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{"id":36719,"date":"2025-05-02T11:16:28","date_gmt":"2025-05-02T09:16:28","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=36719"},"modified":"2025-05-07T19:18:14","modified_gmt":"2025-05-07T17:18:14","slug":"exile-and-hope-sudanese-creatives-and-the-question-of-home","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/exile-and-hope-sudanese-creatives-and-the-question-of-home\/","title":{"rendered":"Exile and Hope: Sudanese creatives and the question of home"},"content":{"rendered":"<h5><span style=\"font-weight: 400;\">As Sudanese refugees in Egypt navigate exile, the question of home remains complex. While some hold onto the hope of returning and plan a potential path forward, others choose to close that chapter \u2014 for now. Through the stories of musicians, filmmakers, and cultural guardians, we unveil how the Sudanese diaspora continues to cherish and preserve its identity and heritage from afar.<\/span><\/h5>\n<p>&nbsp;<\/p>\n<h4><span style=\"font-weight: 400;\">Ati Metwaly<\/span><\/h4>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u201cTwo years since the crisis began, nearly 13 million people \u2014 one in three Sudanese \u2014 have been displaced. This includes 8.6 million people displaced within Sudan and 3.8 million refugees and refugee returnees,\u201d the <\/span><a href=\"https:\/\/www.unrefugees.org\/news\/sudan-crisis-explained\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">UN Migration Agency<\/span><\/a><span style=\"font-weight: 400;\"> notes. Since the war in Sudan\u2019s outbreak in April 2023, Egypt has hosted 1.5 million, the largest number of Sudanese refugees.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And yet numbers are but a silent reflection of the harsh reality, and often overlook the human stories behind them. The truth behind those numbers speaks of people who while living in exile, are trapped between shattered lives, torn dreams, and \u2014 what\u2019s even worse \u2014 no clear end to the war in sight.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For almost two years now, I\u2019ve explored the vast world of Sudanese nationals in Cairo: filmmakers, musicians, heritage custodians, and cultural researchers \u2014 a community of creatives that exceeds over 700 people. Through my humble journey, I came to understand the overwhelming endurance that characterizes the Sudanese diaspora, a force that fuels their existence, and helps them breathe for Sudan in exile.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Some who established their new homes in Cairo and Giza, but also in Alexandria, Damietta and Aswan, relaunched their careers, while others embraced new directions. As the war continues, many Sudanese refugees now find themselves caught between memory and reality, torn between the desire to return home and the need to move forward. For some, home is still a dream worth waiting for; for others, it\u2019s a chapter they\u2019ve been forced to close \u2014 for now.<\/span><\/p>\n<hr \/>\n<figure id=\"attachment_36859\" aria-describedby=\"caption-attachment-36859\" style=\"width: 1000px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-36859\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/Map-of-Sudan-in-Africa.jpg\" alt=\"Sudan is the confict no one is talking about (map courtesy Ognyan Chobanov).\" width=\"1000\" height=\"667\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/Map-of-Sudan-in-Africa.jpg 1000w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/Map-of-Sudan-in-Africa-300x200.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/Map-of-Sudan-in-Africa-768x512.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/Map-of-Sudan-in-Africa-600x400.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-36859\" class=\"wp-caption-text\">Sudan is the conflict no one is talking about (map courtesy Ognyan Chobanov).<\/figcaption><\/figure>\n<hr \/>\n<h4><b>Home is where the heart stays<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">\u201cI will return to Sudan the minute the war ends,\u201d <\/span><a href=\"https:\/\/thecontrapuntal.com\/dafallah-al-haj-titan-of-sudanese-music-heritage\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Dafallah Al-Haj<\/span><\/a><span style=\"font-weight: 400;\">, founder of the Sudanese Traditional Music Center and Museum in Khartoum, tells me without hesitation, as he stretches a leather membrane over the tambour\u2019s frame, in his new <\/span><a href=\"https:\/\/www.instagram.com\/atimetwaly\/reel\/C--xBqmt-aE\/?locale=zh-hans\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Cairo workshop<\/span><\/a><span style=\"font-weight: 400;\">. Today in his early 50s, Al-Haj\u2019s decision is not linked just to his decades-long work in documenting and safeguarding Sudanese traditional instruments and music, it is also about his soul and belonging.