Kadria Hussein: Egypt’s Forgotten Painter Princess
Princess Kadria Hussein was a 20th-century painter, writer and advocate for women’s rights, whose work remains undocumented.
Princess Kadria Hussein was a 20th-century painter, writer and advocate for women’s rights, whose work remains undocumented.
Featured artist Deena Mohamed is an accomplished Egyptian graphic novelist and author of the fantasy trilogy "Shubeik Lubeik" [Your Wish Is My Command].
A major exhibition at Mimosa House aims to address pressing and unresolved issues faced by women, queer, and trans people across the world.
From sound and installation to sculpture & photography, art and a history of violence collide in Rushdi Anwar’s new show.
At this year’s Venice Biennale, Palestine looms large, writes Hadani Ditmars.
Gazan artist Hazem Harb remembers and celebrates the old, new, destroyed, erased and dead of Palestine in a personal response to a nasty war.
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.
Curators Rasha Salti and Kristine Khouri have assembled a formidable exhibition on museums and solidarity movements using art and protest.
Arie Amaya-Akkermans delves into Yvette Achkar's compelling artwork depicting the resilience of the human spirit in the face of adversity.
Baya was among the first Algerian artists to be recognized by the art world in Paris. Though considered naïve in style, her work endures.
Sophie Kazan reports on the mood of Dubai Art Week this year with a roundup of the UAE and Arab artists and galleries in Art Dubai.
At times beautiful as a virtual meal experience, LACMA’s “Dining with the Sultan” is an old-fashioned, things-in-glass-cases exhibition.
A blood-red line drawn across the form of Syria seems to confirm the nonsensical nature of the country’s political situation and makes the destruction of artist Issam Kourbaj’s homeland all the more tragic.
For Palestinian artist Rana Samara, intimacy is not just about love and sex, but is a mixture of connection, comfort and feeling at home.
Sophie Kazan Makhlouf reviews Alia Farid's first solo exhibition in the UK that draws a line between local traditions and global migrations.