Hand-Written Love Letters and Words of the Great Arab Poets
15 MARCH, 2022 • By Reem Mouasher
Reem Mouasher, “Love Letters: Al-Mutanabbi Liainaiki,” 28x40cm Acrylic on Paper 2022

 

Reem Mouasher

 

Art washes away from the soul the dust of everyday life. —Pablo Picasso

 

Love, desire, passion, poetry, graffiti! This series of paintings was inspired by the era of hand-written love letters and borrows the words of the great Arab poets; Gibran, Qabbani, Al-Mutanabbi and Mahmoud Darwish combined with the gestural visuals of street art. In contemplating messages of love, passion, desire today, I realize that we’re more likely to use an emoji than a poem,  a spray can than a fountain pen. Yet the tenderness of a message of love is just as desirable on a wall, in an inbox, in a scented envelope or in my case on a canvas.

 

 

Art is not what you see but what you make others see. —Edgar Degas

 

I see the world as a place of wonder and discovery and  intentionally strive to keep that childlike delight so that the color and experience of a place are preserved in my mind. When I paint, dreamy versions of places appear, not quite as they are but as elevated memories I have of them where their essence is mixed up with a big dose of hazy nostalgia. During the Covid-19 lockdowns, painting became my escape from stress. I needed to avoid all the places I longed to go because of the imposed confinement so I painted them instead;  favorite places from memories of childhood, travels, picnics, walks, hikes even books. I work mostly in acrylics on canvas sometimes adding pastels on top.

 

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Atia Shafee

Atia Shafee , Born in Oklahoma City in 1984, Atia Shafee lives and works in Los Angeles. She pursued her Design diploma in Tehran and was trained by Tendai Johnson at Montgomery College in Rockville, MD who had a large impact on her... Read more

Born in Oklahoma City in 1984, Atia Shafee lives and works in Los Angeles. She pursued her Design diploma in Tehran and was trained by Tendai Johnson at Montgomery College in Rockville, MD who had a large impact on her observational skills. In 2014, Judith Stone and Zdeno Mayercak were influential on her development of her own sculptural voice. Atia obtained her Bachelor of Fine Arts from Otis College of Art and Design. Her work explores concepts of culture, childhood trauma and sexual abuse, separation and belonging in an abstract form. Her sculptural process is an interaction of paper, fabric, fiberglass layered with symbolic words in Farsi and English. The final forms are abstract, adorned with material both hidden and exposed through the process of multiple layering and labor-intensive hours of scraping and sanding. Atia is a multi-disciplinary artist, concurrently working on a series of photographic portraits, featuring her own vision of the subjects, their personalities, and the interplay of light, shadow, color, and charisma. Atia has exhibited in art institutions including Montgomery College, Ben Maltz Gallery and galleries in Tehran. While actively working as a full-time artist, she is also completing a memoir. 

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