{"id":34910,"date":"2024-10-25T09:10:08","date_gmt":"2024-10-25T07:10:08","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=34910"},"modified":"2024-10-25T09:12:27","modified_gmt":"2024-10-25T07:12:27","slug":"november-world-picks-from-the-editors","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/november-world-picks-from-the-editors\/","title":{"rendered":"November World Picks from the Editors"},"content":{"rendered":"<h5><span style=\"font-weight: 400;\">Our editors select TMR World Picks. We welcome your suggestions:\u00a0<\/span><a href=\"mailto:editors@themarkaz.org\"><span style=\"font-weight: 400;\">editors@themarkaz.org<\/span><\/a><\/h5>\n<p>&nbsp;<\/p>\n<p><b>TMR<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.atlas-citl.org\/assises-2024\/\"><img decoding=\"async\" class=\"size-full wp-image-34918\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/ATLAS-translation.jpg\" alt=\"\" width=\"900\" height=\"228\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/ATLAS-translation.jpg 900w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/ATLAS-translation-300x76.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/ATLAS-translation-768x195.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/ATLAS-translation-600x152.jpg 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<h4>41st Literary Translation Conference, Nov 1-3<b><br \/>\n<\/b><b><\/b><\/h4>\n<p><b>Arles, France \u2014<\/b><a href=\"https:\/\/www.atlas-citl.org\/assises-2024\/\" target=\"_blank\" rel=\"noopener\"><b>more info<\/b><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Join translators, authors, and literary enthusiasts as they dive deep into the magic of dialogue and the beautiful complexities of otherness through the lens of literary translation. Mark your calendars for November 2nd, when you won&#8217;t want to miss the captivating talk, \u201cLeyla et Majn\u00fbn, un dialogue entre Arabe et Persan,\u201d featuring the brilliant minds of Leili Anvar and Pierre Larcher. And on November 3rd, immerse yourself in the profound poetry of Mahmoud Darwish.<\/span><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/www.lse.ac.uk\/Events\/2024\/11\/20241104SZT\/The-role-of-journalism-and-media-in-the-Middle-East\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">A War Like No Other: Challenge and Change in Reporting Gaza, Nov 4<\/span><\/a><span style=\"font-weight: 400;\"><br \/>\nthe first Ian Black Lecture by Jim Muir<\/span><\/h4>\n<p><strong>London School of Economics, London UK, to watch or attend online\u2014<a href=\"https:\/\/www.youtube.com\/watch?v=Pyd8Z1KIOGM\" target=\"_blank\" rel=\"noopener\">register<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Any time a war or revolution took place in the Middel East and beyond, <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Jim_Muir\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Jim Muir<\/span><\/a><span style=\"font-weight: 400;\"> was the reporter on the ground for the BBC. He covered the Lebanese Civil War, the 1991 Kurdish uprising against Saddam Hussein, and the elections of (so-called) reformist Iranian president Mohammad Katami. He was on assignment with the iconic photojournalist, cameraman, and artist <\/span><a href=\"https:\/\/www.tate.org.uk\/art\/artists\/kaveh-golestan-23096\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Kaveh Golestan<\/span><\/a><span style=\"font-weight: 400;\"> when Golestan stepped on a landmine in Iraq and died in 2003. Muir has lived in Cairo and has been a long-term resident of Beirut. He will be giving the <\/span><span style=\"font-weight: 400;\">inaugural <\/span><span style=\"font-weight: 400;\">lecture in the series dedicated to the memory of Middle East reporter and Guardian editor, Ian Black. For this lecture, Muir will consider the role of journalists and media organizations even though foreign journalists have been denied access to Gaza by Israel; the rise of citizen journalism in this war; and social media\u2019s role in both in truthful and false news narratives. <strong>\u2014Malu Halasa<\/strong><\/span><\/p>\n<hr \/>\n<h4>2024 Arab American Book Awards Ceremony, Nov 9<b><br \/>\n<\/b><\/h4>\n<p><strong>In-person at the Arab American National Museum &amp; online\u2014<a href=\"https:\/\/arabamericanmuseum.org\/event\/2024-arab-american-book-awards-ceremony\/?event_date=2024-11-09&amp;mc_cid=442965810c&amp;mc_eid=50720b18e2\" target=\"_blank\" rel=\"noopener\">more info<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">In a powerful celebration of voices that deserve to be heard, the 2024 Arab American Book Award ceremony is here. Join from wherever you are as they honor the remarkable winners and honorable mentions, in a night of captivating readings from their acclaimed works. In a time when many in the Arab American community feel they are being silenced and dehumanized, this event shines a spotlight on diverse stories and unique perspectives.