TMR 41 • Forgetting

Voices Close to Oblivion and Near the Grave from Syrian Gulag

Voices Close to Oblivion and Near the Grave from Syrian Gulag

A first-ever in-depth look into Syria's prison system where prisoners endure unimaginable levels of violence and torture.

MAY 3, 2024 • By Ugur Umit Ungor
Forgotten & Silenced Histories in Moroccan Other-Archives

Forgotten & Silenced Histories in Moroccan Other-Archives

Language, gender, class, race, and geography shape citizenship in Morocco today, argues Brahim El Guabli in his latest...

MAY 3, 2024 • By Natalie Bernstien
Bloodied Dispatches—Ahmed Isselmou on the Gaza Carnage

Bloodied Dispatches—Ahmed Isselmou on the Gaza Carnage

The assault on Gaza is the longest and deadliest Israeli offensive to date, and the worst in targeting...

MAY 3, 2024 • By Ahmed Isselmou
Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines

Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines

Palestine's shrines are a part of a heritage that has been intentionally erased since the Nakba of 1948,...

MAY 3, 2024 • By Gabriel Polley
Palestinian Culture, Under Assault, Celebrated in New Cookbook

Palestinian Culture, Under Assault, Celebrated in New Cookbook

Fadi Kattan's Palestinian cookbook is a memoir of personal and familial memories, intriguing facts, and emotions, writes Mischa...

MAY 3, 2024 • By Mischa Geracoulis
Freedom—Ruminations of a Syrian Refugee

Freedom—Ruminations of a Syrian Refugee

It is obvious that we will never forget; but it is unclear how to proceed with “un-forgetting" writes...

MAY 3, 2024 • By Reem Alghazzi
“The Forgotten”—a short story by Oğuz Atay

“The Forgotten”—a short story by Oğuz Atay

Regarded internationally as one of Turkey’s greatest writers, Oğuz Atay (1934-1977) remains largely untranslated into English.

MAY 3, 2024 • By Ralph Hubbell
The Art of Letting Go: On the Path to Willful Abandonment

The Art of Letting Go: On the Path to Willful Abandonment

Nashwa Nasreldine explores the importance of holding onto failed attempts to capture fleeting moments for the sake of...

MAY 3, 2024 • By Nashwa Nasreldin
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