Critic Clive Bell reviews the latest feature from one of several Iranian filmmakers who languish in prison.
15 DECEMBER 2022 • By Aimee Dassa Kligman
Melissa Chemam reviews the new taboo-busting feature film from Moroccan director Maryam Touzani.
5 DECEMBER 2022 • By Melissa Chemam
We saw Dina Amer's debut feature film based on the life of Hasna Ait Boulahcen, yet another victim...
21 NOVEMBER 2022 • By Jordan Elgrably
Viola Shafik saw the Montpellier CINEMED screening of a new feature in which Haifa Palestinians catch a strange...
15 NOVEMBER 2022 • By Karim Kattan
Karim Goury revels in the new feature from Swedish Egyptian director Tarik Saleh.
15 NOVEMBER 2022 • By Karim Goury
Mireille Rebeiz takes issue with the dismal portrayal of Arabs and other Middle Easterners in a Hollywood superhero...
7 NOVEMBER 2022 • By Katharine Halls
As a Muslim American and scholar of Islam, Sarah Eltantawi finds the new series from Mo Amer and...
7 NOVEMBER 2022 • By Sarah Eltantawi
Montpellier's venerable Mediterranean film festival announces retrospectives and avant-premières.
5 OCTOBER 2022 • By
Necati Sönmez, a Berlin film critic and curator, reviews the new music documentary from German-Turkish director Cem Kaya.
15 SEPTEMBER 2022 • By Ahmed Salah Al-Mahdi
Iskandar Abdalla reviews the new film "Shall I Compare you to A Summer’s Day?"
15 SEPTEMBER 2022 • By Hawra Al-Nadawi
Angélique Crux reviews the award-winning documentary from Lebanese filmmaker Wissam Tanios.
22 AUGUST 2022 • By Sulafa Zidani
Mischa Geracoulis reviews the film in which a Paris-trained shrink analyzes fellow Tunisians suffering from mental maladies.
15 JULY 2022 • By Mischa Geracoulis