\u00a0<\/span><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/www.atlas-citl.org\/assises-2024\/\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-34920\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/SIPA_site940x580.jpg\" alt=\"\" width=\"900\" height=\"538\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/SIPA_site940x580.jpg 900w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/SIPA_site940x580-300x179.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/SIPA_site940x580-768x459.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/SIPA_site940x580-600x359.jpg 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/h4>\n<h4>International Summit of Arab Thought, Nov 14-15<b><br \/>\n<\/b><b><\/b><\/h4>\n<p><b>Paris, Institut du Monde Arabe\u2014<\/b><a href=\"https:\/\/www.imarabe.org\/fr\/rencontres-debats\/sommet-international-des-pensees-arabes-0#:~:text=Ce%20sommet%2C%20%C3%A0%20l%27instar,la%20pens%C3%A9e%20arabe%20en%20France\" target=\"_blank\" rel=\"noopener\"><b>more info<\/b><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Supported by celebrated thinker and sociologist Edgar Morin, this inaugural summit aims to unveil the rich intellectual heritage of the Arab world to a global audience. Set against the vibrant backdrop of Paris, inspiring talks from leading experts in Arab culture will introduce the dynamic contributions of prominent figures shaping the landscape of knowledge and ideas in media, politics, Arab-Islamic heritage, human and social sciences, and more. The summit is not just a series of discussions\u2014it&#8217;s a powerful platform for fostering dialogue and illuminating the connections between Arab and European thought.\u00a0<\/span><\/p>\n<hr \/>\n<h4>London Palestine Film Festival, Nov 15-29<b><br \/>\n<\/b><b><\/b><\/h4>\n<p><b>London UK in several locations\u2014<\/b><a href=\"https:\/\/www.palestinefilm.org.uk\/\" target=\"_blank\" rel=\"noopener\"><b>more info<\/b><\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"WE NO LONGER PREFER MOUNTAINS Trailer\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/rf8hU3d11xE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 16px;\"><span style=\"font-weight: 400;\">Screening on Nov. 17 \u2014Inas Halabi\u2019s <\/span><i><span style=\"font-weight: 400;\">We No Longer Prefer Mountains<\/span><\/i><span style=\"font-weight: 400;\"> (2023) examines the religious Druze community in northern occupied Palestine.<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400;\">This year\u2019s festival will showcase a selection of the most eagerly awaited films that delve into the rich narratives of Palestine, from beloved classics the vibrant stories of political realities faced by Palestinians both at home and in the diaspora. LPFF will host the launch of Azza El Hassan\u2019s ground-breaking book,<\/span> <a href=\"https:\/\/link.springer.com\/book\/9783031669507\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">The Afterlife of Palestinian Images: Visual Remains and the Archive of Disappearance <\/span><\/i><span style=\"font-weight: 400;\">(Palgrave, 2024<\/span><\/a><span style=\"font-weight: 400;\">), which explores how the impact of colonial violence transforms visual objects, reshaping society and culture\u2019s relationship with its images. Tickets sell out quickly, full program <\/span><a href=\"https:\/\/www.palestinefilm.org.uk\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">here<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Trailer | A Fidai Film | Kamal Aljafari\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/HPeX6Xw0_v4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 16px;\"><span style=\"font-weight: 400;\">Screening on Nov. 24 \u2014Kamal Aljafari\u2019s <\/span><i><span style=\"font-weight: 400;\">The Fidai Film<\/span><\/i><span style=\"font-weight: 400;\"> (2024) investigating Israel\u2019s looting of Palestinian films which took place in Beirut in 1982, and proposes a counter-narrative of a continuous history of appropriation.<\/span><\/span><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/www.sharjahart.org\/en\/whats-on\/details\/sharjah-film-platform-7\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-34921\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/SFP7_Banner.jpg\" alt=\"\" width=\"900\" height=\"300\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/SFP7_Banner.jpg 900w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/SFP7_Banner-300x100.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/SFP7_Banner-768x256.