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{"id":34357,"date":"2024-09-06T10:32:49","date_gmt":"2024-09-06T08:32:49","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=34357"},"modified":"2024-09-09T16:49:55","modified_gmt":"2024-09-09T14:49:55","slug":"featured-artists-barred-from-home","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/featured-artists-barred-from-home\/","title":{"rendered":"Featured Artists: &#8220;Barred From Home&#8221;"},"content":{"rendered":"<h5>Refugee camps, control, and dispossessed lives by artists Heba Tannous, Mahmoud Alhaj, Tayseer Barakat, Alaa Albaba, and photographer Iason Athnasiadis.<\/h5>\n<p>&nbsp;<\/p>\n<h4>Malu Halasa<\/h4>\n<p>&nbsp;<\/p>\n<p>Who gets to decide where people live? Or which areas they should evacuate to, in order to avoid bombing or bloodshed? These are fundamental issues explored in \u201cBarred from Home,\u201d which features artwork from Palestine\u2019s past and dystopian present alongside photojournalism taken during the 2014 occupation of large parts of Iraq by the Islamic State. There is also a detour into Europe and the lives of dispossessed migrants there in their quest for not just a better life, but for a semblance of normality.<\/p>\n<p>This slideshow gallery for The Markaz Review\u2019s GATEKEEPERS issue opens with \u201cDisplaced,\u201d by the artist and architect Heba Tannous. She writes in an email that the artwork is \u201ca direct response to the relentless violence and forced displacement occurring in Gaza.\u201d In her series \u201cThe City from Above\u201d she draws the roofs of <a href=\"https:\/\/www.aljazeera.com\/news\/2023\/7\/4\/palestinians-in-jenin-camp-from-nakba-to-israels-latest-assault\" target=\"_blank\" rel=\"noopener\">Jenin Refugee Camp<\/a>, home to Palestinians who were forced to flee their homes during the 1948 Nakba. Located in the West Bank, the area came under Israeli control during the 1967 war. Today, as the camp is yet again under attack by the IDF, Tannous believes that the view from its roofs \u201cchallenges common misperceptions about who lives there and what the camp represents.\u201d<\/p>\n<p>Her impressionist, geometric forms, she goes on, \u201cexplore and illustrate the profound impact of occupation on Palestine\u2019s built environment, examining how it has altered not only the physical landscape but also the social and cultural fabric that architecture inherently represents. The occupation has fragmented and reconfigured urban spaces through the construction of settlements, separation barriers, and restricted zones, disrupting the continuity of Palestinian cities and towns.\u201d<\/p>\n<p>But these places, she adds, are not soulless. \u201cIn response, the people have shown resilience, developing innovative ways to reclaim, preserve, and adapt their spaces within these imposed constraints.\u201d<\/p>\n<div class=\"gallery\"><div id=\"gallery-51\" class=\"gallery-frame\"><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/3-Children-in-camp-for-people-from-the-city-of-Mosul.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/3-Children-in-camp-for-people-from-the-city-of-Mosul.jpg\" alt=\"Children in a camp for people from the city of Mosul who were internally displaced in Iraq following the takeover of the city by Islamic State in 2014. Photograph by Iason Athanasiadis. \"\/><\/a><div class=\"gallery-frame-caption\"><p>Children in a camp for people from the city of Mosul who were internally displaced in Iraq following the takeover of the city by Islamic State in 2014. Photograph by Iason Athanasiadis. <\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/5-Roofs-Knocking-2-Mahmoud-Alhaj-1400pix.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/5-Roofs-Knocking-2-Mahmoud-Alhaj-1400pix.jpg\" alt=\"Mahmoud Alhaj, \u201cRoofs Knocking No. 2,\u201d digital photography, drones and archival materials, archival fine art paper, 72x120cm, edition of 20 (+AP), 2023 (courtesy Zawyeh Gallery.)\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mahmoud Alhaj, \u201cRoofs Knocking No. 2,\u201d digital photography, drones and archival materials, archival fine art paper, 72x120cm, edition of 20 (+AP), 2023 (courtesy Zawyeh Gallery.)<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/11-Mahmoud-Alhaj-Shooting-Range-365-No.7-3-1400pix.