<\/span><\/p>\n<figure id=\"attachment_36853\" aria-describedby=\"caption-attachment-36853\" style=\"width: 1400px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-36853\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/Dafallah-Al-Haj-in-his-worskhop-in-Cairo.jpg\" alt=\"Dafallah Al Haj in his worskhop in Cairo\" width=\"1400\" height=\"933\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/Dafallah-Al-Haj-in-his-worskhop-in-Cairo.jpg 1400w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/Dafallah-Al-Haj-in-his-worskhop-in-Cairo-300x200.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/Dafallah-Al-Haj-in-his-worskhop-in-Cairo-1024x682.jpg 1024w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/Dafallah-Al-Haj-in-his-worskhop-in-Cairo-768x512.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/Dafallah-Al-Haj-in-his-worskhop-in-Cairo-600x400.jpg 600w\" sizes=\"(max-width: 1400px) 100vw, 1400px\" \/><figcaption id=\"caption-attachment-36853\" class=\"wp-caption-text\">Dafallah Al Haj in his worskhop in Cairo (Ati Metwaly).<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Renowned scholar and guardian of cultural heritage, Al-Haj lost everything: his house, fields, and the center, home to almost 200 original instruments he had collected from all across Sudan, and dozens more he crafted himself. Everything was reduced to ashes within the first weeks of war. But Al-Haj remains unwavering. \u201cThe war will not conquer me. I work with heritage, whether in Khartoum or in Cairo. I can wait months and years, but I will return to my country and to people who know me,\u201d he says, underscoring his strong connection with homeland, heritage, family, and friends.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Sudanese Traditional Music Center and Museum in Khartoum, after destruction\" src=\"https:\/\/player.vimeo.com\/video\/1080464980?dnt=1&amp;app_id=122963\" width=\"640\" height=\"368\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">In Cairo, Al-Haj finds himself in the instruments, seminars on heritage, and in the Camerata for Folkloric Arts, an extension to his Sudan-based band, now established and performing across Egypt. In parallel, he has already started working on rebuilding the lost riches, for Sudan, a project he set in motion eight months ago.\u00a0<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Traditional Sudanese dance concert by Camerata for Folkloric Arts in Egypt\" src=\"https:\/\/player.vimeo.com\/video\/1080465498?dnt=1&amp;app_id=122963\" width=\"750\" height=\"425\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">But Sudan remains closer to him that one would imagine. \u201cI know people from Nuba, Darfur, Blue Nile Region, etc. I asked them to start producing new instruments. They are in safe areas, amongst nature \u2014 it is easier for them to get the materials.\u201d He reveals that 15 new instruments have already been produced in Sudan. The initiative not only allows Al-Haj to begin the rebuilding process, but also provides a much needed, if symbolic, financial support to the local craftsmen. Al-Haj is also in contact with his team that organizes limited-scope activities, presenting Sudanese heritage to people in Atbara, Damazin, Port Sudan, \u201cso they don\u2019t lose touch with their roots.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Though Al-Haj counts days to his return, he acknowledges that not everyone is able to do so, \u201cas each person carries their own story.\u201d<\/span><\/p>\n<hr \/>\n<figure id=\"attachment_36857\" aria-describedby=\"caption-attachment-36857\" style=\"width: 1000px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-36857\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/7.-Natural-History-Museum_destroyed.jpg\" alt=\"Khartoum's Natural History Museum was destroyed by the country's civil war (courtesy Ati Metwaly).\" width=\"1000\" height=\"473\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/7.-Natural-History-Museum_destroyed.jpg 1000w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/7.-Natural-History-Museum_destroyed-300x142.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/7.-Natural-History-Museum_destroyed-768x363.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/7.-Natural-History-Museum_destroyed-600x284.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-36857\" class=\"wp-caption-text\">Khartoum&#8217;s Natural History Museum was destroyed by the country&#8217;s civil war (courtesy Ati Metwaly).<\/figcaption><\/figure>\n<hr \/>\n<h4><b>Preserving knowledge in exile<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">As the director of the Sudan Natural History Museum Sara Saeed observes, \u201cPeople were forced to leave, it was not our choice.\u201d Saeed was among the first to sound the alarm about destruction of Khartoum\u2019s museums. Hardly two weeks after the eruption of war, she wrote a call published by the ICOM ARAB, a Regional Alliance of the International Council of Museums, <\/span><a href=\"https:\/\/x.com\/IcomArab\/status\/1651149284287430656\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">on Twitter<\/span><\/a><span style=\"font-weight: 400;\">, about museums being caught in the crossfire. Photos from the following weeks show the museum\u2019s destruction and the loss or looting of its biological treasures.