A Kashmiri in Cashmere
After going to Cashmere in Washington state last summer, Nafeesa Syeed wrote the following essay on colonization, displacement, and belonging.
After going to Cashmere in Washington state last summer, Nafeesa Syeed wrote the following essay on colonization, displacement, and belonging.
Envisioning innovative new futures that challenge conventional thinking and inspire transformative possibilities.
Sudanese artists in exile are keeping their identity and heritage alive while they await the chance to return home.
My Tripoli breathes gunpowder, // … the city where mosques are bombed and streets get emptied. // … How can my Lebanon be their Lebanon?
Hassan Blasim’s work is not imitation. His is a voice forged in exile, and steeped in the paradoxes of displacement.
The essence of Palestinian resilience, survival, and resistance is rooted in dispossession, as noted by Dana El Saleh.
Cory Oldweiler reviews the debut story collection by Farhad Pirbal, one of Kurdistan's iconic writers, now out from Deep Vellum.
Amy Omar speaks to Ayşegül Savaş about her third novel, cinema and capturing the transitory phases of life.
In her new novel, much like an anthropologist, Ayşegül Savaş explores how people live, love and set down roots in a new country.
Continuously displaced Palestinians redefine "home" in Osama Kahlout’s surprising photographs from the war on Gaza.
A blood-red line drawn across the form of Syria seems to confirm the nonsensical nature of the country’s political situation and makes the destruction of artist Issam Kourbaj’s homeland all the more tragic.
Hell continues in a never-ending war, yet with sumud, the Palestinian people remain resourceful, remarkable and above all, kind.
Ammar Azzouz reviews Suad Aldarra’s memoir about Syrian life that exists beyond the headlines and numbers reported in the newspapers.
Filmmaker and historian Viola Shafik muses on German art, colonialism and restitution in Berlin.