{"id":35784,"date":"2024-12-28T10:16:52","date_gmt":"2024-12-28T08:16:52","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=35784"},"modified":"2024-12-28T10:22:28","modified_gmt":"2024-12-28T08:22:28","slug":"10-recommended-stories-in-the-markaz-review-2024","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/10-recommended-stories-in-the-markaz-review-2024\/","title":{"rendered":"10 Recommended Stories in The Markaz Review 2024"},"content":{"rendered":"
TMR’s five main editors have selected two of our favorite stories of the year for your reading pleasure. Of course, we are utterly subjective, and would love to hear from you in the comments if there are other stories that you found memorable.<\/h5>\n

 <\/p>\n

\n
\"Lien
Li\u00ean Tr\u01b0\u01a1ng, “The Sky is Not Sacred,” triptych, oil on arches oil paper, 72×153″, 2019 (courtesy of the artist).<\/figcaption><\/figure>\n

3 March, 2024<\/span>\u00a0\u2022\u00a0Layla AlAmmar<\/a><\/span><\/p>\n

The Time of Monsters<\/a><\/h4>\n

Layla AlAmmar contemplates how the noise of the past can be perceived as a coherent narrative in hindsight.<\/p>\n

\n
\"Hazem
Hazem Harb, “Thorns N 1,” UV print layered upon acrylic inside plexiglass, 200×160 cm, 2022 (courtesy Tabari Artspace).<\/figcaption><\/figure>\n

3 March, 2024<\/span>\u00a0\u2022\u00a0Abdelrahman ElGendy<\/a><\/span><\/p>\n

Al-Thakla\u2014Arabic as the Original Mourner<\/a><\/h4>\n

Abdelrahman ElGendy asks, how do you hold your grief in a language that’s been its main perpetrator?<\/p>\n

\n
\"\"
Hazem Harb, “Paradise Lost,” archival photograph, collage, pigmented plexiglass, 170x100cm, 2021.<\/figcaption><\/figure>\n

3 May, 2024<\/span>\u00a0\u2022\u00a0Mai Al-Nakib<\/a><\/span><\/p>\n

Memory Archive: Between Remembering and Forgetting<\/a><\/h4>\n

Mai Al-Nakib explores memory, forgetting, and writing through the lenses of Woolf, Proust, and a Wim Wenders film.<\/p>\n

\n
\"Walid
Walid Al-Masri (b. Damascus 1979), Untitled I, mixed media, 2007 (courtesy of the artist, walidalmasri.net).<\/figcaption><\/figure>\n

5 July, 2024<\/span>\u00a0\u2022\u00a0Odai Al Zoubi<\/a><\/span>,\u00a0Ziad Dallal<\/a><\/span><\/p>\n

\u201cTen-Armed Gods\u201d\u2014a short story by Odai Al Zoubi<\/a><\/h4>\n

In a stream of consciousness short story by Odai Al Zoubi, a minister under investigation in the Syrian government awaits his fate.<\/p>\n

\n
\"Omani
Omani artist Hafsa Al Tamimi, “Meditation,” mixed media, 10x12cm, 2016 (courtesy Imago Mundi Collection).<\/figcaption><\/figure>\n

5 July, 2024<\/span>\u00a0\u2022\u00a0Huda Hamed<\/a><\/span>,\u00a0Zia Ahmed<\/a><\/span><\/p>\n

\u201cBesara\u201d\u2014an excerpt from\u00a0Things Are Not in Their Place<\/em><\/a><\/h4>\n

An excerpt from Omani writer Huda Hamed\u2019s bittersweet coming-of-age novel about race and self in a new English translation by Zia Ahmed.<\/p>\n

\n
\"Suzi
Suzi Fadel Nassif (b. Lebanon, based in Dubai), detail from “We Are Happy But Not Over-Happy” from her Distortion series, acrylic on canvas, 78x100cm, 2021 (courtesy of the artist).<\/figcaption><\/figure>\n

5 July, 2024<\/span>\u00a0\u2022\u00a0MK Harb<\/a><\/span><\/p>\n

\u201cWe Danced\u201d\u2014a story by MK Harb<\/a><\/h4>\n

In exercises to \u201crelease your inner child,\u201d meditation, or psychotherapy, Beirutis search for mental and physical relief, in MK Harb’s latest short story.<\/p>\n

\n
\"Jamal
Jamal Bassiouni, Untitled, acrylic and pastel on paper 19x23cm, 2023 (courtesy of the artist, @jbassiouni).<\/figcaption><\/figure>\n

1 November, 2024<\/span>\u00a0\u2022\u00a0Ghassan Ghassan<\/a><\/span><\/p>\n

\u201cHabib\u201d\u2014a story by Ghassan Ghassan<\/a><\/h4>\n

A bombing in Gaza destroys an entire family except for the protagonist of the short story and his beloved dog.<\/p>\n

\n
\"The
Palestinians flee to the south on Salah Al-Din Road last November. Most of Gaza’s inhabitants have been forced to pick up and move multiple times, only to be bombed in so-called safe zones (photo Mohammed Zaanoun\/Activestills).<\/figcaption><\/figure>\n

15 November, 2024<\/span>\u00a0\u2022\u00a0Sheryl Ono<\/a><\/span><\/p>\n

A Jewish Meditation on the Palestinian Genocide<\/a><\/h4>\n

A Jewish American has been afraid to express her reservations and criticism of Israel’s actions in Gaza, but felt she had to speak out.<\/p>\n

\n
\"Beirut
Beirut at twilight (photo Antony Fleyhan).<\/figcaption><\/figure>\n

22 November, 2024<\/span>\u00a0\u2022\u00a0Rima Rantisi<\/a><\/span><\/p>\n

Beirut War Diary: 8 Days in October<\/a><\/h4>\n

Rima Rantisi depicts the uncertainty and anxiety of Israel’s assault on Lebanon, illustrating its impact on daily life.<\/p>\n

\n
\"Yazan
Yazan Abu Salameh, “Violet, ink and acrylic on paper 75x110cm, 2024 (courtesy Ramallah Art Fair, VOICES OF RESILIENCE, 4th ed., Dec 7 2024 – Jan 18 2025).<\/figcaption><\/figure>\n

6 December, 2024<\/span>\u00a0\u2022\u00a0Khairy Shalaby<\/a><\/span>,\u00a0Michael Cooperson<\/a><\/span><\/p>\n

The Time-Travels of the Man who Sold Pickles and Sweets<\/em>\u2014an Excerpt<\/a><\/h4>\n

Ibn Shalaby, like many Egyptians, is looking for a job. Yet, unlike most of his fellow citizens, he is prone to sudden dislocations in time.<\/p>\n","protected":false},"excerpt":{"rendered":"

TMR’s five main editors have selected two of our favorite stories of the year for your reading pleasure. Of course, we are utterly subjective.<\/p>\n","protected":false},"author":13,"featured_media":35787,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[12,13,16,51],"tags":[],"coauthors":[2165],"class_list":["post-35784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essay","category-featured-article","category-fiction","category-tmr-weekly","entry"],"acf":[],"yoast_head":"\n10 Recommended Stories in The Markaz Review 2024 - The Markaz Review<\/title>\n<meta name=\"description\" content=\"TMR's editors selected two of their year's favorite stories for your reading pleasure. 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