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/11-Mahmoud-Alhaj-Shooting-Range-365-No.7-3-1400pix.jpg\" alt=\"Mahmoud Alhaj, \u201cShooting Range 365 No. 7,\u201d detail. Digital photography, archival materials, 3D models, archival fine art paper, 35x50cm, edition of 20 (+AP), 2022 (courtesy of Zawyeh Gallery).\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mahmoud Alhaj, \u201cShooting Range 365 No. 7,\u201d detail. Digital photography, archival materials, 3D models, archival fine art paper, 35x50cm, edition of 20 (+AP), 2022 (courtesy of Zawyeh Gallery).<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/6-Iraqi-woman-in-a-camp-for-people-Iason.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/6-Iraqi-woman-in-a-camp-for-people-Iason.jpg\" alt=\"Iraqi woman in a camp for people from the city of Mosul who were internally displaced following the takeover of the city by Islamic State in 2014. Photograph by Iason Athanasiadis.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Iraqi woman in a camp for people from the city of Mosul who were internally displaced following the takeover of the city by Islamic State in 2014. Photograph by Iason Athanasiadis.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/1-Heba-Tannous-Displaced-mixed-media-on-paper-23-x-30-cm-2024-courtesy-of-the-artist.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/1-Heba-Tannous-Displaced-mixed-media-on-paper-23-x-30-cm-2024-courtesy-of-the-artist.jpg\" alt=\"Heba Tannous, \"Displaced.\" mixed media on paper, 23x30cm, 2024 (courtesy of the artist).\"\/><\/a><div class=\"gallery-frame-caption\"><p>Heba Tannous, \"Displaced.\" mixed media on paper, 23x30cm, 2024 (courtesy of the artist).<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/2-Tayseer-Barakat-Untitled-2-watercolor-ink-and-dyes-on-paper-50\u00d770cm-1989-courtesy-Zawyeh-Gallery-1400.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/2-Tayseer-Barakat-Untitled-2-watercolor-ink-and-dyes-on-paper-50\u00d770cm-1989-courtesy-Zawyeh-Gallery-1400.jpg\" alt=\"Tayseer Barakat, Untitled 2, watercolor ink and dyes on paper, 50\u00d770cm, 1989 (courtesy Zawyeh Gallery).\"\/><\/a><div class=\"gallery-frame-caption\"><p>Tayseer Barakat, Untitled 2, watercolor ink and dyes on paper, 50\u00d770cm, 1989 (courtesy Zawyeh Gallery).<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/4-The-Camp-11-1400pix.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/4-The-Camp-11-1400pix.jpg\" alt=\"Alaa Albaba, \u201cThe Camp No. 11,\u201d acrylic on canvas, 25x30cm, 2021 (courtesy Zawyeh Gallery). \n\"\/><\/a><div class=\"gallery-frame-caption\"><p>Alaa Albaba, \u201cThe Camp No. 11,\u201d acrylic on canvas, 25x30cm, 2021 (courtesy Zawyeh Gallery). \n<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/7-Heba-Tannous-The-City-From-Above-04.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/7-Heba-Tannous-The-City-From-Above-04.jpg\" alt=\"Heba Tannous, \u201cThe City From Above 04: Jenin Refugee Camp,\u201d watercolor on paper, 18x25cm, 2023 (courtesy of the artist).\"\/><\/a><div class=\"gallery-frame-caption\"><p>Heba Tannous, \u201cThe City From Above 04: Jenin Refugee Camp,\u201d watercolor on paper, 18x25cm, 2023 (courtesy of the artist).<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/8-The-Camp-4-Alaa-Albaba-900pix.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/8-The-Camp-4-Alaa-Albaba-900pix.jpg\" alt=\"Alaa Albaba, \u201cThe Camp No. 4,\u201d acrylic on canvas,60x70cm, 2023 (courtesy Zawyeh Gallery). \"\/><\/a><div class=\"gallery-frame-caption\"><p>Alaa Albaba, \u201cThe Camp No. 4,\u201d acrylic on canvas,60x70cm, 2023 (courtesy Zawyeh Gallery). <\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/9-Displaced-boy-with-his-family-from-the-Iraqi-city-of-Mosul.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/9-Displaced-boy-with-his-family-from-the-Iraqi-city-of-Mosul.jpg\" alt=\"Displaced boy with his family from the Iraqi city of Mosul, following its takeover by Islamic State, in a half-built apartment complex occupied by thousands of refugees, in the northern Iraqi town of Zakho, 2014. Photograph by Iason Athanasiadis.