Morocco’s Bīylmawn Festival and the Threat of Cultural Attrition
The Bīylmawn festival has recently made a comeback but not everyone is pleased with the highly stylized and artistically reimagined carnival.
The Bīylmawn festival has recently made a comeback but not everyone is pleased with the highly stylized and artistically reimagined carnival.
The meta-narrative in Frank Herbert's Dune trilogy foresees the modern disaster of never-ending colonialism and a planet destroyed by oil.
Flaubert's theory of meaning and form rests on a mystical conception of the nature of writing, alongside the theory of music in writing.
The diaries provide a complex double-layered narrative of Nika as a victim of regime brutality, and of Atrash as a survivor of state horror.
While studying abroad in Alexandria, Bel Parker becomes a butcher's apprentice to immerse herself in the local language and culture.
A writer's satirical guide on how to write about the hapless, subjugated Kurds, if you're not already filming them for a documentary.
Al Jadid editor Elie Chalala finds that Lebanese intellectuals’ defense of expat director Wadji Mouawad contrasts with state chokehold on freedom of expression.
Lord Byron, a theatrical poet, created the concept of celebrity and, with his poetry, brought the Ottoman world to European audiences.
Omar Naim set out to create a film about the Lebanese theatre scene where stage honesty clashes with street deceit.
Georgina Van Welie, co-founder of Sabab theatre, shares her perspective on the "Arab" Shakespeare Trilogy for the first time
"Prisoner of Love" acknowledges the limitations of language in capturing the reality of the Palestinian revolution, writes Saleem Haddad.
Hara TV3 harnessed interactive theatre and comedy to address gender-based violence and FGM in Egypt writes its founder Nada Sabet.
Continuously displaced Palestinians redefine "home" in Osama Kahlout’s surprising photographs from the war on Gaza.
Empathy requires knowledge and collective action to avoid blindly following the crowds, writes Nancy Kricorian.
In which the authors argue that, "If Israel, with Western support, achieves its aims in Gaza, it will constitute the end of fellowship among inhabitants of this planet."