Why Out of Our Minds?
Our senior editor in Beirut, Lina Mounzer, relates intimately to the theme of TMR 53, having experienced civil war in Beirut.
Our senior editor in Beirut, Lina Mounzer, relates intimately to the theme of TMR 53, having experienced civil war in Beirut.
Joelle M. Abi-Rached reflects on the failures of psychiatry and psychiatric language in addressing the trauma arising from mass violence.
In Gaza, where airstrikes define life, two lovers still find a way to connect in a landscape scarred by shrapnel and scattered steel.
Bosnian-American artist Šehović marks the Srebrenica Genocide with an installation of cups filled with coffee — unsweetened and undrunk.
Gaza's senior poet Nasser Rabah presents two poems from his first collected works in English, new from City Lights.
Souseh counsels hope and continued resistance to an anxious mother worried about her kids in dangerous times.
Filmmaker Ghassan Salhab presents an immersive study of Lebanese youth, the silent isolation of mortality, and resistance.
A new exhibition unravels the entangled histories and cultures of Afghanistan, the Middle East, and Western Europe through textiles.
Jim Quilty interviews Paris-based Gazan artist Taysir Batniji in Beirut about his new show, "Just in Case" at Sfeir-Semler Gallery, on through March 25.
Iranian American poet Annahita Mahdavi West presents two poems, "Exile" and "City of War" from her book "Dusty Relic."
A Jewish American has been afraid to express her reservations and criticism of Israel's actions in Gaza, but felt she had to speak out.
Roger Assaf's poetic script for Jocelyne Saab's 1982 film about the siege of Beirut puts one in mind of today's stark reality in Lebanon.
In Haidar Al Ghazali's short story, a Palestinian father during the war on Gaza makes an impossible choice.
Farah-Silvana Kanan questions whether, in this novel, the Franco-Lebanese master is at the height of his powers, or is having us on...
A stage director declines producing a play about a child tragically murdered during a genocide, fearing she may appear biased.