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Displaced boy with his family from the Iraqi city of Mosul, following its takeover by Islamic State, in a half-built apartment complex occupied by thousands of refugees, in the northern Iraqi town of Zakho, 2014. Photograph by Iason Athanasiadis.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/10-Alaa-Albaba-The-Camp-1-900pix.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/10-Alaa-Albaba-The-Camp-1-900pix.jpg\" alt=\"Alaa Albaba, \u201cThe Camp No. 1,\u201d acrylic on canvas, 70x50cm, 2023 (courtesy Zawyeh Gallery).\"\/><\/a><div class=\"gallery-frame-caption\"><p>Alaa Albaba, \u201cThe Camp No. 1,\u201d acrylic on canvas, 70x50cm, 2023 (courtesy Zawyeh Gallery).<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/12-African-immigrant-in-Italian-city-of-Catania-Iason.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/12-African-immigrant-in-Italian-city-of-Catania-Iason.jpg\" alt=\"African immigrant in Italian city of Catania, 2017. Photograph by Iason Athanasiadis.\"\/><\/a><div class=\"gallery-frame-caption\"><p>African immigrant in Italian city of Catania, 2017. Photograph by Iason Athanasiadis.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/13-Tayseer-Barakat-Fragments-900pix.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/13-Tayseer-Barakat-Fragments-900pix.jpg\" alt=\"Tayseer Barakat. \u201cFragments,\u201d watercolor, ink, dyes on paper, 70\u00d749.5cm, 2006 (courtesy Zawyeh Gallery).\"\/><\/a><div class=\"gallery-frame-caption\"><p>Tayseer Barakat. \u201cFragments,\u201d watercolor, ink, dyes on paper, 70\u00d749.5cm, 2006 (courtesy Zawyeh Gallery).<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/14-Long-Exposure-Memories-1-1400-pix.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/14-Long-Exposure-Memories-1-1400-pix.jpg\" alt=\"Mahmoud Alhaj, \u201cLong Exposure Memories No. 1,\u201d digital photography and archival materials, archival fine art paper, 30x40cm, edition of 20 (+AP), 2022, (courtesy Zawyeh Gallery).\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mahmoud Alhaj, \u201cLong Exposure Memories No. 1,\u201d digital photography and archival materials, archival fine art paper, 30x40cm, edition of 20 (+AP), 2022, (courtesy Zawyeh Gallery).<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/15-Lost-Landscape-1400-pix.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/15-Lost-Landscape-1400-pix.jpg\" alt=\"Tayseer Barakat, \u201cLost Landscape,\u201d collage, ink, watercolor, dyes, pencil on paper. 47\u00d767cm, 1994 (courtesy Zawyeh Gallery. \"\/><\/a><div class=\"gallery-frame-caption\"><p>Tayseer Barakat, \u201cLost Landscape,\u201d collage, ink, watercolor, dyes, pencil on paper. 47\u00d767cm, 1994 (courtesy Zawyeh Gallery. <\/p><\/div><\/div><\/div><\/div><div class=\"gallery-nav gallery-nav-51\"><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/3-Children-in-camp-for-people-from-the-city-of-Mosul-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/3-Children-in-camp-for-people-from-the-city-of-Mosul-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/3-Children-in-camp-for-people-from-the-city-of-Mosul-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/3-Children-in-camp-for-people-from-the-city-of-Mosul-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:66.67%;max-width:900px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/5-Roofs-Knocking-2-Mahmoud-Alhaj-1400pix-150x150.jpg\" class=\"gallery-thumb\" alt=\"Mahmoud Alhaj, \u201cRoofs Knocking No. 2,\u201d digital photography, drones and archival materials, archival fine art paper, 72x120cm, edition of 20 (+AP), 2023 (Artwork appears courtesy of Zawyeh Gallery.)\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/5-Roofs-Knocking-2-Mahmoud-Alhaj-1400pix-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/5-Roofs-Knocking-2-Mahmoud-Alhaj-1400pix-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/5-Roofs-Knocking-2-Mahmoud-Alhaj-1400pix-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:60%;max-width:1400px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/11-Mahmoud-Alhaj-Shooting-Range-365-No.7-3-1400pix-150x150.jpg\" class=\"gallery-thumb\" alt=\"Mahmoud Alhaj, \u201cShooting Range 365 No. 7,\u201d detail. Digital photography, archival materials, 3D models, archival fine art paper, 35x50cm, edition of 20 (+AP), 2022 (courtesy of Zawyeh Gallery).