Landscape is a charged notion in the Middle East—even the geographical term Middle East is not neutral, but Eurocentric and has its origin in colonialism. Co-curator Nat Muller explains.
Europe is the center of the world and has the literature to prove it. Or is it? Arabic and comparative literature scholar Rebecca C. Johnson makes a different argument in Stranger Fictions.
18 years in the making, this winter Upset Press will publish a new volume of poems by former Syrian political prisoner and cause célèbre Faraj Bayrakdar.
In this debut novel Eman Quotah practically delivers an epic as she writes about a Saudi family, torn between Arab and American identities and culture clashes.
God 99 blurs the boundaries between fiction and autobiography, reportage and the novel. It blends the fantastic with the everyday to explore themes of exile, humanity, art and philosophy.
With Children of the Ghetto, My Name is Adam, a lyrical story about Palestine's 1948 exodus, Elias Khoury continues his exploration of the 20th century tragedy.
One of Iran's most venerable journalists and editors gives us an insider's history of one of the world's great if lesser-known cities.
Kaouther Adimi's historical novel departs from a famous Algerian bookstore with a connection to Albert Camus and opens a window onto Algerian independence, French colonialism and the literary voices coming out of the Maghreb.
War-torn Syria isn't just about headlines. In this new novel from Shahla Ujayli, the country comes alive as seen through the eyes of three women from Raqqa.
War-torn Syria isn’t just about headlines. In this new novel from Shahla Ujayli, the country comes alive as seen through the eyes of three women from Raqqa.