\u00a0<\/span><\/p>\n<div class=\"gallery\"><div id=\"gallery-24\" class=\"gallery-frame\"><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/3.-Natural-History-Museum_destroyed.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/3.-Natural-History-Museum_destroyed.jpg\" alt=\"Scenes from the Sudan Natural History Museum following its destruction...\"\/><\/a><div class=\"gallery-frame-caption\"><p>Scenes from the Sudan Natural History Museum following its destruction...<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/5.-Natural-History-Museum_destroyed.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/5.-Natural-History-Museum_destroyed.jpg\" alt=\"\"\/><\/a><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/1.-Natural-History-Museum_destroyed.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/1.-Natural-History-Museum_destroyed.jpg\" alt=\"\"\/><\/a><\/div><\/div><\/div><div class=\"gallery-nav gallery-nav-24\"><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/3.-Natural-History-Museum_destroyed-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/3.-Natural-History-Museum_destroyed-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/3.-Natural-History-Museum_destroyed-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/3.-Natural-History-Museum_destroyed-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:133.33%;max-width:810px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/5.-Natural-History-Museum_destroyed-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/5.-Natural-History-Museum_destroyed-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/5.-Natural-History-Museum_destroyed-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/5.-Natural-History-Museum_destroyed-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:133.33%;max-width:810px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/1.-Natural-History-Museum_destroyed-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/1.-Natural-History-Museum_destroyed-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/1.-Natural-History-Museum_destroyed-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/1.-Natural-History-Museum_destroyed-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:133.33%;max-width:810px;\" \/><\/span><\/div><\/div>\n<p><span style=\"font-weight: 400;\">Though she dreams of returning home, where her husband and large family remains, she is uncertain about the future. \u201cIt\u2019s no longer up to me. I&#8217;m in my late 30s. My children are in school in Cairo, where I also teach biology. What can I give to my children in Sudan?\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">She points to constant escalations between Rapid Security Forces (RSF) and the army, spikes of violence, attacks on women and girls, among many other atrocities. \u201cThere is no infrastructure, lack of proper education, failing medical care, water shortages, and no electricity since the \u2018valuable\u2019 electricity cables have been stolen. Khartoum and Omdurman [a city northwest of the capital] remain unsafe.\u201d<\/span><\/p>\n<hr \/>\n<figure id=\"attachment_36852\" aria-describedby=\"caption-attachment-36852\" style=\"width: 1000px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-36852\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/001.-Dr.-Sara-Saeed.jpg\" alt=\"Dr. Sara Saeed (courtesy Ati Metwaly).\" width=\"1000\" height=\"565\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/001.-Dr.-Sara-Saeed.jpg 1000w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/001.-Dr.-Sara-Saeed-300x170.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/001.-Dr.-Sara-Saeed-768x434.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/001.-Dr.-Sara-Saeed-600x339.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-36852\" class=\"wp-caption-text\">Dr. Sara Saeed (courtesy Ati Metwaly).<\/figcaption><\/figure>\n<hr \/>\n<p><span style=\"font-weight: 400;\">Sudan has yet a long road to reassure Sara Saeed before she returns home. For now, she just remains hopeful to rebuild the museum. Meanwhile, together with her close friend, another academic, Rania Baleela, Founding Director, Toxic Organisms Research Centre (affiliated with the Faculty of Science, University of Khartoum), Saeed looks for ways to support Sudan from outside the country. Currently established in the UAE, Baleela awaits the war\u2019s end with her children. The two are however connected academically continuing their research, co-authoring several works, such as: \u201c<\/span><a href=\"https:\/\/bmcpublichealth.biomedcentral.com\/articles\/10.1186\/s12889-024-19156-8\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">The role of social media in public health awareness during times of war in Sudan: snake bites and scorpion stings<\/span><\/a><span style=\"font-weight: 400;\">.\u201d This is coupled with an active <\/span><a href=\"https:\/\/www.facebook.com\/groups\/574721000781492\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Facebook group<\/span><\/a><span style=\"font-weight: 400;\"> providing information in an accessible Arabic language about those species and protection methods.