Events like the Day of the Imprisoned Writer risk becoming mere spectacles until they challenge the status quo.
15 NOVEMBER 2024 • By Abdelrahman ElGendy
A Jewish American has been afraid to express her reservations and criticism of Israel's actions in Gaza, but...
15 NOVEMBER 2024 • By Sheryl Ono
The Markaz Review responds to the results of the 2024 US presidential election, in which Donald Trump prevailed...
8 NOVEMBER 2024 • By Jordan Elgrably
Roger Assaf's poetic script for Jocelyne Saab's 1982 film about the siege of Beirut puts one in mind...
8 NOVEMBER 2024 • By Roger Assaf
Letters from a displaced Lebanese poet today to civil war-era actor-director Roger Assaf evoke Beirut in 1982, 2006...
8 NOVEMBER 2024 • By Zeina Hashem Beck
Multimedia and performing artists gather in Marseille for the 8th Biennale "Sin," on how to be a Palestinian...
1 NOVEMBER 2024 • By Nina Hubinet
Long-time diasporic translators discuss the art of translation, from Arabic to English, identifying intersections and divergences along their...
25 OCTOBER 2024 • By Yasmeen Hanoosh
A year after committing ethnic cleansing, Azerbaijan prepares to host COP29 with little pushback from mainstream media.
25 OCTOBER 2024 • By Lucine Kasbarian
Film and photography festivals, concerts, art, standup comedy, lectures...TMR World Picks run the gamut and are selected by...
25 OCTOBER 2024 • By TMR
Iason Athanasiadis talks to Petra Molnar about her new book on automated decision-making technologies that facilitate institutional violence...
18 OCTOBER 2024 • By Iason Athanasiadis
Rana Haddad interviews hybrid hopscotching writer Michael Vatikiotis on his colorful life and work spanning continents.
18 OCTOBER 2024 • By Rana Haddad
Nektaria Anastasiadou reviews polyglot Tony Molho's memoir about the Holocaust in Greece and his family history.
18 OCTOBER 2024 • By Nektaria Anastasiadou
