TMR 41
FORGETTING
What shall we forget and what shall we remember, and can forgetting also be a force for good? The editors inquire.

- TMR 41
- Editorial
Why FORGETTING?
What shall we forget and what shall we remember, and can forgetting also be a force for good? The editors inquire.
- TMR 41
- CENTERPIECE

Memory Archive: Between Remembering and Forgetting
Mai Al-Nakib explores memory, forgetting, and writing through the lenses of Woolf, Proust, and a Wim Wenders film.
May 3, 2024 • By Mai Al-Nakib- TMR 41
- Featured Artist

Featured Artist Hazem Harb: “Back to Zero”
Gazan artist Hazem Harb remembers and celebrates the old, new, destroyed, erased and dead of Palestine in a personal response to a nasty war.
May 3, 2024 • By Malu HalasaMORE FROM THIS ISSUE

Regarding the Photographs of Others—An Iraqi Journey Toward Remembering
Photographs of Iraqis imply doom due to generational violence, even in happy pictures.
3 MAY, 2024 • BY NABIL SALIH
My Brother, My Land: A Story from Palestine
Saleem Haddad reviews the Sawalha family story that offers hope in resilience, resistance, and survival against all odds.
3 MAY, 2024 • BY SALEEM HADDAD
A Proustian Alexandria
Claiming a past that never existed previously in the city, nostalgia overwhelms the inhabitants of Alexandria, writes Mohamed Gohar.
3 MAY, 2024 • BY MOHAMED GOHAR
Asmae El Moudir’s The Mother of All Lies
Brittany Landorf reviews the first major film of director Asmae El Moudir, Morocco’s entry for the 2024 Academy Awards.
3 MAY, 2024 • BY BRITTANY LANDORF
The Elephant in the Box
Revisiting her memories of Egypt's January 25 revolution, Asmaa Elgamal finds that denying common sense is the worst oppression.
3 MAY, 2024 • BY ASMAA ELGAMAL
Sargon Boulus Revisited: Encomium to an Assyrian Poet
Youssef Rakha revisits his fascination with Sargon Boulos who managed to live out poetic Arabness in exile as nobody else did.
3 MAY, 2024 • BY YOUSSEF RAKHA
“Cotton Flower”—a short story by Areej Gamal
Areej Gamal's translated short story from Egypt depicts a potted plant and forbidden love that become intertwined, with an unexpected outcome
3 MAY, 2024 • BY AREEJ GAMAL
Voices Close to Oblivion and Near the Grave from Syrian Gulag
A first-ever in-depth look into Syria's prison system where prisoners endure unimaginable levels of violence and torture.
3 MAY, 2024 • BY UGUR UMIT UNGOR
Forgotten & Silenced Histories in Moroccan Other-Archives
Language, gender, class, race, and geography shape citizenship in Morocco today, argues Brahim El Guabli in his latest book.
3 MAY, 2024 • BY NATALIE BERNSTIEN
Bloodied Dispatches—Ahmed Isselmou on the Gaza Carnage
The assault on Gaza is the longest and deadliest Israeli offensive to date, and the worst in targeting journalists and their families.
3 MAY, 2024 • BY AHMED ISSELMOU
Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines
Palestine's shrines are a part of a heritage that has been intentionally erased since the Nakba of 1948, writes Gabriel Polley.
3 MAY, 2024 • BY GABRIEL POLLEY
Palestinian Culture, Under Assault, Celebrated in New Cookbook
Fadi Kattan's Palestinian cookbook is a memoir of personal and familial memories, intriguing facts, and emotions, writes Mischa Geracoulis.
3 MAY, 2024 • BY MISCHA GERACOULIS
Freedom—Ruminations of a Syrian Refugee
It is obvious that we will never forget; but it is unclear how to proceed with “un-forgetting" writes Reem Alghazzi on her experience of the Syrian revolution.
3 MAY, 2024 • BY REEM ALGHAZZI
“The Forgotten”—a short story by Oğuz Atay
Regarded internationally as one of Turkey’s greatest writers, Oğuz Atay (1934-1977) remains largely untranslated into English.
3 MAY, 2024 • BY RALPH HUBBELL
The Art of Letting Go: On the Path to Willful Abandonment
Nashwa Nasreldine explores the importance of holding onto failed attempts to capture fleeting moments for the sake of our souls and poetry.
3 MAY, 2024 • BY NASHWA NASRELDIN