<\/span><\/p>\n<h4><b>The end of a cultural home<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">Sudan\u2019s museums, once guardians of history, science, and memory, were reduced to rubble, and looted. The long list of lost riches also includes the <\/span><a href=\"https:\/\/www.sudanmemory.org\/cms\/82\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">House of Heritage<\/span><\/a><span style=\"font-weight: 400;\">, a not-for-profit cultural centre in Khartoum.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The now completely destroyed edifice, the House of Heritage, a key player on the Sudanese landscape, was home to services aiming at documenting, safeguarding, and disseminating tangible and intangible cultural heritage, providing capacity-building workshops, music and oral traditions performances, among other cultural practices. It held a large collection of manuscripts, photos, magazines, and books speaking of the country\u2019s cultural wealth.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">To Ismail El-Fihail who founded the House of Heritage in 2016, the loss is more than just physical \u2014 it is the erasure of his life\u2019s work. \u201cThe computers, hard disks, decades of documentation, and technological equipment\u2026 \u2014 all is gone. The digitization project is in big part not accessible. We [also] lost 150 paintings by contemporary Sudanese artists, worth more than $200,000 USD,\u201d he enumerates.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI am 74-years-old, I have worked in this field since 1977. I don\u2019t think I can start from scratch. It was my life project. No matter where life took me, I have always been returning to Sudan, to \u2018my\u2019 heritage. But now, all is gone.\u201d El-Fihail mentions his own rich portfolio that includes a PhD from Germany, and journeying across the Arab countries.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The loss of the House of Heritage remains a deep wound. Yet since his arrival to Cairo in mid-May 2023, El-Fihail continues his work through workshops and collaborations with UNESCO, Egyptian institutions, and youth-focused programs. His hope is to build a new generation aware of their cultural history and heritage.\u00a0<\/span><\/p>\n<h4><b>Generational divide<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">For many Sudanese refugees, the question of return is dictated not only by war or the loss of a life once built, but also by new lives taking root in Egypt and other countries. Each generation faces different opportunities and experiences longing in its own way.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Thoughts about home expressed by people working in cinema and music industries reflect a broad range of perspectives.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ibrahim Shaddad, a towering figure of Sudan\u2019s cinematic golden age (1960s\u20131980s) and co-founder of the Sudanese Film Club, arrived in Egypt shortly after the war erupted. Now in his 80s, his legacy is celebrated across Arab and Egyptian film festivals, while he continues trying to integrate within the local cinematic community. Though no stranger to exile \u2014 having lived in Egypt and Canada in the past \u2014 Shaddad still longs for home. During one of my <\/span><a href=\"https:\/\/www.theafricareport.com\/325022\/we-must-have-sudanese-cinema-says-filmmaker-ibrahim-shaddad\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">encounters with Shaddad<\/span><\/a><span style=\"font-weight: 400;\">, he urged young filmmakers to consider returning to Sudan, so they stay rooted, \u201clive and breathe the country,\u201d as he put it.<\/span><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Talking About Trees - English subtitled trailer\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/hIvUF0Wdjf4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p><span style=\"font-weight: 400;\">Those words echo through the creative path of veteran Sudanese actor <\/span><a href=\"https:\/\/www.imdb.com\/name\/nm14744254\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Nazar Gomaa<\/span><\/a><span style=\"font-weight: 400;\">, best known for his lead in Mohamed Kordofani\u2019s <\/span><i><span style=\"font-weight: 400;\">Goodbye Julia<\/span><\/i><span style=\"font-weight: 400;\"> (2023), the first Sudanese film to be screened at the <\/span><a href=\"https:\/\/variety.com\/2023\/film\/global\/goodbye-julia-first-film-from-sudan-at-cannes-scores-sales-un-certain-regard-prize-1235646519\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Cannes Film Festival<\/span><\/a><span style=\"font-weight: 400;\">, winning the Freedom Prize. In Egypt, Gomaa plays in several local productions, a few Sudanese projects, and currently finalizes work on the film <\/span><i><span style=\"font-weight: 400;\">Lion<\/span><\/i><span style=\"font-weight: 400;\"> (also known as <\/span><i><span style=\"font-weight: 400;\">Black Lion<\/span><\/i><span style=\"font-weight: 400;\">) directed by Mohamed Diab. The epic film draws inspiration from the life of Ali bin Muhammad Al-Farsi, a historical figure who led a Zanj or slave revolt against the Abbasid empire, played by Egyptian star Mohamed Ramadan.