Melissa Chemam reviews the new taboo-busting feature film from Moroccan director Maryam Touzani.
DECEMBER 5, 2022 • By Melissa Chemam
Diana Buttu, a Palestinian lawyer in Haifa, reviews the family memoir that evokes nearly a century of Palestinian...
NOVEMBER 28, 2022 • By Diana Buttu
Mireille Rebeiz objects to geopolitical hypocrisy when it comes to migrants and workers' rights, and supports the upcoming...
NOVEMBER 28, 2022 • By Mireille Rebeiz
One of Iran's contemporary writers shares his thoughts with a friend in the west about the direction the...
NOVEMBER 28, 2022 • By
Mariam Elnozahy reviews the new exhibit at London's Mosaic Rooms that looks at ecology and politics in Lebanon.
NOVEMBER 28, 2022 • By Ali al-Muqri
Justin Olivier Salhani reviews a new anthology on football and the Middle East just as the World Cup...
NOVEMBER 21, 2022 • By Abir Kopty
In her monthly music column, Melissa Chemam talks to Sabrine Jenhani, half of the indie Tunisian duo Ÿuma.
NOVEMBER 21, 2022 • By Melissa Chemam
We saw Dina Amer's debut feature film based on the life of Hasna Ait Boulahcen, yet another victim...
NOVEMBER 21, 2022 • By Jordan Elgrably
Human rights activist Stephen Rohde argues that even in the most heinous of cases, life with the possibility...
NOVEMBER 7, 2022 • By Stephen Rohde
The Markaz Review joins 15 Nobel Prize for Literature laureates and millions around the world in calling for...
NOVEMBER 7, 2022 • By Jordan Elgrably
