The Labyrinth of Memory
Critic Ziad Suidan meditates on the meaning of the labyrinth and the walls that can separate us but also remind us of our shared history inside the hammam.
Critic Ziad Suidan meditates on the meaning of the labyrinth and the walls that can separate us but also remind us of our shared history inside the hammam.
Nada Ghosn talks to Beirut's powerhouse Hanane Hajj Ali who receives an international theatre award from League of Professional Theatre Women out of New York.
Rana Asfour reviews a documentary by Nezar Andary on the Syrian auteur filmmaker, Muhammad Malas.
With Children of the Ghetto, My Name is Adam, a lyrical story about Palestine's 1948 exodus, Elias Khoury continues his exploration of the 20th century tragedy.
In a search for meaning and self-adventure, writer Sarah AlKahly Mills meanders through her multiple identities.
Wajdi Mouawad has shaken Western theatre out of its rigid rules, bringing a dream-infused approach, odes to childhood's energy and a sense of adventure, rooted in his Lebanese culture and fascination for great Greek tragedies.
In this wide-ranging essay, the writer revisits life before and after the civil war, participates in Lebanon's revolution, imagines the country's monetary implosion, and contemplates the Port of Beirut explosion—all while weighing the social terms of Lebanon's political renewal.
Maalouf draws a line from pivotal years in Middle Eastern history to some of the most pressing dilemmas currently facing humanity.