{"id":35555,"date":"2024-12-06T10:17:25","date_gmt":"2024-12-06T08:17:25","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=35555"},"modified":"2024-12-06T10:27:28","modified_gmt":"2024-12-06T08:27:28","slug":"palestine-features-in-larissa-sansours-sci-fi-future","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/palestine-features-in-larissa-sansours-sci-fi-future\/","title":{"rendered":"Palestine Features in Larissa Sansour&#8217;s Sci-Fi Future"},"content":{"rendered":"<h5>Our Featured Artist for TMR 47 \u2022 GENRE FICTION is Larissa Sansour, a Palestinian-born artist whose work is bound up with visions of the future. She makes use of <a title=\"Science fiction\" href=\"https:\/\/en.wikipedia.org\/wiki\/Science_fiction\" target=\"_blank\" rel=\"noopener\">science fiction<\/a> as a vehicle for providing an alternative perspective on current social issues. Her practice includes photography, film, sculpture, and installation art. Her sci-fi trilogy, u<span style=\"color: var(--global--color-primary); font-size: var(--global--font-size-base);\">nder the common themes of loss, belonging, heritage and national identity, are <\/span><em><a class=\"internal-link\" style=\"font-size: var(--global--font-size-base);\" title=\"\u00d6ffnet internen Link im aktuellen Fenster\" href=\"https:\/\/mecfilm.com\/index.php?id=875\" target=\"_blank\" rel=\"noopener\">A Space Exodus<\/a><\/em><span style=\"color: var(--global--color-primary); font-size: var(--global--font-size-base);\">\u00a0(2008),\u00a0<\/span><em><a class=\"internal-link\" style=\"font-size: var(--global--font-size-base);\" title=\"\u00d6ffnet internen Link im aktuellen Fenster\" href=\"https:\/\/mecfilm.com\/index.php?id=727\" target=\"_blank\" rel=\"noopener\">Nation Estate<\/a><\/em><span style=\"color: var(--global--color-primary); font-size: var(--global--font-size-base);\">\u00a0(2012) and\u00a0<\/span><a class=\"internal-link\" style=\"font-size: var(--global--font-size-base);\" title=\"\u00d6ffnet internen Link im aktuellen Fenster\" href=\"https:\/\/mecfilm.com\/index.php?id=739\" target=\"_blank\" rel=\"noopener\"><em>In the Future They Ate from the Finest Porcelain<\/em><\/a><span style=\"color: var(--global--color-primary); font-size: var(--global--font-size-base);\"> (2015) each exploring different aspects of the political turmoil in the center of the world aka the Middle East.<\/span><\/h5>\n<div id=\"c25447\" class=\"\">\n<div class=\"ce-textpic ce-center ce-above\">\n<h5 class=\"ce-bodytext\">While <em><a class=\"internal-link\" style=\"font-size: var(--global--font-size-base);\" title=\"\u00d6ffnet internen Link im aktuellen Fenster\" href=\"https:\/\/mecfilm.com\/index.php?id=875\" target=\"_blank\" rel=\"noopener\">A Space Exodus<\/a><\/em><span style=\"color: var(--global--color-primary); font-size: var(--global--font-size-base);\">\u00a0<\/span> envisions the final uprootedness of the Palestinian experience and takes the current political predicament to its extra-terrestrial extreme by landing the first Palestinian on the moon, <em><a class=\"internal-link\" style=\"font-size: var(--global--font-size-base);\" title=\"\u00d6ffnet internen Link im aktuellen Fenster\" href=\"https:\/\/mecfilm.com\/index.php?id=727\" target=\"_blank\" rel=\"noopener\">Nation Estate<\/a><\/em><span style=\"color: var(--global--color-primary); font-size: var(--global--font-size-base);\">\u00a0<\/span> reveals a sinister account of an entire population restricted to a single skyscraper, with each Palestinian city confined to a single floor. In the trilogy\u2019s final installment, <em><a class=\"internal-link\" style=\"font-size: var(--global--font-size-base);\" title=\"\u00d6ffnet internen Link im aktuellen Fenster\" href=\"https:\/\/mecfilm.com\/index.php?id=739\" target=\"_blank\" rel=\"noopener\">In the Future They Ate from the Finest Porcelain<\/a><\/em>, a narrative resistance leader engages in archaeological warfare in a desperate attempt to secure the future of her people. Using the language of sci-fi and glossy production, Sansour\u2019s trilogy presents a dystopian vision of a Middle East on the brink of the apocalypse. Below, we share trailers for these films, along with Sansour&#8217;s introduction. You can stream the films here:<\/h5>\n<\/div>\n<\/div>\n<div id=\"c25449\" class=\"\">\n<div class=\"ce-textpic ce-left ce-above\">\n<div class=\"ce-bodytext\">\n<h5 style=\"text-align: center;\"><em><a class=\"internal-link\" title=\"\u00d6ffnet internen Link im aktuellen Fenster\" href=\"https:\/\/mecfilm.com\/index.php?id=875\" target=\"_blank\" rel=\"noopener\">A Space Exodus<\/a><\/em>\u00a0|\u00a0<em><a class=\"internal-link\" title=\"\u00d6ffnet internen Link im aktuellen Fenster\" href=\"https:\/\/mecfilm.com\/index.php?id=727\" target=\"_blank\" rel=\"noopener\">Nation Estate<\/a><\/em><br \/>\n<a class=\"internal-link\" title=\"\u00d6ffnet internen Link im aktuellen Fenster\" href=\"https:\/\/mecfilm.com\/index.php?id=739\" target=\"_blank\" rel=\"noopener\"><em>In the Future They Ate from the Finest Porcelain<\/em><\/a><\/h5>\n<h4><img decoding=\"async\" class=\"aligncenter size-large wp-image-34290\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/white-spacer-1024x55.jpg\" alt=\"\" width=\"750\" height=\"40\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/white-spacer-1024x55.jpg 1024w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/white-spacer-300x16.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/white-spacer-768x41.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/white-spacer-600x32.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/white-spacer.jpg 1101w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/>Larissa Sansour<\/h4>\n<p><iframe loading=\"lazy\" title=\"Sci-fi Became Our Refuge | Artists Larissa Sansour &amp; S\u00f8ren Lind | Louisiana Channel\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/VBJz28pdqbE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4 style=\"text-align: center;\">The Trilogy<\/h4>\n<p><iframe loading=\"lazy\" title=\"IN THE FUTURE THEY ATE FROM THE FINEST PORCELAIN by LARISSA SANSOUR  | Official Selection\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/f5mblfqz_N8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"NATION ESTATE by LARISSA SANSOUR | Official Selection\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/C6FjHRh85js?start=10&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"A SPACE EXODUS by LARISSA SANSOUR | Official Selection\" width=\"750\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/ggk78Wxy12M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Larissa Sansour is a Palestinian-born artist whose photography, film, sculpture, and installation art is bound up with visions of the future.<\/p>\n","protected":false},"author":778,"featured_media":35558,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[4,14,4052],"tags":[274,614,4112,1288,1450,1602],"coauthors":[4113],"class_list":["post-35555","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-photography","category-featured-artist","category-tmr-47-genre-fiction-double-winter-issue","tag-art","tag-exile","tag-future","tag-palestine","tag-refugee","tag-space-travel","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Palestine Features in Larissa Sansour&#039;s Sci-Fi Future - The Markaz Review<\/title>\n<meta name=\"description\" content=\"Larissa Sansour is a Palestinian-born artist whose 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