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/SFP7_Banner-600x200.jpg 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/h4>\n<h4><a href=\"https:\/\/www.sharjahart.org\/en\/whats-on\/details\/sharjah-film-platform-7\" target=\"_blank\" rel=\"noopener\">Seventh Edition of the Sharjah Film Platform<\/a>, Nov 15-24<strong><br \/>\n<\/strong><\/h4>\n<p><strong>Sharjah, UAE<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Sharjah Film Platform 7 will feature the UAE premiers of nearly 30 independent and experimental films in Mirage City Cinema and Vox Cinemas, in Sharjah. The selection of films during the ten-day-long film-platform-festival comes from countries around the world. Highlights include: <\/span><a href=\"https:\/\/kamalaljafari.art\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Kamal Al Jafari<\/span><\/a><span style=\"font-weight: 400;\">\u2019s documentary <\/span><i><span style=\"font-weight: 400;\">A Fidai Film <\/span><\/i><span style=\"font-weight: 400;\">(2024) that reclaims looted memories of Palestinian history through archival footage; <\/span><a href=\"https:\/\/www.dohafilminstitute.com\/financing\/projects\/grants\/places-of-the-soul-1\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Places of the Soul<\/span><\/i><\/a> <span style=\"font-weight: 400;\">(2023) by Hamida Issa contrasts Antarctica\u2019s icy wastes with the deserts of Qatar; while <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=cY0RMJNst-8\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">The Great Yawn of History<\/span><\/i><\/a> <span style=\"font-weight: 400;\">(2024) by Iranian filmmaker Aliyar Rasti tells of <\/span><span style=\"font-weight: 400;\">a religious man\u2019s quest for hidden treasure. <\/span><span style=\"font-weight: 400;\">Two films supported by the Sharjah Art Foundation will also be shown: <\/span><i><span style=\"font-weight: 400;\">From Ground Zero <\/span><\/i><span style=\"font-weight: 400;\">(2024), an anthology of 22 short films created by filmmakers from Gaza; and short film <\/span><i><span style=\"font-weight: 400;\">Upshot <\/span><\/i><span style=\"font-weight: 400;\">(2024), directed by <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Maha_Haj\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Maha Haj<\/span><\/a><span style=\"font-weight: 400;\">. Film screenings will be followed by Q&amp;A sessions with participating directors. The Platform\u2019s Director in Focus program honors regional auteurs for their lifetime achievements in global cinema. This year&#8217;s winner is the Syrian director <\/span><a href=\"https:\/\/mecfilm.com\/index.php?id=1656\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Mohamad Malas<\/span><\/a><span style=\"font-weight: 400;\">, whose his latest film, <\/span><i><span style=\"font-weight: 400;\">Oh Father, I Am Youssef <\/span><\/i><span style=\"font-weight: 400;\">(2024) will have its global premier at SFP7, alongside a retrospective of his films, <\/span><i><span style=\"font-weight: 400;\">The Dream<\/span><\/i><span style=\"font-weight: 400;\"> (1987) and <\/span><i><span style=\"font-weight: 400;\">The Night<\/span><\/i><span style=\"font-weight: 400;\"> (1992). The Sharjah Film Platform Feature Fund will award 500,000 AED to one UAE-based scriptwriter, director or lead\/executive producer for the completion of an English- or Arabic-language narrative feature currently under production.<\/span><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Death Without Mercy | Official Trailer \ud83d\udd25May 3 \ud83d\udd25Documentary\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/OLdwFuBwG74?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4>Screening + Q&amp;A: Waad al Kateeb&#8217;s <i>Death Without Mercy<\/i> Nov 18<b><i><br \/>\n<\/i><\/b><b><\/b><\/h4>\n<p><a href=\"https:\/\/www.frontlineclub.com\/\" target=\"_blank\" rel=\"noopener\"><b>Frontline Club<\/b><\/a><b>, London UK\u2014<\/b><a href=\"https:\/\/www.eventbrite.co.uk\/e\/screening-qa-waad-al-kateebs-death-without-mercy-tickets-1036903725957?aff=oddtdtcreator&amp;mc_eid=245d8314ba&amp;mc_cid=da0ed15138\" target=\"_blank\" rel=\"noopener\"><b>more info<\/b><\/a><\/p>\n<p><span style=\"font-weight: 400;\">The director of <\/span><a href=\"https:\/\/www.imdb.com\/title\/tt9617456\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">For Sama<\/span><\/i><\/a><span style=\"font-weight: 400;\"> captures the anguish of Syrian and Turkish communities as they reeled from the shattering 2023 earthquake, that killed more than 50,000 people. Using an innovative blend of footage including CCTV, drone shots, and first-person accounts, this powerful film highlights the devastating impact of the natural disaster and the human failures that exacerbated its effects.