{"id":29765,"date":"2023-12-20T16:55:32","date_gmt":"2023-12-20T14:55:32","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?post_type=product&#038;p=29765"},"modified":"2023-12-21T16:37:09","modified_gmt":"2023-12-21T14:37:09","slug":"tmr-issue-no-13-origins","status":"publish","type":"product","link":"https:\/\/themarkaz.org\/oldsite\/product\/tmr-issue-no-13-origins\/","title":{"rendered":"TMR Issue N\u00ba 13 \u2022 ORIGINS"},"content":{"rendered":"<p><img decoding=\"async\" class=\"size-large wp-image-29768 alignleft\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-The-Markaz-Review-themarkaz.org_-591x1024.jpg\" alt=\"\" width=\"591\" height=\"1024\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-The-Markaz-Review-themarkaz.org_-591x1024.jpg 591w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-The-Markaz-Review-themarkaz.org_-173x300.jpg 173w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-The-Markaz-Review-themarkaz.org_-768x1330.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-The-Markaz-Review-themarkaz.org_-887x1536.jpg 887w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-The-Markaz-Review-themarkaz.org_-600x1039.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-The-Markaz-Review-themarkaz.org_.jpg 1109w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Displaced: From Beirut to Los Angeles to Beirut &#8211; Ara Oshagan<\/p>\n<p class=\"p1\">Hasteem, We Are Here: The Collective for Black Iranians &#8211; Maryam Sophia Jahanbin<\/p>\n<p class=\"p1\">For Somalia&#8217;s Sagal Ali and Her Country&#8217;s Future, Art Triumphs Over War &#8211; Sophie Kazan<\/p>\n<p class=\"p1\">Ramblings of an American Bedouin Palestinian, Lost in Amman &#8211; Mohammed Jahama<\/p>\n<p class=\"p1\">Flagbearer of a Stateless Nation, from &#8220;Daughters of Smoke and Fire&#8221; &#8211; Ava Homa<\/p>\n<p class=\"p1\">Three Poems by Kashmiri American Bard Agha Shahid Ali &#8211; Agha Shahid Ali<\/p>\n<p class=\"p1\">My Amazigh Indigeneity (the Bifurcated Roots of a Native Moroccan) &#8211; Brahim El Guabli<\/p>\n<p class=\"p1\">Why Resistance Is Foundational to Kurdish Literature &#8211; Ava Homa<\/p>\n<p class=\"p1\">The Harrowing Life of Kurdish Freedom Activist Kobra Banehi &#8211; Kobra Banehi, Jordan Elgrably<\/p>\n<p class=\"p1\">The Complexity of Belonging: Reflections of a Female Copt &#8211; Nevine Abraham<\/p>\n<p class=\"p1\">The Limits of Empathy in Rabih Alameddine&#8217;s Refugee Saga &#8211; Dima Alzayat<\/p>\n<p class=\"p1\">&#8220;Tattoos,&#8221; an excerpt from Karima Ahdad&#8217;s Amazigh-Moroccan novel &#8220;Cactus Girls&#8221; &#8211; Karima Ahdad<\/p>\n<p>Attack the Empire and the Empire Strikes Back: What 20 Years of <span style=\"color: var(--global--color-primary); font-size: var;\">American Imperialism Has Wrought &#8211; Omar El Akkad<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\" wp-image-29769 alignleft\" style=\"margin-right: var(--global--spacing-horizontal);\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-1024x841.jpg\" alt=\"\" width=\"583\" height=\"479\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-1024x841.jpg 1024w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-300x246.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-768x631.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-1536x1262.jpg 1536w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-1568x1288.jpg 1568w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-1320x1084.jpg 1320w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-600x493.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/TMR-13-\u2022-ORIGINS-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_.jpg 1920w\" sizes=\"(max-width: 583px) 100vw, 583px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Shelf Life: The Irreverent Nadia Wassef &#8211; Sherine Elbanhawy<\/p>\n<p class=\"p1\">The Location of the Soul According to Benyamin Alhadeff &#8211; Nektaria Anastasiadou<\/p>\n<p class=\"p1\">Voyage of Lost Keys, an Armenian art installation &#8211; Aim\u00e9e Papazian<\/p>\n<p class=\"p1\">20 Years Ago This Month, 9\/11 at Souk Ukaz &#8211; Hadani Ditmars<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TMR Issue 13 \u2013 17 articles \u2013 169 pages<\/p>\n<p>The region we call the center of the world includes great diversity in terms of its ethnic and religious groups, each with their own identity, language and history. This issue features Black Iranians, Kurds, Armenians, the Amazigh, Coptic Egyptians, Rum and Somalians, among others.<\/p>\n","protected":false},"featured_media":30637,"template":"","meta":{"_acf_changed":false,"om_disable_all_campaigns":false},"product_brand":[],"product_cat":[3209],"product_tag":[],"class_list":{"0":"post-29765","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-tmr-issues","7":"entry","9":"first","10":"instock","11":"downloadable","12":"virtual","13":"purchasable","14":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>TMR Issue N\u00ba 13 \u2022 ORIGINS - The Markaz Review<\/title>\n<meta name=\"description\" content=\"The SWANA region includes great diversity, each group with their own identity and history. This issue features Black Iranians, Kurds, Armenians and Amazigh...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/themarkaz.org\/oldsite\/product\/tmr-issue-no-13-origins\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TMR Issue N\u00ba 13 \u2022 ORIGINS\" \/>\n<meta property=\"og:description\" content=\"The SWANA region includes great diversity, each group with their own identity and history. This issue features Black Iranians, Kurds, Armenians and Amazigh...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/themarkaz.org\/oldsite\/product\/tmr-issue-no-13-origins\/\" \/>\n<meta property=\"og:site_name\" content=\"The Markaz Review\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-21T14:37:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/12\/TMR-13-ORIGINS-cover-768x768-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"768\" \/>\n\t<meta property=\"og:image:height\" content=\"768\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data2\" content=\"Jordan Elgrably\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/product\\\/tmr-issue-no-13-origins\\\/\",\"url\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/product\\\/tmr-issue-no-13-origins\\\/\",\"name\":\"TMR Issue N\u00ba 13 \u2022 ORIGINS - The Markaz Review\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/product\\\/tmr-issue-no-13-origins\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/product\\\/tmr-issue-no-13-origins\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/TMR-13-ORIGINS-cover-768x768-1.jpg\",\"datePublished\":\"2023-12-20T14:55:32+00:00\",\"dateModified\":\"2023-12-21T14:37:09+00:00\",\"description\":\"The SWANA region includes great diversity, each group with their own identity and history. 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