{"id":37827,"date":"2025-07-25T09:15:07","date_gmt":"2025-07-25T07:15:07","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=37827"},"modified":"2025-07-25T11:16:39","modified_gmt":"2025-07-25T09:16:39","slug":"august-world-picks-from-the-editors","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/august-world-picks-from-the-editors\/","title":{"rendered":"August World Picks from the Editors"},"content":{"rendered":"
Online panel discussions, films, exhibitions, and mixtapes \u2026 TMR World Picks run the gamut\u2026<\/h5>\n
We welcome your suggestions:\u00a0editor@themarkaz.org<\/a><\/h5>\n

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TMR<\/h4>\n

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Les Veilleurs<\/em> \u2014 Ali Cherri at the [mac]<\/h4>\n

Through January 4, 2026, at the Mac, Mus\u00e9e d’Art Contemporain Marseille \u2014 more info<\/a><\/strong><\/p>\n

It\u2019s a bit like that abyss quote; if you look at history long enough, history starts looking at you. We are hit by this realization when we walk into the exhibition Les Veilleurs<\/em>, by artist Ali Cherri, at the [mac]. The show prompts viewers to reevaluate the museum and, through it, the way we perceive history, shedding the Maya veil of strict chronology. We begin to think about history less as a linear succession of events, war, and artistic movements \u2014 mostly under Western guidance \u2014 but rather as a history of encounters, of findings, of stories. Of something that starts in medias res<\/em>. \u2014Naima Morelli<\/strong><\/p>\n

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