10 Recommended Stories in The Markaz Review 2024

28 December, 2024
TMR’s five main editors have selected two of our favorite stories of the year for your reading pleasure. Of course, we are utterly subjective, and would love to hear from you in the comments if there are other stories that you found memorable.

 


Lien Truong, "The Sky is Not Sacred" triptych
Liên Trương, “The Sky is Not Sacred,” triptych, oil on arches oil paper, 72×153″, 2019 (courtesy of the artist).

3 March, 2024 • 

The Time of Monsters

Layla AlAmmar contemplates how the noise of the past can be perceived as a coherent narrative in hindsight.


Hazem Harb - Thorns N 1 - UV print layered upon acrylic inside plexiglass 200x160 cm -2022 courtesy tabari artspace
Hazem Harb, “Thorns N 1,” UV print layered upon acrylic inside plexiglass, 200×160 cm, 2022 (courtesy Tabari Artspace).

3 March, 2024 • 

Al-Thakla—Arabic as the Original Mourner

Abdelrahman ElGendy asks, how do you hold your grief in a language that’s been its main perpetrator?


Hazem Harb, “Paradise Lost,” archival photograph, collage, pigmented plexiglass, 170x100cm, 2021.

3 May, 2024 • 

Memory Archive: Between Remembering and Forgetting

Mai Al-Nakib explores memory, forgetting, and writing through the lenses of Woolf, Proust, and a Wim Wenders film.


Walid Al-Masri Chairs mixed media 2022
Walid Al-Masri (b. Damascus 1979), Untitled I, mixed media, 2007 (courtesy of the artist, walidalmasri.net).

5 July, 2024 • 

“Ten-Armed Gods”—a short story by Odai Al Zoubi

In a stream of consciousness short story by Odai Al Zoubi, a minister under investigation in the Syrian government awaits his fate.


Omani artist Hafsa Al Tamimi Meditation mixed media 10x12cm 2016 courtesy Imago Mundi Collection
Omani artist Hafsa Al Tamimi, “Meditation,” mixed media, 10x12cm, 2016 (courtesy Imago Mundi Collection).

5 July, 2024 • 

“Besara”—an excerpt from Things Are Not in Their Place

An excerpt from Omani writer Huda Hamed’s bittersweet coming-of-age novel about race and self in a new English translation by Zia Ahmed.


Suzi Fadel Nassif (b. Lebanon, based in Dubai), detail from "We Are Happy But Not Over-Happy" from her Distortion series, acrylic on canvas, 78x100cm, 2021 (courtesy of the artist).
Suzi Fadel Nassif (b. Lebanon, based in Dubai), detail from “We Are Happy But Not Over-Happy” from her Distortion series, acrylic on canvas, 78x100cm, 2021 (courtesy of the artist).

5 July, 2024 • 

“We Danced”—a story by MK Harb

In exercises to “release your inner child,” meditation, or psychotherapy, Beirutis search for mental and physical relief, in MK Harb’s latest short story.


Jamal Bassiouni, Untitled, acrylic and pastel on paper 19x23cm, 2023 (courtesy of the artist, @jbassiouni).
Jamal Bassiouni, Untitled, acrylic and pastel on paper 19x23cm, 2023 (courtesy of the artist, @jbassiouni).

1 November, 2024 • 

“Habib”—a story by Ghassan Ghassan

A bombing in Gaza destroys an entire family except for the protagonist of the short story and his beloved dog.


The majority of Gaza's inhabitants have been uprooted and forced to pick up and move multiple times, often being bombed in so-called safe zones (courtesy of the author).
Palestinians flee to the south on Salah Al-Din Road last November. Most of Gaza’s inhabitants have been forced to pick up and move multiple times, only to be bombed in so-called safe zones (photo Mohammed Zaanoun/Activestills).

15 November, 2024 • 

A Jewish Meditation on the Palestinian Genocide

A Jewish American has been afraid to express her reservations and criticism of Israel’s actions in Gaza, but felt she had to speak out.


Beirut at twilight photo Antony Fleyhan
Beirut at twilight (photo Antony Fleyhan).

22 November, 2024 • 

Beirut War Diary: 8 Days in October

Rima Rantisi depicts the uncertainty and anxiety of Israel’s assault on Lebanon, illustrating its impact on daily life.


Yazan Abu Salameh, "Violet, ink and acrylic on paper 75x110cm, 2024 (courtesy Ramallah Art Fair, VOICES OF RESILIENCE, 4th ed., Dec 7 2024 - Jan 18 2025).
Yazan Abu Salameh, “Violet, ink and acrylic on paper 75x110cm, 2024 (courtesy Ramallah Art Fair, VOICES OF RESILIENCE, 4th ed., Dec 7 2024 – Jan 18 2025).

6 December, 2024 • 

The Time-Travels of the Man who Sold Pickles and Sweets—an Excerpt

Ibn Shalaby, like many Egyptians, is looking for a job. Yet, unlike most of his fellow citizens, he is prone to sudden dislocations in time.

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