palestinian and Israeli: Excerpt from “Haifa Fragments”

15 MAY 2022 • By khulud khamis
Palestinian and Israeli: Excerpt from “Haifa Fragments”
Latest Reviews

Palestinian Filmmaker, Israeli Passport

15 MAY 2022 • By Jordan Elgrably
Palestinian Filmmaker, Israeli Passport
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Book Reviews

Joumana Haddad’s The Book of Queens: a Review

18 APRIL 2022 • By Laila Halaby
Joumana Haddad’s <em>The Book of Queens</em>: a Review
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Art & Photography

Ghosts of Beirut: a Review of “displaced”

11 APRIL 2022 • By Karén Jallatyan
Ghosts of Beirut: a Review of “displaced”
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Columns

Nowruz and The Sins of the New Day

21 MARCH 2022 • By Maha Tourbah
Nowruz and The Sins of the New Day
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

Sudden Journeys: From Munich with Love and Realpolitik

27 DECEMBER 2021 • By Jenine Abboushi
Sudden Journeys: From Munich with Love and Realpolitik
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

Lebanon at the Point of Drowning in Its Own…

15 DECEMBER 2021 • By Raja Abu Kasm, Rahil Mohsin
Lebanon at the Point of Drowning in Its Own…
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Music Reviews

Electronic Music in Riyadh?

22 NOVEMBER 2021 • By Melissa Chemam
Electronic Music in Riyadh?
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Centerpiece

Climate Disasters Hasten the Advent of a World Refugee Crisis

15 NOVEMBER 2021 • By Omar El Akkad
Climate Disasters Hasten the Advent of a World Refugee Crisis
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Film Reviews

Victims of Discrimination Never Forget in The Forgotten Ones

1 NOVEMBER 2021 • By Jordan Elgrably
Victims of Discrimination Never Forget in <em>The Forgotten Ones</em>
Interviews

The Anguish of Being Lebanese: Interview with Author Racha Mounaged

18 OCTOBER 2021 • By A.J. Naddaff
The Anguish of Being Lebanese: Interview with Author Racha Mounaged
Book Reviews

Racha Mounaged’s Debut Novel Captures Trauma of Lebanese Civil War

18 OCTOBER 2021 • By A.J. Naddaff
Racha Mounaged’s Debut Novel Captures Trauma of Lebanese Civil War
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Art & Photography

Displaced: From Beirut to Los Angeles to Beirut

15 SEPTEMBER 2021 • By Ara Oshagan
Displaced: From Beirut to Los Angeles to Beirut
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Columns

Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility

8 AUGUST 2021 • By Anonymous
Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility
Columns

In Flawed Democracies, White Supremacy and Ethnocentrism Flourish

1 AUGUST 2021 • By Mya Guarnieri Jaradat
In Flawed Democracies, White Supremacy and Ethnocentrism Flourish
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Art & Photography

Gaza’s Shababek Gallery for Contemporary Art

14 JULY 2021 • By Yara Chaalan
Gaza’s Shababek Gallery for Contemporary Art
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Columns

Lebanon’s Wasta Has Contributed to the Country’s Collapse

14 JUNE 2021 • By Samir El-Youssef
Lebanon’s Wasta Has Contributed to the Country’s Collapse
Columns

Lebanese Oppose Corruption with a Game of Wasta

14 JUNE 2021 • By Victoria Schneider
Lebanese Oppose Corruption with a Game of Wasta
Columns

The Diplomats’ Quarter: Wasta of the Palestinian Authority

14 JUNE 2021 • By Raja Shehadeh
The Diplomats’ Quarter: Wasta of the Palestinian Authority
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Editorial

Why WALLS?

14 MAY 2021 • By Jordan Elgrably
Why WALLS?
Essays

The Wall We Can’t Tell You About

14 MAY 2021 • By Jean Lamore
The Wall We Can’t Tell You About
Art

The Murals of Yemen’s Haifa Subay

14 MAY 2021 • By Farah Abdessamad
The Murals of Yemen’s Haifa Subay
Essays

We Are All at the Border Now

14 MAY 2021 • By Todd Miller
We Are All at the Border Now
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Poetry

The Freedom You Want

14 MARCH 2021 • By Mohja Kahf
The Freedom You Want
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
TMR 6 • Revolutions

Revolution in Art, a review of “Reflections” at the British Museum

14 FEBRUARY 2021 • By Malu Halasa
Revolution in Art, a review of “Reflections” at the British Museum
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
TMR 5 • Water

Watch Water Films & Donate to Water Organizations

16 JANUARY 2021 • By TMR
Watch Water Films & Donate to Water Organizations
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar
TMR 3 • Racism & Identity

Find the Others: on Becoming an Arab Writer in English

15 NOVEMBER 2020 • By Rewa Zeinati
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
World Picks

World Art, Music & Zoom Beat the Pandemic Blues

28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
Art

Beirut Comix Tell the Story

15 SEPTEMBER 2020 • By Lina Ghaibeh & George Khoury
Beirut Comix Tell the Story
Editorial

Beirut, Beirut

15 SEPTEMBER 2020 • By Jordan Elgrably
Beirut

It’s Time for a Public Forum on Lebanon

15 SEPTEMBER 2020 • By Wajdi Mouawad
It’s Time for a Public Forum on Lebanon
Beirut

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>

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