{"id":29770,"date":"2023-12-20T17:14:38","date_gmt":"2023-12-20T15:14:38","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?post_type=product&#038;p=29770"},"modified":"2023-12-21T16:41:47","modified_gmt":"2023-12-21T14:41:47","slug":"tmr-issue-no-12-comix","status":"publish","type":"product","link":"https:\/\/themarkaz.org\/oldsite\/product\/tmr-issue-no-12-comix\/","title":{"rendered":"TMR Issue N\u00ba 12 \u2022 COMIX"},"content":{"rendered":"<p><img decoding=\"async\" class=\" wp-image-29773 alignleft\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-12-\u2022-COMIX-Archives-The-Markaz-Review-themarkaz.org_-679x1024.jpg\" alt=\"\" width=\"622\" height=\"938\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-12-\u2022-COMIX-Archives-The-Markaz-Review-themarkaz.org_-679x1024.jpg 679w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-12-\u2022-COMIX-Archives-The-Markaz-Review-themarkaz.org_-199x300.jpg 199w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-12-\u2022-COMIX-Archives-The-Markaz-Review-themarkaz.org_-768x1157.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-12-\u2022-COMIX-Archives-The-Markaz-Review-themarkaz.org_-1019x1536.jpg 1019w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-12-\u2022-COMIX-Archives-The-Markaz-Review-themarkaz.org_-600x904.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-12-\u2022-COMIX-Archives-The-Markaz-Review-themarkaz.org_.jpg 1274w\" sizes=\"(max-width: 622px) 100vw, 622px\" \/><\/p>\n<p class=\"p1\">Why COMIX? An Emerging Medium of Writing the Middle East and North Africa &#8211; Aomar Boum, Guest Editor, TMR<\/p>\n<p class=\"p1\">Migration and Mentorship: the Case of Abdelaziz Mouride &#8211;\u00a0 Aomar Boum<\/p>\n<p class=\"p1\">Rebellion Resurrected: The Will of Youth Against History &#8211; George \u201cJad\u201d Khoury<\/p>\n<p class=\"p1\">Beginnings, the Life &amp; Times of \u201cSlim\u201d aka Menouar Merabtene &#8211; Menouar Merabtene<\/p>\n<p class=\"p1\">Obdurate Moroccan Memories: Abdelkrim\u2019s Afterlife in a Graphic Novel &#8211; Brahim El Guabli<\/p>\n<p class=\"p1\">Women Comic Artists, from Afghanistan to Morocco &#8211; Sherine Hamdy<\/p>\n<p class=\"p1\">Puigaudeau &amp; S\u00e9nones: a Graphic Novel on Mauritania Circa 1933 &#8211; Paraska Tolan-Szkilnik<\/p>\n<p class=\"p1\">An Anthropologist Tells of 1970s Upheaval in \u201cTurkish<\/p>\n<p class=\"p1\">Kaleidoscope\u201d &#8211; Jenny White<\/p>\n<p class=\"p1\">Libya\u2019s Exiled Satirist, Hasan \u201cAlsatoor\u201d Dhaimish &#8211; Sherif and Hanna Dhaimish<\/p>\n<p class=\"p1\">French Colonialism in Algeria and Ferrandez\u2019s \u201cCarnets d\u2019Orient\u201d &#8211; Amber Sackett<\/p>\n<p class=\"p1\">The Excellent Journey of Algerian Cartoonist Nadjib Berber &#8211; Nadjib Berber<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TMR Issue 12 \u2013 11 articles \u2013 135 pages<\/p>\n<p>The <em>bande dessin\u00e9<\/em> or graphic novel is one of the most popular forms of creative expression in the Middle East and North Africa. Here guest editor Aomar Boum (Morocco) curates a superlative issue featuring artists and storytellers who convey a wealth of 21st-century narratives.<\/p>\n","protected":false},"featured_media":30639,"template":"","meta":{"_acf_changed":false,"om_disable_all_campaigns":false},"product_brand":[],"product_cat":[3209],"product_tag":[],"class_list":{"0":"post-29770","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-tmr-issues","7":"entry","9":"first","10":"instock","11":"downloadable","12":"virtual","13":"purchasable","14":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>TMR Issue N\u00ba 12 \u2022 COMIX - The Markaz Review<\/title>\n<meta name=\"description\" content=\"Among the most popular forms of creative expression in the MENA, COMIX features artists and storytellers with a wealth of 21st-century narratives.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/themarkaz.org\/oldsite\/product\/tmr-issue-no-12-comix\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TMR Issue N\u00ba 12 \u2022 COMIX\" \/>\n<meta property=\"og:description\" content=\"Among the most popular forms of creative expression in the MENA, COMIX features artists and storytellers with a wealth of 21st-century narratives.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/themarkaz.org\/oldsite\/product\/tmr-issue-no-12-comix\/\" \/>\n<meta property=\"og:site_name\" content=\"The Markaz Review\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-21T14:41:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-12-COMIX-cover-768x768-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"768\" \/>\n\t<meta property=\"og:image:height\" content=\"768\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n\t<meta name=\"twitter:label2\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data2\" content=\"Jordan Elgrably\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/product\\\/tmr-issue-no-12-comix\\\/\",\"url\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/product\\\/tmr-issue-no-12-comix\\\/\",\"name\":\"TMR Issue N\u00ba 12 \u2022 COMIX - 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