\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/11-Mahmoud-Alhaj-Shooting-Range-365-No.7-3-1400pix-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/11-Mahmoud-Alhaj-Shooting-Range-365-No.7-3-1400pix-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/11-Mahmoud-Alhaj-Shooting-Range-365-No.7-3-1400pix-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:70%;max-width:1400px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/6-Iraqi-woman-in-a-camp-for-people-Iason-150x150.jpg\" class=\"gallery-thumb\" alt=\"Iraqi woman in a camp for people from the city of Mosul who were internally displaced following the takeover of the city by Islamic State in 2014. Photograph by Iason Athanasiadis.\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/6-Iraqi-woman-in-a-camp-for-people-Iason-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/6-Iraqi-woman-in-a-camp-for-people-Iason-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/6-Iraqi-woman-in-a-camp-for-people-Iason-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:66.64%;max-width:1400px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/1-Heba-Tannous-Displaced-mixed-media-on-paper-23-x-30-cm-2024-courtesy-of-the-artist-150x150.jpg\" class=\"gallery-thumb\" alt=\"Heba Tannous Displaced mixed media on paper 23 x 30 cm 2024 courtesy of the artist.\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/1-Heba-Tannous-Displaced-mixed-media-on-paper-23-x-30-cm-2024-courtesy-of-the-artist-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/1-Heba-Tannous-Displaced-mixed-media-on-paper-23-x-30-cm-2024-courtesy-of-the-artist-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/1-Heba-Tannous-Displaced-mixed-media-on-paper-23-x-30-cm-2024-courtesy-of-the-artist-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:138.04%;max-width:652px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/2-Tayseer-Barakat-Untitled-2-watercolor-ink-and-dyes-on-paper-50\u00d770cm-1989-courtesy-Zawyeh-Gallery-1400-150x150.jpg\" class=\"gallery-thumb\" alt=\"Tayseer Barakat, Untitled 2, watercolor ink and dyes on paper, 50\u00d770cm, 1989 (courtesy Zawyeh Gallery).\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/2-Tayseer-Barakat-Untitled-2-watercolor-ink-and-dyes-on-paper-50\u00d770cm-1989-courtesy-Zawyeh-Gallery-1400-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/2-Tayseer-Barakat-Untitled-2-watercolor-ink-and-dyes-on-paper-50\u00d770cm-1989-courtesy-Zawyeh-Gallery-1400-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/2-Tayseer-Barakat-Untitled-2-watercolor-ink-and-dyes-on-paper-50\u00d770cm-1989-courtesy-Zawyeh-Gallery-1400-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:68.36%;max-width:1400px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/4-The-Camp-11-1400pix-150x150.jpg\" class=\"gallery-thumb\" alt=\"Alaa Albaba, \u201cThe Camp No. 11,\u201d acrylic on canvas, 25x30cm, 2021 (courtesy Zawyeh Gallery).\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/4-The-Camp-11-1400pix-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/4-The-Camp-11-1400pix-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/4-The-Camp-11-1400pix-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:82.79%;max-width:1400px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/7-Heba-Tannous-The-City-From-Above-04-150x150.jpg\" class=\"gallery-thumb\" alt=\"Heba Tannous, \u201cThe City From Above 04: Jenin Refugee Camp,\u201d watercolor on paper, 18x25cm, 2023 (courtesy of the artist).\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/7-Heba-Tannous-The-City-From-Above-04-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/7-Heba-Tannous-The-City-From-Above-04-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/7-Heba-Tannous-The-City-From-Above-04-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:159.01%;max-width:566px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/8-The-Camp-4-Alaa-Albaba-900pix-150x150.jpg\" class=\"gallery-thumb\" alt=\"Alaa Albaba, \u201cThe Camp No. 4,\u201d acrylic on canvas,60x70cm, 2023 (courtesy Zawyeh Gallery).