Poetry Against the State
Gil Anidjar reviews A Bibliography for After Jews and Arabs, and suggests that "our problem is that we have stopped listening to the poets."
Gil Anidjar reviews A Bibliography for After Jews and Arabs, and suggests that "our problem is that we have stopped listening to the poets."
Melissa Chemam considers the sixth novel by France's former teen sensation Faïza Guène and whether she is now part of the literary canon.
Farah Abdessamad reviews Silence is a Sense, the new novel from Layla AlAmmar.
Layla AlAmmar takes us into the heart of Adania Shibli's literary thriller, where Palestinian lives are but a "minor detail."
"It's impossible not to think about race in relation to the United States these days," writes Paris correspondent Monique El-Faizy in this review of Isabel Wilkerson's "Caste."
Anne-Marie O'Connor reviews the debut novel by Nektaria Anastasiadou, set in Istanbul's venerable Rum community.
Rana Asfour reviews White Tears/Brown Scars by Ruby Hamad—"an explosive book of history and cultural criticism" that argues "white feminism has been a weapon of white supremacy and patriarchy deployed against black and indigenous women, and women of color."
The Punishment is a first-person account from an author who considers writers to be "witnesses of history."
The best writing in "Alligator & Other Stories" starts a different conversation about Arab belonging and assimilation in America, through the prism of Syrian experience.
N.A. Mansour reviews the tantalizing recipes in Sami Tamimi & Tara Wigley's new cookbook of Palestinian cuisine.
Maalouf draws a line from pivotal years in Middle Eastern history to some of the most pressing dilemmas currently facing humanity.
I am waiting for the Tunisian American writer Leila Chatti to tell me, in her own words, in her debut collection of poetry, Deluge, about women in Islam, but she is telling me about blood instead.
While Elaine Mokhtefi worked devotedly for the Black Panthers, the men who ran it were, it turned out, deeply flawed.