<\/span><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Goodbye Julia (2023)| Official Trailer\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/Xh8sauNG4AE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p><span style=\"font-weight: 400;\">Although his career has begun flourishing in Egypt, Gomaa is ready to return to Sudan as soon as the war ends. \u201cI love my home country. I don\u2019t want to stay away from it. For now the return is impossible due to total destruction, but this too shall pass,\u201d he insists that returning home is only a matter of time.<\/span><i><span style=\"font-weight: 400;\">\u00a0<\/span><\/i><\/p>\n<figure id=\"attachment_36845\" aria-describedby=\"caption-attachment-36845\" style=\"width: 720px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-36845\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Nazar-Gomaa-at-El-Gouna-Film-Festival.jpg\" alt=\"Nazar Gomaa at the Luxor African Film Festival, 2024.\" width=\"720\" height=\"900\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Nazar-Gomaa-at-El-Gouna-Film-Festival.jpg 720w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Nazar-Gomaa-at-El-Gouna-Film-Festival-240x300.jpg 240w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Nazar-Gomaa-at-El-Gouna-Film-Festival-600x750.jpg 600w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><figcaption id=\"caption-attachment-36845\" class=\"wp-caption-text\">Nazar Gomaa at El Gouna Film Festival (courtesy Ati Metwaly).<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">However actress <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Eiman_Yousif\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Eiman Yousif<\/span><\/a><span style=\"font-weight: 400;\">, who co-starred beside Gomaa in <\/span><i><span style=\"font-weight: 400;\">Goodbye Julia<\/span><\/i><span style=\"font-weight: 400;\"> does not share his view. We also remember her from the 2018 revolutionary protests in Khartoum in which <\/span><a href=\"https:\/\/x.com\/Ahmed_Shaweesh\/status\/1660289101663182849?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1660289101663182849%7Ctwgr%5Edc7b9f18d62a40dc13d71bec8a5bb45a01b40e72%7Ctwcon%5Es1_&amp;ref_url=https%3A%2F%2Fwww.theafricareport.com%2F346788%2Fi-want-to-keep-dreaming-says-sudanese-actress-eiman-yousif%2F\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">she wholeheartedly took part<\/span><\/a><span style=\"font-weight: 400;\">, hopeful for change in her country. Today, in her 30s, and in Cairo, she seems to be turning the page on Sudan. The young talent continues to explore acting and singing opportunities in Egypt, while eyeing the Arab region.\u00a0<\/span><\/p>\n<figure id=\"attachment_36847\" aria-describedby=\"caption-attachment-36847\" style=\"width: 720px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"wp-image-36847\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Eiman-Yousif-in-Aswan-International-Women-Film-Festival-2024-photo-by-Ati-Metwaly_.JPG.jpg\" alt=\"2. Eiman Yousif in Aswan International Women Film Festival 2024, photo by Ati Metwaly_.JPG\" width=\"720\" height=\"720\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Eiman-Yousif-in-Aswan-International-Women-Film-Festival-2024-photo-by-Ati-Metwaly_.JPG.jpg 1000w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Eiman-Yousif-in-Aswan-International-Women-Film-Festival-2024-photo-by-Ati-Metwaly_.JPG-300x300.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Eiman-Yousif-in-Aswan-International-Women-Film-Festival-2024-photo-by-Ati-Metwaly_.JPG-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Eiman-Yousif-in-Aswan-International-Women-Film-Festival-2024-photo-by-Ati-Metwaly_.JPG-768x768.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Eiman-Yousif-in-Aswan-International-Women-Film-Festival-2024-photo-by-Ati-Metwaly_.JPG-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Eiman-Yousif-in-Aswan-International-Women-Film-Festival-2024-photo-by-Ati-Metwaly_.JPG-600x600.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/04\/2.-Eiman-Yousif-in-Aswan-International-Women-Film-Festival-2024-photo-by-Ati-Metwaly_.JPG-100x100.jpg 100w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><figcaption id=\"caption-attachment-36847\" class=\"wp-caption-text\">Eiman Yousif at the Aswan International Women Film Festival 2024 (photo by Ati Metwaly).<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Countless other Sudanese artists from different generations \u2014 actor Mahmoud Alsarraj, actress Islam Mubarak, among others \u2014 shape their decisions by a complex mix of factors. More research is needed to fully understand what choices the Sudanese diaspora will make, what drives or deters them from returning home.