Postscript: Disrupting the Colonial Gaze—Gaza and Israel after October 7th
In which the authors argue that, "If Israel, with Western support, achieves its aims in Gaza, it will constitute the end of fellowship among inhabitants of this planet."
In which the authors argue that, "If Israel, with Western support, achieves its aims in Gaza, it will constitute the end of fellowship among inhabitants of this planet."
At this year’s Venice Biennale, Palestine looms large, writes Hadani Ditmars.
Mai Al-Nakib explores memory, forgetting, and writing through the lenses of Woolf, Proust, and a Wim Wenders film.
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.
With the war in Gaza and accusations of genocide in the International Court of Justice, tensions have risen on US campuses, writes Maura Finkelstein.
Hadani Ditmars reports on the calls to shut down the Israeli pavilion in the Venice Biennale, and a possible widespread artist boycott.
Senior editor Lina Mounzer articulates the inexpressible, inconsolable feelings at a time when genocide is occurring before the eyes of the world.
Layla AlAmmar contemplates how the noise of the past can be perceived as a coherent narrative in hindsight.
A few entries on a genocidal map...A walk in the Valley of Death that is the war on Gaza and the reckoning to come.
After the ICJ ruling on Israel, it is in its best interests to redefine its cause to one that is just for both Israelis and Palestinians, writes Amal Ghandour.
A first-person account reveals the nightmare Gaza has become, where every safe zone is carpet-bombed, shelled, sniped by the IDF.
Hell continues in a never-ending war, yet with sumud, the Palestinian people remain resourceful, remarkable and above all, kind.
Prefacing our special Palestine issue, senior editor Lina Mounzer attempts to express the horror that has become the reality in Gaza.