Arie Amaya-Akkermans

On Lebanon and Lamia Joreige’s “Uncertain Times”

On Lebanon and Lamia Joreige’s “Uncertain Times”

Arie Amaya-Akkermans reflects on Lamia Joreige's "Uncertain Times," which represents the Lebanese wars and their aftermath.

23 JANUARY, 2023 • By Arie Amaya-Akkermans
Film Review: “Memory Box” on Lebanon Merges Art & Cinema

Film Review: “Memory Box” on Lebanon Merges Art & Cinema

Arie Akkersmans-Amaya reviews the latest film by Lebanese artist duo Joana Hadjithomas and Khalil Joreige, whom he interviews.

13 JUNE, 2022 • By Arie Amaya-Akkermans
On “True Love Leaves No Traces”

On “True Love Leaves No Traces”

From Leonard Cohen to Apollo and Daphne to French philosopher Jean-Lun Nancy, Arie Akkermans-Amaya looks at the influences...

15 MARCH, 2022 • By Arie Amaya-Akkermans
(G)Hosting the Past: On Michael Rakowitz’s “Reapparitions”

(G)Hosting the Past: On Michael Rakowitz’s “Reapparitions”

Arie Akkermans reviews an Iraqi American's exhibitions as they attempt to recreate missing and destroyed artifacts taken from...

7 FEBRUARY, 2022 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance

Etel Adnan’s Sun and Sea: In Remembrance

Art critic Arie Amaya-Akkermans summons the gods of art and poetry as he reviews the life work of...

19 NOVEMBER, 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence

War Diary: The End of Innocence

Arie Amaya-Akkermans investigates Agenda 1979: Imagine sitting at home in the presence of a handbook for destroying, bombing,...

23 MAY, 2021 • By Arie Amaya-Akkermans
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