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Director and producer <\/span><a href=\"https:\/\/www.facebook.com\/mohammed.altraifi\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Mohammed Altraifi<\/span><\/a><span style=\"font-weight: 400;\"> assumes that many older individuals, even those facing financial hardship, are emotionally drawn to return. He refers to the idea as born of social ties with the homeland, unaffected by the unlivable conditions in parts of Sudan. He also points to those in their 30s to 50s who arrived in Egypt with large families. \u201cSometimes only one person in the family finds work. This huge responsibility is also at the core of many choices.&#8221;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As for his own decision, Altraifi expresses a sharp sense of realism. \u201cI can calculate it with great precision. Emotionally I want to return to Sudan, but reasonably, there is no gain from doing so.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">He pauses for a while as though weighing his words, before adding: \u201cActually it is impossible! I lost trust. I spent years building my company [<\/span><a href=\"https:\/\/www.facebook.com\/profile.php?id=100058326255319\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Marbles Art Production<\/span><\/a><span style=\"font-weight: 400;\">], projects, only to lose it all in a blink. There is no guarantee this won\u2019t happen again. I can contribute more through working from outside Sudan.\u201d He lists many projects (directorial, distribution, production) that he is pursuing with Egyptian partners, while embracing Sudanese nationals. He plans to stay anchored in the country, while possibly rejoining his family in the UAE.\u00a0<\/span><\/p>\n<h4><b>Azza fi Hawak<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">Sudanese hearts gathered in exile, their thoughts, fears, and nostalgia can be understood through \u201cAzza fi Hawak,\u201d a famed patriotic Sudanese song often performed during times of unrest. Its lyrics are a poetic expression of love, longing, and deep connection to both a person (Azza) and the homeland. The lyrics not only capture romantic love but also embody Sudan&#8217;s beauty, strength, yearning, connection, and cultural heritage.<\/span><\/p>\n<hr \/>\n<figure id=\"attachment_36860\" aria-describedby=\"caption-attachment-36860\" style=\"width: 720px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-36860\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/05\/Elsafi-Mahdy.jpeg\" alt=\"Elsafi Mahdy after the performance with his choir Sudanese Voices. Photos provided by the artist.\" width=\"720\" height=\"480\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/05\/Elsafi-Mahdy.jpeg 720w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/05\/Elsafi-Mahdy-300x200.jpeg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2025\/05\/Elsafi-Mahdy-600x400.jpeg 600w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><figcaption id=\"caption-attachment-36860\" class=\"wp-caption-text\">Elsafi Mahdy after the performance with his choir Sudanese Voices (courtesy Elsafi Mahdy).<\/figcaption><\/figure>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><i><span style=\"font-weight: 400;\">\u201c<\/span><\/i><span style=\"font-weight: 400;\">Azza fi Hawak\u201d is part of the repertoire regularly performed by <\/span><a href=\"https:\/\/www.facebook.com\/elsafi.mahdi?locale=da_DK\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Elsafi Mahdy<\/span><\/a><span style=\"font-weight: 400;\">\u2019s choir across Egypt. Shortly after arrival to Cairo in late 2023, the renowned Sudanese musician, <\/span><span style=\"font-weight: 400;\">conductor, and lecturer at the College of Music and Drama at Sudan University of Science and Technology, <\/span><span style=\"font-weight: 400;\">founded Aswat Sudaneya (Sudanese Voices), a replica of his Khartoum-based ensemble. In no time, he brought together dozens of vocalists and 11 musicians of a few generations, helping them find a sense of belonging through music.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWe all wonder if we should return home. It is a difficult question, and the answer depends on individual cases,\u201d he comments while offering music as a tool for unity and healing among displaced Sudanese. In Egypt, Mahdy has found a sense of comfort, perhaps a \u201cdifferent home.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt is relatively good to live here; we find a reflection of our culture somehow,\u201d he says, while keeping the doors of return ajar.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mahdy, alongside numerous other musicians, filmmakers, actors, heritage custodians, carry with them the knowledge, artistry, and memory of a country now struggling to remember itself. To them home is not only a place; it is memory, identity, and longing. Though many of them might find in Egypt a temporary refuge, or glimpses of belonging, they will continue to cherish what was left behind. Navigating a world that no longer resembles the one they once knew, they express themselves in music, through films, memories, and in the unshakable hope of rebuilding what was lost.