Poem for Tunisia: “Court of Nothing”
1 AUGUST, 2022 • By Farah Abdessamad
Mural in Kairouan, Tunisia, Madinati project, 2017, by El Seed (courtesy El Seed).

 

The writer of this poem has felt forlorn over her country’s floundering democracy for nearly a year, ever since Kaïs Saïed installed himself as President.

 

Farah Abdessamad

 

Temptation, hesitation, limitation — fences
Punch, barcha, hit, hit
Harder until I scream
Polyphonic bliss, your song of home, tune of envy and
Waiting
            Waiting
Sit, watch a pink vomit of crimson and milk

                                    I run
                                           to a yes
                                                       to a no

Linger, sick sharpness
Heavy star, delusionary rides of lunar folly
Limbo in that flag. Pressed sky; I’m awake wallah
Full, noss, and
                                                                               empty

Dignity!
Red clouds, waves — conspiring into this big splash of nothing
Nothing!
Time, time, and time again slipping
Clock tower of Tunis, ring, ring
Minutes, hours, decades of collective despair

                                                      I run
                                                                           they catch me

Fathers, sing, sing
Restless, angry, I stand at a graveyard of cyanic pity
Cards of magic, a curse of plenty shuffling
A last dance of our headless mass
To the streets!

Our beautiful bodies, to the streets
Stuck in a court of reveries
Nothing left but to pick up the pieces of dignity
Deflagrated, skinny, eat, eat.

 

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Danielle Haque

Danielle Haque , Danielle Haque is an Associate Professor of English at Minnesota State University, Mankato. She is the author of the book Interrogating Secularism: Race and Religion in Arab Transnational Art and Literature, and her work has appeared in American Literature, MELUS,... Read more

Danielle Haque is an Associate Professor of English at Minnesota State University, Mankato. She is the author of the book Interrogating Secularism: Race and Religion in Arab Transnational Art and Literature, and her work has appeared in American Literature, MELUS, the Journal of Arabic Literature, and the forthcoming Arab American Studies Reader (Syracuse University Press).

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