\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/8-The-Camp-4-Alaa-Albaba-900pix-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/8-The-Camp-4-Alaa-Albaba-900pix-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/8-The-Camp-4-Alaa-Albaba-900pix-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:115.67%;max-width:900px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/9-Displaced-boy-with-his-family-from-the-Iraqi-city-of-Mosul-150x150.jpg\" class=\"gallery-thumb\" alt=\"Displaced boy with his family from the Iraqi city of Mosul, following its takeover by Islamic state, in a half-built apartment complex occupied by thousands of refugees, in the northern Iraqi town of Zakho, 2014. Photograph by Iason Athanasiadis.\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/9-Displaced-boy-with-his-family-from-the-Iraqi-city-of-Mosul-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/9-Displaced-boy-with-his-family-from-the-Iraqi-city-of-Mosul-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/9-Displaced-boy-with-his-family-from-the-Iraqi-city-of-Mosul-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:66.67%;max-width:900px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/10-Alaa-Albaba-The-Camp-1-900pix-150x150.jpg\" class=\"gallery-thumb\" alt=\"Alaa Albaba, \u201cThe Camp No. 1,\u201d acrylic on canvas, 70x50cm, 2023 (courtesy Zawyeh Gallery).\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/10-Alaa-Albaba-The-Camp-1-900pix-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/10-Alaa-Albaba-The-Camp-1-900pix-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/10-Alaa-Albaba-The-Camp-1-900pix-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:140.22%;max-width:900px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/12-African-immigrant-in-Italian-city-of-Catania-Iason-150x150.jpg\" class=\"gallery-thumb\" alt=\"African immigrant in Italian city of Catania, 2017. Photograph by Iason Athanasiadis.\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/12-African-immigrant-in-Italian-city-of-Catania-Iason-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/12-African-immigrant-in-Italian-city-of-Catania-Iason-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/12-African-immigrant-in-Italian-city-of-Catania-Iason-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:150%;max-width:900px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/13-Tayseer-Barakat-Fragments-900pix-150x150.jpg\" class=\"gallery-thumb\" alt=\"Tayseer Barakat. \u201cFragments,\u201d watercolor, ink, dyes on paper, 70\u00d749.5cm, 2006 (courtesy Zawyeh Gallery).\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/13-Tayseer-Barakat-Fragments-900pix-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/13-Tayseer-Barakat-Fragments-900pix-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/13-Tayseer-Barakat-Fragments-900pix-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:145.44%;max-width:900px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/14-Long-Exposure-Memories-1-1400-pix-150x150.jpg\" class=\"gallery-thumb\" alt=\"Mahmoud Alhaj, \u201cLong Exposure Memories No. 1,\u201d digital photography and archival materials, archival fine art paper, 30x40cm, edition of 20 (+AP), 2022, (courtesy Zawyeh Gallery).\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/14-Long-Exposure-Memories-1-1400-pix-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/14-Long-Exposure-Memories-1-1400-pix-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/14-Long-Exposure-Memories-1-1400-pix-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:75%;max-width:1400px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/15-Lost-Landscape-1400-pix-150x150.jpg\" class=\"gallery-thumb\" alt=\"Tayseer Barakat, \u201cLost Landscape,\u201d collage, ink, watercolor, dyes, pencil on paper. 47\u00d767cm, 1994 (courtesy Zawyeh Gallery.\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/15-Lost-Landscape-1400-pix-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/15-Lost-Landscape-1400-pix-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/15-Lost-Landscape-1400-pix-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:68.36%;max-width:1400px;\" \/><\/span><\/div><\/div>\n<p>Tannous and the artist Mahmoud Alhaj, also featured in \u201cBarred from Home,\u201d belong to a generation of up and coming Palestinian artists. Tannous posts her work, including <a href=\"https:\/\/www.instagram.com\/p\/CujY4dzvaB5\/\" target=\"_blank\" rel=\"noopener\">live sketching<\/a> on Instagram, while Alhaj has emerged as an adept manipulator of digital imagery.