<\/span><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Trailer | My Stolen Planet | Farahnaz Sharifi\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/2EmmI1bi2rs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4><i>My Stolen Planet<\/i> screening, dir. Farahnaz Sharifi, Nov 20-Dec 1<strong><br \/>\n<\/strong><\/h4>\n<p><strong><a href=\"https:\/\/www.docnyc.net\/film\/my-stolen-planet\/\" target=\"_blank\" rel=\"noopener\">DOCNYC<\/a>, Wednesday, Village East by Angelika,\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">In Iran, Farahnaz Sharifi collected reels of film abandoned by familes fleeing Iran\u2019s 1979 Islamic revolution and built up a significant archive. The dominant footage showed family gatherings mainly of men and glamorous woman dancing more often than not, in single sexed groups or with their children. The most important memories that were documented were seemingly joyous ones. Sharifi, an obsessive young filmmaker in Tehran, filmed everything on her first mobile phone with a decent camera: her friends on the streets of Iran and their underground, illegal parties, the main footage of which shows them dancing. Political events forced her into exile and from Germany she watched that same kind of joyous dancing in the social media clips coming out of Iran\u2019s Woman Life Freedom revolution. These iconic moving images blown up big in the cinema are arresting. In <\/span><i><span style=\"font-weight: 400;\">My Stolen Planet<\/span><\/i><span style=\"font-weight: 400;\"> intimate family memoir and the very public history of nations collide. The film goes on to include home film footage filmed provided by families of their loved ones who had been slaughtered by the regime during the 2022-23 protests. In this remarkable documentary, the young Jina Masha Amina can be seen dancing. <strong>\u2014Malu Halasa<\/strong><\/span><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/www.vam.ac.uk\/event\/KpyxEEO3\/members-preview-jameel-prize-moving-images\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-34922\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/members-preview-days-jameel-prize-moving-images_1280.jpg\" alt=\"Jameel Prize moving images\" width=\"900\" height=\"420\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/members-preview-days-jameel-prize-moving-images_1280.jpg 900w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/members-preview-days-jameel-prize-moving-images_1280-300x140.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/members-preview-days-jameel-prize-moving-images_1280-768x358.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/members-preview-days-jameel-prize-moving-images_1280-600x280.jpg 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/h4>\n<h4>Jameel Prize: Moving Images, Nov 30<b><br \/>\n<\/b><b><\/b><\/h4>\n<p><b>V&amp;A, South Kensington, London\u2014<\/b><a href=\"https:\/\/www.vam.ac.uk\/exhibitions\/jameel-prize-moving-images?srsltid=AfmBOopPI52qWhLjZQE3is1orAGRk93VXFhvBH15DJy3ubT-TUSEd0WC\" target=\"_blank\" rel=\"noopener\"><b>more info<\/b><\/a><\/p>\n<p><span style=\"font-weight: 400;\">This exhibition reflects how artists delve deep into the heart of identity, community, and personal history. Visitors are invited to experience these themes through an array of intimate and immersive encounters featuring film, photography, animation, installation, sound, sculpture, and virtual reality. Join them for an inspiring one-day symposium, <\/span><a href=\"https:\/\/www.vam.ac.uk\/event\/GQXv7elVlD\/landed-histories-november-2024\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">&#8220;Landed Histories: Ecology, Power, and Politics in Digital and Lens-based Practices,&#8221;<\/span><\/a><span style=\"font-weight: 400;\"> happening on the same day bringing together artists, academics, and researchers to address the powerful potential of digital and lens-based practices, as a means for exploring history and ecology in the Middle East and South Asia.<\/span><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"NAILA AND THE UPRISING: Official Trailer\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/zotlaEEnSZw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4>Just Vision: Palestine Cinema Days Around the World<b><br \/>\n<\/b><b><\/b><\/h4>\n<p><b>Ongoing\u2014Nov 30 \u2014<\/b><a href=\"https:\/\/justvision.org\/events\" target=\"_blank\" rel=\"noopener\"><b>more info<\/b><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Filmlab Palestine, the organizers of Palestine Cinema Days, has been unable to host its annual film festival in Ramallah since 2023 and has pivoted to calling upon their community to support them in a worldwide version of the festival. And <\/span><a href=\"https:\/\/justvision.org\/events\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Just Vision<\/span><\/a><span style=\"font-weight: 400;\"> was happy to take up the call. As part of the global program,\u00a0<\/span><a href=\"https:\/\/www.imdb.com\/title\/tt7622940\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Naila and the Uprising<\/span><\/i><span style=\"font-weight: 400;\">\u00a0<\/span><\/a><span style=\"font-weight: 400;\">will also be screening at events in the U.K., Tunisia, India, Slovenia, Jordan, Finland, Chile, Iraq, Portugal, China, Ireland and several other countries.