{"id":29241,"date":"2023-11-15T13:13:59","date_gmt":"2023-11-15T11:13:59","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?post_type=product&#038;p=29241"},"modified":"2023-12-21T17:16:12","modified_gmt":"2023-12-21T15:16:12","slug":"tmr-issue-no-31-work","status":"publish","type":"product","link":"https:\/\/themarkaz.org\/oldsite\/product\/tmr-issue-no-31-work\/","title":{"rendered":"TMR Issue N\u00ba 31 \u2022 WORK"},"content":{"rendered":"<p><img decoding=\"async\" class=\"wp-image-29243 alignleft\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/TMR-31-\u2022-WORK-Archives-The-Markaz-Review-themarkaz.org_-686x1024.jpg\" alt=\"\" width=\"578\" height=\"863\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/TMR-31-\u2022-WORK-Archives-The-Markaz-Review-themarkaz.org_-686x1024.jpg 686w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/TMR-31-\u2022-WORK-Archives-The-Markaz-Review-themarkaz.org_-201x300.jpg 201w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/TMR-31-\u2022-WORK-Archives-The-Markaz-Review-themarkaz.org_-768x1146.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/TMR-31-\u2022-WORK-Archives-The-Markaz-Review-themarkaz.org_-1030x1536.jpg 1030w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/TMR-31-\u2022-WORK-Archives-The-Markaz-Review-themarkaz.org_-600x895.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/TMR-31-\u2022-WORK-Archives-The-Markaz-Review-themarkaz.org_.jpg 1287w\" sizes=\"(max-width: 578px) 100vw, 578px\" \/><\/p>\n<p class=\"p1\">Working the News: a Short History of Al Jazeera&#8217;s First 30 Years &#8211; Iason Athanasiadis<\/p>\n<p class=\"p1\">&#8220;Immigrants in Houston&#8221;\u2014Fiction From Anis Shivani&#8217;s Patel Mart &#8211; Anis Shivani<\/p>\n<p class=\"p1\">The Artist at Work\u2014a Conversation with Souad Massi &#8211; Jordan Elgrably<\/p>\n<p class=\"p1\">Salman Toor &#8211; TMR<\/p>\n<p class=\"p1\">The Saga of Mounia Akl&#8217;s Costa Brava, Lebanon &#8211; Meera Santhanam<\/p>\n<p class=\"p1\">The Outsourcing of Pain\u2014On Work and Alienation &#8211; Ahmed Awadalla<\/p>\n<p class=\"p1\">Buck Up, It&#8217;s Only Racism at the Office &#8211; Laila Halaby<\/p>\n<p class=\"p1\">Jordanian Women Race-Car Drivers Work the Track &#8211; Reem Halasa<\/p>\n<p class=\"p1\">The Invisible Walls, a Meditation on Work and Being &#8211; Nashwa Nasreldin<\/p>\n<p class=\"p1\">Iran on the Move\u2014Photos by Peyman Hooshmandzadeh &#8211; Peyman Hooshmandzadeh, Malu Halasa<\/p>\n<p class=\"p1\">Short Fiction: By Mistake\/On the Bus to Work &#8211; Salamis Aysegul Sentug Tugyan<\/p>\n<p class=\"p1\">Hard Work: Kurdish Kolbars or Porters Risk Everything &#8211; Clive Bell<\/p>\n<p class=\"p1\">TMR Conversations: Mana Neyestani, Graphic Novelist &#8211; Malu Halasa<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"wp-image-29244 alignleft\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/part-2-TMR-31-\u2022-WORK-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-294x300.jpg\" alt=\"\" width=\"233\" height=\"238\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/part-2-TMR-31-\u2022-WORK-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-294x300.jpg 294w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/part-2-TMR-31-\u2022-WORK-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-768x784.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/part-2-TMR-31-\u2022-WORK-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_-600x612.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/10\/part-2-TMR-31-\u2022-WORK-Archives-Page-2-of-2-The-Markaz-Review-themarkaz.org_.jpg 976w\" sizes=\"(max-width: 233px) 100vw, 233px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>TMR Issue 31 \u2013 13 articles \u2013\u00a0 131 pages<\/p>\n<p>Unconventional professions, dangerous jobs, unemployment, crazy work stories, work pressure, deadlines, irritating colleagues, dead bosses, spies, assassins, tightrope workers, circus hands, labor protests, feminist icons breaking barriers, immigration attorneys saving lives, good cops\/bad cops&#8230; our WORK issue relates titillating, aggravating, unbelievable, unforgettable stories related to work, fiction and creative nonfiction. Work, work, work!!!<\/p>\n","protected":false},"featured_media":30531,"template":"","meta":{"_acf_changed":false,"om_disable_all_campaigns":false},"product_brand":[],"product_cat":[3209],"product_tag":[],"class_list":{"0":"post-29241","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-tmr-issues","7":"entry","9":"first","10":"instock","11":"downloadable","12":"virtual","13":"purchasable","14":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>TMR Issue N\u00ba 31 \u2022 WORK - The Markaz Review<\/title>\n<meta name=\"description\" content=\"Our WORK relates titillating, aggravating, unbelievable, unforgettable stories related to work, both fiction and creative nonfiction. Work, work, work!!!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/themarkaz.org\/oldsite\/product\/tmr-issue-no-31-work\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TMR Issue N\u00ba 31 \u2022 WORK\" \/>\n<meta property=\"og:description\" content=\"Our WORK relates titillating, aggravating, unbelievable, unforgettable stories related to work, both fiction and creative nonfiction. 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