A Bicentennial Remembrance of Lord Byron, Among Greeks & Turks
Lord Byron, a theatrical poet, created the concept of celebrity and, with his poetry, brought the Ottoman world to European audiences.
Lord Byron, a theatrical poet, created the concept of celebrity and, with his poetry, brought the Ottoman world to European audiences.
Georgina Van Welie, co-founder of Sabab theatre, shares her perspective on the "Arab" Shakespeare Trilogy for the first time
"Prisoner of Love" acknowledges the limitations of language in capturing the reality of the Palestinian revolution, writes Saleem Haddad.
Hara TV3 harnessed interactive theatre and comedy to address gender-based violence and FGM in Egypt writes its founder Nada Sabet.
Continuously displaced Palestinians redefine "home" in Osama Kahlout’s surprising photographs from the war on Gaza.
Empathy requires knowledge and collective action to avoid blindly following the crowds, writes Nancy Kricorian.
In which the authors argue that, "If Israel, with Western support, achieves its aims in Gaza, it will constitute the end of fellowship among inhabitants of this planet."
In her latest essay, writer Jenine Abboushi reminds us that the ethnic cleansing and destruction of Palestinian society did not begin on October 7th.
Mai Al-Nakib explores memory, forgetting, and writing through the lenses of Woolf, Proust, and a Wim Wenders film.
Photographs of Iraqis imply doom due to generational violence, even in happy pictures.
Claiming a past that never existed previously in the city, nostalgia overwhelms the inhabitants of Alexandria, writes Mohamed Gohar.
Youssef Rakha revisits his fascination with Sargon Boulos who managed to live out poetic Arabness in exile as nobody else did.
Revisiting her memories of Egypt's January 25 revolution, Asmaa Elgamal finds that denying common sense is the worst oppression.
The assault on Gaza is the longest and deadliest Israeli offensive to date, and the worst in targeting journalists and their families.
Palestine's shrines are a part of a heritage that has been intentionally erased since the Nakba of 1948, writes Gabriel Polley.