<\/p>\n<p>Their work stands in sharp contrast to that of veteran Palestinian artist Tayseer Barakat. Barakat is considered one of the founders of the Palestinian modern art movement, along with Nabil Anani, Sliman Mansour, and Vera Tamari. Their much vaunted, historic group <a href=\"https:\/\/dafbeirut.org\/contentFiles\/file\/2020\/06\/ips-press-release-en.pdf\" target=\"_blank\" rel=\"noopener\">New Visions<\/a> boycotted conventional art supplies from Israeli suppliers. They instead incorporated raw materials from Palestine, such as mud, straw and henna, in their artwork.<\/p>\n<p>Barakat was born in 1959 in the <a href=\"https:\/\/www.bbc.co.uk\/news\/articles\/cl44v6e8461o\" target=\"_blank\" rel=\"noopener\">Jabaliya refugee camp<\/a> that has been heavily bombarded by Israel during its war on Gaza. His exhibition <a href=\"https:\/\/zawyeh.net\/gaza-recalling-the-collage-of-a-place\/?mc_cid=cd8ab1dab9&amp;mc_eid=ef68d7b7e7\" target=\"_blank\" rel=\"noopener\"><em>Gaza: Recalling the Collage of a Place<\/em><\/a> \u2014 viewable online until 15 September at the Zawyeh Gallery \u2014 includes work from over the decades. There are many ways to interpret his regimented lines of people and palm trees in \u201cUntitled 2,\u201d from 1989. Its dream-like imagery recalls those forced to leave their homes in the pursuit of a false promise of protection. Or perhaps they are martyrs who have been left behind, in graves alongside each other, or suffocating in the almost folksy primeval yet politically potent compartments of \u201cFragments,\u201d created 17 years later.<\/p>\n<p>Because of the Israeli occupation and his rare visits home to the Gaza Strip, Barakat\u2019s estrangement from where he grew up can be understood in ruminating memory represented metaphorically by darkness in many of his artworks. The artist once acknowledged how the monotone coloration of his paintings and collages, \u201creflect the hardships of our time and our present life. I think the pressure on us makes us use dark colors.\u201d<\/p>\n<p>Also filled with foreboding is the <em>Control Anatomy<\/em> exhibition by Mahmoud Alhaj, <a href=\"https:\/\/art.kunstmatrix.com\/apps\/artspaces\/dist\/index.html?timestamp=1725394316039#\/?external=true&amp;uid=33756&amp;exhibition=13385832&amp;mc_cid=847238cf22&amp;mc_eid=ef68d7b7e7\" target=\"_blank\" rel=\"noopener\">online<\/a> as well as in Zawyeh Gallery Ramallah until the 15<sup>th<\/sup> of November, 2024. It is not the past that matters but an unrelenting presence of violence or the threat of it in present-day Palestine.<\/p>\n<p>The curator of the exhibition, Rania Anani, has written about the artist: \u201cAlhaj views the technology of violence production as the culmination of an ongoing workshop organized by the colonizer behind the scenes to invent the most violent methods to subjugate Palestinians.\u201d<\/p>\n<p>As she continues, he \u201cdissect[es] quality images of human rights abuses, violence, and colonial strategies, both visually and conceptually, then reconstructs them through an intensive digital process, creating new works that provide unexpected results open to diverse interpretations. This involves integrating them with images and materials from other sources, such as Google Maps, aerial reconnaissance shots, and empty medicine pills sheets.\u201d<\/p>\n<p>The blurred outline of IDF soldiers stalk the separation wall represented by unconnected stone slabs in \u201cLong Exposure Memories No. 1.\u201d Highrises become shooting galleries, not the kind used by junkies, but rather by snipers. His bold, perceptive artwork has been shown in Gaza.<\/p>\n<p>The most vibrant and colorful acrylic paintings in \u201cBarred from Home\u201d are by Jerusalem-born Alaa Albaba. Last year he held an open studio under the auspices of the Zawyeh Gallery in Al-Am\u2019ari refugee camp, in Ramallah. For the artist, the Palestinian refugee camp may be overpopulated, and its claustrophobic, makeshift structures, buildings and thin alleyways densely packed together. Yet, despite the hardship and the attacks against it, community prevails in the bright sunlight.