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h4>Further Resources<\/h4>\n<h4>Read<\/h4>\n<p><span style=\"font-size: 14px;\"><a href=\"https:\/\/www.africanbookscollective.com\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">African Books Collective<\/span><\/i><\/a><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><span style=\"font-weight: 400;\">UK-registered, African owned, worldwide marketing and distribution outlet for books from Africa \u2014 scholarly, literature and children&#8217;s books.<\/span><\/span><\/p>\n<p><span style=\"font-size: 14px;\"><a href=\"https:\/\/www.scirp.org\/pdf\/adr_2021082511421181.pdf\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Sudanese Cinema: Past, Present and Future<\/span><\/i><\/a><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><span style=\"font-weight: 400;\">Co-authored work, Art and Design Review, 2021.<\/span><\/span><\/p>\n<p><span style=\"font-size: 14px;\"><a href=\"https:\/\/www.amazon.com\/River-Spirit-Leila-Aboulela\/dp\/0802160662\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">River Spirit<\/span><\/i><\/a><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><span style=\"font-weight: 400;\">Leila Aboulela, Grove Press, 2023.<\/span><\/span><\/p>\n<p><span style=\"font-size: 14px;\"><i><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.africanbookscollective.com\/books\/un-doing-resistance\" target=\"_blank\" rel=\"noopener\">(Un)doing Resistance: Authoritarianism and Attacks on the Arts in Sudan\u2019s 30 Years of Islamist Rule<\/a><br \/>\n<\/span><\/i><span style=\"font-weight: 400;\">Ruba El-Melik, Reem Abbas. Andariya Sudan, 2022.<\/span><\/span><\/p>\n<p><span style=\"font-size: 14px;\"><i><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.goodreads.com\/book\/show\/669780.Season_of_Migration_to_the_North\" target=\"_blank\" rel=\"noopener\">Season of Migration to the North<\/a><br \/>\n<\/span><\/i><span style=\"font-weight: 400;\">Tayeb Salih (described as &#8220;genius of the modern Arabic novel\u201d), first published 1966.<\/span><\/span><\/p>\n<hr \/>\n<h4>Listen<\/h4>\n<p><span style=\"font-weight: 400; font-size: 14px;\">Instrumental rendition of \u201cAzza fi Hawak,\u201d famed patriotic song that carries a poetic expression of love, longing, and deep connection to both a person (Azza) and the homeland.\u00a0<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Azza Fe Hawk | \u0639\u0627\u0632\u064e\u0629 \u0641\u064a \u0647\u0648\u0627\u0643\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/y2yVamemRUQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14px;\"><span style=\"font-weight: 400;\">Sudanese Voices choir sings <\/span><i><span style=\"font-weight: 400;\">Falaq Al-Sabah (Dawn\u2019s Break)<\/span><\/i><span style=\"font-weight: 400;\">, an iconic song from Sudanese musical heritage.\u200b With lyrics penned by renowned poet Khalil Farah. Filled with hope, the song uses the symbolic breaking of dawn to talk about renewal, and the beauty of a new beginning.<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"\u0643\u0648\u0631\u0627\u0644 \u0623\u0635\u0648\u0627\u062a \u0633\u0648\u062f\u0627\u0646\u064a\u0629 || \u0641\u0644\u0642 \u0627\u0644\u0635\u0628\u0627\u062d || \u0644\u064a\u0627\u0644\u064a \u0647\u0648\u0645 \u0646\u0627\u064a\u062a\u0633 || \u0623\u063a\u0627\u0646\u064a \u0633\u0648\u062f\u0627\u0646\u064a\u0629\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/uRLbLPoRXq0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-weight: 400; font-size: 14px;\">Sudanese Voices choir sings Maria, a Sudanese classic song, to poetry by Sudanese poet Salah Ahmed Ibrahim in 1962. The poem was inspired by his admiration for a Greek woman named Maria. Note the percussion solo (Sudanese rhythms) in the middle of the track.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"\u0643\u0648\u0631\u0627\u0644 \u0623\u0635\u0648\u0627\u062a \u0633\u0648\u062f\u0627\u0646\u064a\u0629 || \u0645\u0627\u0631\u064a\u0627 || \u0644\u064a\u0627\u0644\u064a \u0647\u0648\u0645 \u0646\u0627\u064a\u062a\u0633 || \u0623\u063a\u0627\u0646\u064a \u0633\u0648\u062f\u0627\u0646\u064a\u0629\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/XYBDxSt4a70?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h4>Watch<\/h4>\n<p><span style=\"font-size: 14px;\"><b><i>Insan<\/i><\/b><b> (<\/b><b><i>Human Being<\/i><\/b><b>, 1994), dir. Ibrahim Shaddad<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400; font-size: 14px;\">One of the iconic films of Sudanese cinema, Human Being is a dialogue-free short narrative about a villager from South Sudan feeling alienated in a large city. The film was screened globally.<\/span><b><\/b><b><\/b><\/p>\n<p><iframe loading=\"lazy\" title=\"\u0625\u0646\u0633\u0627\u0646 (\u0627\u0628\u0631\u0627\u0647\u064a\u0645 \u0634\u062f\u0651\u0627\u062f\u060c \u0661\u0669\u0669\u0664)\" width=\"750\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/3HBVUvJ07wg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14px;\">Interesting to listen:<b><br \/>\n<\/b><\/span><\/p>\n<p><span style=\"font-size: 14px;\"><span style=\"font-weight: 400;\">Ibrahim Shaddad answers questions about two of his films:<\/span><i><span style=\"font-weight: 400;\"> Jagdpartie (Hunting Party) <\/span><\/i><span style=\"font-weight: 400;\">and <\/span><i><span style=\"font-weight: 400;\">Insan (Human Being).