Arie Amaya-Akkermans does a deep dive into the fascinating career of Istanbul-born Greek Armenian artist Hera Büyüktaşçıyan.
18 SEPTEMBER 2023 • By Arie Amaya-Akkermans
Arie Amaya-Akkermans on the history of war, colonialism, memory and how museums strive to preserve and display artifacts...
21 AUGUST 2023 • By Arie Amaya-Akkermans
In Mai Al-Nakib’s new short story, a woman makes a Herculean effort to preserve the memory and artwork...
2 JULY 2023 • By Mai Al-Nakib
An art critic comments on the 10th anniversary of the Gezi Park protests with an overview of a...
19 JUNE 2023 • By Arie Amaya-Akkermans
Yesmine Abida, a Tunisian in the diaspora, returns home to document the last vestiges of Nabeul's once-thriving Jewish...
5 MARCH 2023 • By Yesmine Abida
Arie Amaya-Akkermans reflects on Lamia Joreige's "Uncertain Times," which represents the Lebanese wars and their aftermath.
23 JANUARY 2023 • By Arie Amaya-Akkermans
Mariam Elnohazy reviews "Media of the Masses," a new book on the history of Egyptian cassette culture.
10 OCTOBER 2022 • By Ali al-Muqri
Riding the bus down memory lane, a Palestinian American scholar of digital culture at MIT recalls her time...
15 JUNE 2022 • By Sulafa Zidani
A bold excerpt from the new Saqi anthology, "This Arab is Queer," in which a non-binary person from...
15 JUNE 2022 • By Karén Jallatyan
Arie Akkersmans-Amaya reviews the latest film by Lebanese artist duo Joana Hadjithomas and Khalil Joreige, whom he interviews.
13 JUNE 2022 • By Selma Dabbagh
Notes from the editor on truth and discernment.
15 MARCH 2021 • By Jordan Elgrably
Claire Launchbury writes of one man's long search for the truth about Lebanon's civil war, cut short by...
14 MARCH 2021 • By Claire Launchbury
