{"id":30299,"date":"2024-02-26T18:57:27","date_gmt":"2024-02-26T16:57:27","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?post_type=product&#038;p=30299"},"modified":"2024-02-26T18:57:27","modified_gmt":"2024-02-26T16:57:27","slug":"tmr-issue-no37-endings-beginnings","status":"publish","type":"product","link":"https:\/\/themarkaz.org\/oldsite\/product\/tmr-issue-no37-endings-beginnings\/","title":{"rendered":"TMR Issue N\u00ba37 \u2022 ENDINGS &#038; BEGINNINGS"},"content":{"rendered":"<p><img decoding=\"async\" class=\"wp-image-30300 alignleft\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-Review-The-Markaz-Review-themarkaz.org_-844x1024.jpg\" alt=\"\" width=\"551\" height=\"668\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-Review-The-Markaz-Review-themarkaz.org_-844x1024.jpg 844w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-Review-The-Markaz-Review-themarkaz.org_-247x300.jpg 247w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-Review-The-Markaz-Review-themarkaz.org_-768x932.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-Review-The-Markaz-Review-themarkaz.org_-1266x1536.jpg 1266w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-Review-The-Markaz-Review-themarkaz.org_-1568x1903.jpg 1568w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-Review-The-Markaz-Review-themarkaz.org_-1320x1602.jpg 1320w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-Review-The-Markaz-Review-themarkaz.org_-600x728.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-Review-The-Markaz-Review-themarkaz.org_.jpg 1582w\" sizes=\"(max-width: 551px) 100vw, 551px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Why Endings &amp; Beginnings ? Jordan Elgrably<\/p>\n<p class=\"p1\">&#8220;The Summer They Heard Music&#8221; Short story by MK Harb<\/p>\n<p class=\"p1\">\u201cOf Wood and Hallucination\u201dfiction from Mansoura Ez-Eldin<\/p>\n<p class=\"p1\">&#8220;Twelve Angels&#8221; &#8211; fiction by Ahmed Salah Al-Mahdi<\/p>\n<p class=\"p1\">&#8220;Kabul\u2019s Haikus&#8221;\u2014fiction from Maryam Mahjoba<\/p>\n<p class=\"p1\">The Paranda Network\u2014Afghan Women Writing &#8211; Lillie Razvi<\/p>\n<p class=\"p1\">&#8220;The Waiting Bones&#8221;\u2014an essay by Maryam Haidari<\/p>\n<p class=\"p1\">Almost Every Day\u2014from the novel by Mohammed Abdelnabi<\/p>\n<p class=\"p1\">Huda Fakhreddine\u2019s A Brief Time Under a Different Sun<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"wp-image-30301 alignleft\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-2-Review-The-Markaz-Review-themarkaz.org_-652x1024.jpg\" alt=\"\" width=\"568\" height=\"893\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-2-Review-The-Markaz-Review-themarkaz.org_-652x1024.jpg 652w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-2-Review-The-Markaz-Review-themarkaz.org_-191x300.jpg 191w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-2-Review-The-Markaz-Review-themarkaz.org_-768x1206.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-2-Review-The-Markaz-Review-themarkaz.org_-978x1536.jpg 978w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-2-Review-The-Markaz-Review-themarkaz.org_-600x942.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-2-Review-The-Markaz-Review-themarkaz.org_.jpg 1223w\" sizes=\"(max-width: 568px) 100vw, 568px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>In the Beginning and the End is the Book &#8211; Sophie Kazan Makhlouf<\/p>\n<p class=\"p1\">&#8220;I, Hanan&#8221;\u2014a Gazan tale of survival by Joumana Haddad<\/p>\n<p class=\"p1\">Why We Stay in Beirut, Despite Its Countless Crises &#8211; Jordan Elgrably<\/p>\n<p class=\"p3\">Days of Oranges\u2014Libya&#8217;s Thawra &#8211; Yesmine Abida<\/p>\n<p class=\"p3\">Hanan Eshaq<\/p>\n<p class=\"p3\">&#8220;Junk&#8221;\u2014a short story by May Haddad<\/p>\n<p class=\"p3\">Unshackling Language in Arabic Children\u2019s Literature &#8211; Nada Sabet<\/p>\n<p class=\"p3\">A Jaha in the Metaverse\u2014fiction by Fadi Zaghmout<\/p>\n<p class=\"p3\">Demolition and Recreation in Benghazi: Interview with Sarri Elfaitouri &#8211; Naima Morelli<\/p>\n<p class=\"p3\">&#8220;The Followers&#8221;\u2014a short story &#8211; Youssef Manessa<\/p>\n<p class=\"p1\">The Day My Life Ended, It Began &#8211; Karim Shamsi-Basha<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TMR Issue 37 \u2013 20 articles \u2013\u00a0 180 pages<\/p>\n<p>This double issue spanning the end of 2023 and the start of 2024 delves into the duality of beginnings and endings, war and peace, life and death, barbarism and civilization. In every story, every human life there is transformation, a perpetual cycle of change. Endings are also destruction, which in turns leads to beginnings, creation\u2026<\/p>\n","protected":false},"featured_media":30536,"template":"","meta":{"_acf_changed":false,"om_disable_all_campaigns":false},"product_brand":[],"product_cat":[3209],"product_tag":[],"class_list":{"0":"post-30299","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-tmr-issues","7":"entry","9":"first","10":"instock","11":"downloadable","12":"virtual","13":"purchasable","14":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>TMR Issue N\u00ba37 \u2022 ENDINGS &amp; BEGINNINGS - The Markaz Review<\/title>\n<meta name=\"description\" content=\"This double issue spanning the end of 2023 and the start of 2024 delves into the duality of beginnings and endings, war and peace, life and death, barbarism and civilization. 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Endings are also destruction, which in turns leads to beginnings, creation\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/themarkaz.org\/oldsite\/product\/tmr-issue-no37-endings-beginnings\/\" \/>\n<meta property=\"og:site_name\" content=\"The Markaz Review\" \/>\n<meta property=\"og:image\" content=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-37-\u2022-ENDINGS-BEGINNINGS-cover.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"768\" \/>\n\t<meta property=\"og:image:height\" content=\"1056\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data2\" content=\"Jordan Elgrably\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/product\\\/tmr-issue-no37-endings-beginnings\\\/\",\"url\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/product\\\/tmr-issue-no37-endings-beginnings\\\/\",\"name\":\"TMR Issue N\u00ba37 \u2022 ENDINGS & BEGINNINGS - The Markaz Review\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/product\\\/tmr-issue-no37-endings-beginnings\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/product\\\/tmr-issue-no37-endings-beginnings\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/TMR-37-\u2022-ENDINGS-BEGINNINGS-cover.jpg\",\"datePublished\":\"2024-02-26T16:57:27+00:00\",\"description\":\"This double issue spanning the end of 2023 and the start of 2024 delves into the duality of beginnings and endings, war and peace, life and death, barbarism and civilization. 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