<\/span><\/i><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Ibrahim Shaddad on Jagdpartie (Hunting Party) and Insan (Human) | NY African Film Fest 2020\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/mMGCnHd4Cwo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14px;\"><b><i>Beats of the Antonov<\/i><\/b> <span style=\"font-weight: 400;\">(2014), dir. Hajooj Kuka<\/span><\/span><br \/>\n<span style=\"font-size: 14px;\">&#8220;This documentary is a story of the people of the Blue Nile and Nuba Mountains in Sudan. Set during the civil war, the film captures how music serves as a vital means of cultural expression and resilience for communities in Sudan&#8217;s conflict zones.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"BEATS OF THE ANTONOV Trailer | Festival 2014\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/K797ysGoAt4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14px;\"><i><strong>You Will Die at Twenty<\/strong> <\/i>(2019), dir. Amjad Abu Alala<\/span><br \/>\n<span style=\"font-size: 14px;\">Based on a short story by Sudanese writer Hammour Ziada, this coming-of-age is set in a remote Sudanese village where a young boy is told he will die at the age of 20. Blending mysticism with quiet rebellion, the film explores fate, freedom, and the search for identity in a society bound by tradition. This is the first ever film from Sudan submitted for the Best International Feature Film at the 93rd Academy Awards (2020) but was not nominated.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"You Will Die At Twenty (2019) | Trailer | Amjad Abu Alala | Mustafa Shehata | Moatasem Rashed\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/7iLFHmCwZHQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14px;\"><b><i>Talking About Trees<\/i><\/b> <span style=\"font-weight: 400;\">(2019), dir. Suhaib Gasmelbari<\/span><\/span><br \/>\n<span style=\"font-size: 14px;\">This documentary follows the efforts of the Sudanese Film Group (Ibrahim Shaddad, Manar Al Hilo, Suleiman Mohamed Ibrahim, and Altayeb Mahdi,) as they strive to create cinema in Sudan. It is a story of great passion amongst political challenges of the country. The film premiered at the <a href=\"https:\/\/en.wikipedia.org\/wiki\/69th_Berlin_International_Film_Festival\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Berlin International Film Festival<\/span><\/a><span style=\"font-weight: 400;\">, and went on to garner many international awards.<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Talking About Trees - English subtitled trailer\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/hIvUF0Wdjf4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><b><i><\/i><\/b><span style=\"font-size: 14px;\"><b><i>Goodbye Julia<\/i><\/b><span style=\"font-weight: 400;\"> (2023), dir. Mohamed Kordofani<br \/>\n<\/span><span style=\"font-weight: 400;\">The film follows a northern Sudanese family with a woman wracked by guilt after covering up a murder. Infused with scenes from protests, it is a story presenting cultural, religious, social differences tearing the country apart. The film won the Freedom Prize at the Cannes Film Festival in 2023, where it premiered &#8211; being the first ever Sudanese film to compete in Cannes. The film was submitted for the Best International Feature Film at the 96th Academy Awards (2023), but was not nominated.<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Goodbye Julia (2023)| Official Trailer\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/Xh8sauNG4AE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14px;\"><b><i>Sudan, Remember Us<\/i><\/b> (2024), dir. Hind Meddeb<span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The film chronicles defiance among young Sudanese activists in Khartoum during the 2019 revolution , overthrow of Sudanese leader Omar Al-Bashir, and following it the military crackdown. The film premiered at the Venice International Film Festival.<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"SUDAN, REMEMBER US Clip | TIFF 2024\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/dcFwj1ziZkI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sudanese artists in exile are keeping their identity and heritage alive while they await the chance to return home.<\/p>\n","protected":false},"author":921,"featured_media":36843,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[2656,12,17,28,4352],"tags":[525,807,1453,1624,4362,4363],"coauthors":[4364],"class_list":["post-36719","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books","category-essay","category-film","category-music","category-tmr-50-returning-home","tag-displacement","tag-home","tag-refugees","tag-sudan","tag-sudanese-diaspora","tag-war-in-sudan","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Exile and Hope: Sudanese creatives and the question of home - The Markaz Review<\/title>\n<meta name=\"description\" content=\"Sudanese artists in exile are keeping 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