<\/p>\n<hr \/>\n<div class=\"gallery\"><div id=\"gallery-18\" class=\"gallery-frame\"><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Heba-Tannous.jpeg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Heba-Tannous.jpeg\" alt=\"Featured artists Heba Tannous\"\/><\/a><div class=\"gallery-frame-caption\"><p>Featured artists Heba Tannous<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Mahmoud-Alhaj.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Mahmoud-Alhaj.jpg\" alt=\"Mahmoud Alhaj\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mahmoud Alhaj<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Tayseer-Barakat.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Tayseer-Barakat.jpg\" alt=\"Tayseer Barakat\"\/><\/a><div class=\"gallery-frame-caption\"><p>Tayseer Barakat<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Alaa-Albaba.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Alaa-Albaba.jpg\" alt=\"Alaa Albaba\"\/><\/a><div class=\"gallery-frame-caption\"><p>Alaa Albaba<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Iason-Athanasiadis.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Iason-Athanasiadis.jpg\" alt=\"and Iason Athanasiadis\"\/><\/a><div class=\"gallery-frame-caption\"><p>and Iason Athanasiadis<\/p><\/div><\/div><\/div><\/div><div class=\"gallery-nav gallery-nav-18\"><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Heba-Tannous-150x150.jpeg\" class=\"gallery-thumb\" alt=\"Featured artists Heba Tannous\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Heba-Tannous-150x150.jpeg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Heba-Tannous-300x300.jpeg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Heba-Tannous-450x450.jpeg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Heba-Tannous-600x600.jpeg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Heba-Tannous-100x100.jpeg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Heba-Tannous.jpeg 700w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:100%;max-width:700px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Mahmoud-Alhaj-150x150.jpg\" class=\"gallery-thumb\" alt=\"Mahmoud Alhaj\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Mahmoud-Alhaj-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Mahmoud-Alhaj-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Mahmoud-Alhaj-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:67.14%;max-width:700px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Tayseer-Barakat-150x150.jpg\" class=\"gallery-thumb\" alt=\"Tayseer Barakat\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Tayseer-Barakat-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Tayseer-Barakat-300x300.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Tayseer-Barakat-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Tayseer-Barakat-600x597.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Tayseer-Barakat-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Tayseer-Barakat.jpg 700w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:99.57%;max-width:700px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Alaa-Albaba-150x150.jpg\" class=\"gallery-thumb\" alt=\"Alaa Albaba\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Alaa-Albaba-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Alaa-Albaba-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Alaa-Albaba-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:150.29%;max-width:700px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Iason-Athanasiadis-150x150.jpg\" class=\"gallery-thumb\" alt=\"and Iason Athanasiadis\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Iason-Athanasiadis-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Iason-Athanasiadis-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/09\/Iason-Athanasiadis-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:93.57%;max-width:700px;\" \/><\/span><\/div><\/div>\n<hr \/>\n<p>Community is no doubt there among friends and families who have spent generations in the camps. However, for the ethnic Arabs, Kurds, Assyrians and Turkmens, and other religious minorities displaced from Mosul during the Islamic State takeover of the city in 2014, there is isolation mixed with plain pleasures. In the photographs of Iason Athanasiadis, splashing children play in the puddles after a hard rain, or the now lost thrill of a kid once given a football shirt of his soccer hero Ronaldo.