<\/span><\/p>\n<hr \/>\n<h4><span style=\"font-weight: 400;\">Newly Published:<\/span><\/h4>\n<p><strong><a href=\"https:\/\/lup.be\/book\/women-art-freedom\/\" target=\"_blank\" rel=\"noopener\"><i>Women, Art, Freedom: Artists and Street Politics in Iran<\/i><\/a> by Pamela Karimi (Leuven University Press, 2024)<\/strong><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/lup.be\/book\/women-art-freedom\/\"><img decoding=\"async\" class=\"alignleft wp-image-34915\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/Women-Art-Freedom-Pamela-Karimi-cover.jpg\" alt=\"Women Art Freedom Pamela Karimi cover\" width=\"275\" height=\"415\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/Women-Art-Freedom-Pamela-Karimi-cover.jpg 320w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/Women-Art-Freedom-Pamela-Karimi-cover-199x300.jpg 199w\" sizes=\"(max-width: 275px) 100vw, 275px\" \/><\/a>Pamela Karimi is the Susan Sontag of Iran. Her new book <\/span><i><span style=\"font-weight: 400;\">Women Art Freedom: Artists and Street Politics in Iran<\/span><\/i><span style=\"font-weight: 400;\"> goes inside the country\u2019s art, street performance and theatre involved in and after the major Woman Life Freedom protests of 2022-23. Her access to creatives inside the country coupled with her critical acumen makes this academic volume essential reading for followers of contemporary Iran. At its core is perhaps the best analysis of the relationship between culture \u2014 in its many forms from language and live performance to art, including graffiti and art made in prisons \u2014 to the civil disobediance, and the forms of guerilla and local activism that rocked Iran during the women\u2019s revolution. In three years time <\/span><i><span style=\"font-weight: 400;\">Woman, Art, Freedom<\/span><\/i><span style=\"font-weight: 400;\"> will be made open access through JSTOR; the American Council of Learned Societies; University of Michigan Press; and the University of North Carolina Press but why wait until then? <strong>\u2014Malu Halasa<\/strong><\/span><\/p>\n<hr \/>\n<p><strong><em><a href=\"https:\/\/groveatlantic.com\/book\/recognizing-the-stranger\/\" target=\"_blank\" rel=\"noopener\">Recognizing the Stranger: On Palestine and Narrative<\/a><\/em>, by Isabella Hammad (Atlantic Grove, 2024)<\/strong><\/p>\n<p><a href=\"https:\/\/groveatlantic.com\/book\/recognizing-the-stranger\/\"><img decoding=\"async\" class=\"alignleft wp-image-34916\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/RecognizingTheStranger-Isabella-Hammad-cover.jpg\" alt=\"\" width=\"275\" height=\"412\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/RecognizingTheStranger-Isabella-Hammad-cover.jpg 340w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/10\/RecognizingTheStranger-Isabella-Hammad-cover-200x300.jpg 200w\" sizes=\"(max-width: 275px) 100vw, 275px\" \/><\/a>The award-winning novelist of <em>The Parisian<\/em> and <em>Enter Ghost<\/em> shares an essay on the Palestinian struggle and the power of narrative that Rashid Khalidi, author of <em>The Hundred Years&#8217; War on Palestine<\/em> has described as \u201cextraordinary and amazingly erudite. Hammad shows how art and especially literature can be much, much more revealing than political writing.&#8221; Nine days before October 7, 2023, Isabella Hammad delivered the Edward W. Said Memorial Lecture at Columbia University. The text of Hammad\u2019s seminal speech and her afterword, written in the early weeks of 2024, together make up a searing appraisal of the war on Palestine during what seems a turning point in the narrative of human history. <strong>\u2014Rana Asfour<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Film and photography festivals, concerts, art, standup comedy, lectures&#8230;TMR World Picks run the gamut and are selected by our editors.<\/p>\n","protected":false},"author":13,"featured_media":34917,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[2656,17,51,57],"tags":[361,2997,653,718,1788],"coauthors":[2165],"class_list":["post-34910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books","category-film","category-tmr-weekly","category-world-picks","tag-books","tag-cultural-events","tag-film","tag-gaza","tag-war-reporting","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.3) - 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