Arie Amaya-Akkermans

The Archaeology of War

The Archaeology of War

All the pasts of war are still contemporary, and continue shaping the present, killing its denizens, and erasing...

23 OCTOBER 2023 • By Arie Amaya-Akkermans
Memory Art: Water and Islands in the Work of Hera Büyüktaşçıyan

Memory Art: Water and Islands in the Work of Hera Büyüktaşçıyan

Arie Amaya-Akkermans does a deep dive into the fascinating career of Istanbul-born Greek Armenian artist Hera Büyüktaşçıyan.

18 SEPTEMBER 2023 • By Arie Amaya-Akkermans
Traveling Through Turkey With Gertrude Bell and Pat Yale

Traveling Through Turkey With Gertrude Bell and Pat Yale

Arie Amaya-Akkermans reviews Pat Yale's latest book that follows in the footsteps of Gertrude Bell while highlighting Turkey's...

28 AUGUST 2023 • By Arie Amaya-Akkermans
On Museums and the Preservation of Cultural Heritage

On Museums and the Preservation of Cultural Heritage

Arie Amaya-Akkermans on the history of war, colonialism, memory and how museums strive to preserve and display artifacts...

21 AUGUST 2023 • By Arie Amaya-Akkermans
The Ghost of Gezi Park—Turkey 10 Years On

The Ghost of Gezi Park—Turkey 10 Years On

An art critic comments on the 10th anniversary of the Gezi Park protests with an overview of a...

19 JUNE 2023 • By Arie Amaya-Akkermans
Deniz Goran’s New Novel Contrasts Art and the Gezi Park Protests

Deniz Goran’s New Novel Contrasts Art and the Gezi Park Protests

A novel about "toxic authoritarianism" and how it has shaped the lives of countless young persons in Turkey,...

19 JUNE 2023 • By Arie Amaya-Akkermans
Newly Re-Opened, Beirut’s Sursock Museum is a Survivor

Newly Re-Opened, Beirut’s Sursock Museum is a Survivor

Arie Amaya-Akkermans recounts the history of Beirut's museum, with its multiple destructions and resurrections.

12 JUNE 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

Home is increasingly an elusive quality in an era of war, climate disaster, economic collapse and family misfortune.

5 MARCH 2023 • By Arie Amaya-Akkermans
Letter From Turkey—Antioch is Finished

Letter From Turkey—Antioch is Finished

TMR's senior writer in Turkey, Arie Amaya-Akkermans, travels to one of the worst-hit areas to survey earthquake damage...

20 FEBRUARY 2023 • By Arie Amaya-Akkermans
On Lebanon and Lamia Joreige’s “Uncertain Times”

On Lebanon and Lamia Joreige’s “Uncertain Times”

Arie Amaya-Akkermans reflects on Lamia Joreige's "Uncertain Times," which represents the Lebanese wars and their aftermath.

23 JANUARY 2023 • By Arie Amaya-Akkermans
Film Review: “Memory Box” on Lebanon Merges Art & Cinema

Film Review: “Memory Box” on Lebanon Merges Art & Cinema

Arie Akkersmans-Amaya reviews the latest film by Lebanese artist duo Joana Hadjithomas and Khalil Joreige, whom he interviews.

13 JUNE 2022 • By Arie Amaya-Akkermans
On “True Love Leaves No Traces”

On “True Love Leaves No Traces”

From Leonard Cohen to Apollo and Daphne to French philosopher Jean-Lun Nancy, Arie Akkermans-Amaya looks at the influences...

15 MARCH 2022 • By Arie Amaya-Akkermans
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