<\/p>\n<p>Again, writing by email, the photojournalist, television producer, and writer explained the focus of his work: \u201cBy virtue of speaking Arabic and Persian (two of the main languages spoken by refugees and asylum seekers) and living in Greece, Afghanistan, Iran, Libya, Turkey and other countries that initiate refugee flows or act as corridors, I ended up working on the issue of migration before and since 2015.\u201d<\/p>\n<p>In the weeks we\u2019ve been in touch, he has been on assignments away from his desk. He witnessed the fear of Iraqi men caught in the no-man\u2019s land between ISIS and the Kurdish forces in Iraq. He followed migrants on the Greek islands and documented the migrant trail in Europe. He thinks deeply about the people, their suffering, and their small hopes which he has photographed.<\/p>\n<p>In answers to some of my questions he wrote to me, \u201cI\u2019m troubled by the way in which the media packages the conundrums faced by migrants and refugees. It is a type of suffering that Portuguese thinker\u00a0<a href=\"https:\/\/www.boaventuradesousasantos.pt\/pages\/en\/homepage.php\" target=\"_blank\" rel=\"noopener\">Boaventura de Sousa Santos<\/a> ironically describes as a \u2018just suffering (which) is the precondition that spares us, as fully human, the unjust suffering we would have to endure if they were to invade.\u2019 I interpret this as meaning that the pretend pity with which we face Third World refugees is merely a virtue-signaling screen, an absolution of sins, sparing us the need to confront the deeper causes of their condition, and recognize that we inhabit an unjust world as its untroubled victors.<\/p>\n<p>\u201cSantos points out that \u2018drowned migrants &#8230; dared to enter illegally what they were never supposed to enter \u2014 the society of the fully human.\u201d<\/p>\n<p>In one of Athanasiadis\u2019s photographs, an African migrant walks through Catania in Sicily. He may not be forcibly barred from home, but in seeking a new one, his blurred image against a residential ziggurat conveys the insurmountable contrast between the haves and the have-nots.<\/p>\n<p>In the sequence of the slideshow gallery, the image preceding the Catania photograph most conveys the unremitting authoritarianism (the view from an unseen, unknowing \u201chigh\u201d) that seems to pervade the streets and displaced persons\u2019 camps in Athanasiadis\u2019s photographs.<\/p>\n<p>With all that he has witnessed, he believes that \u201cat a time when spiraling global geopolitical competition precipitates new floods of displaced humanity, there is no better moment for applying Santos\u2019 idea of cognitive justice, i.e. taking responsibility for being informed about our global reality, instead of hiding behind a newly fashionable apolitical trend of wallowing in gender identities and sexual semantics.\u201d<\/p>\n<p>Cognitive justice and taking responsibility are duties for those who have agency and control over their lives and societies. For migrants and refugees with no secure foothold in the wider world, some are sustained by memory, hope, and community. This sense is captured in the childlike collage, ink, watercolor, dyes and pencil on paper of Tayseer Barakat\u2019s \u201cLost Landscape.\u201d In contrast to his other brutalist monotone works, this one is splashed with muted color and ends \u201cBarred from Home.\u201d<\/p>\n<p>For many who come from or live in places ravaged by war, all that remains of homeland is a yearning long after memories fade to black.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Refugee camps, control, and dispossessed lives by artists Heba Tannous, Mahmoud Alhaj, Tayseer Barakat, Alaa Albaba, and photographer Iason Athnasiadis.<\/p>\n","protected":false},"author":15,"featured_media":34366,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[4,12,14,3826],"tags":[120,3836,3835,718,887,1291,1453,1536,1639],"coauthors":[2023],"class_list":["post-34357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-photography","category-essay","category-featured-artist","category-tmr-44-gatekeepers","tag-african","tag-camps","tag-displaced-persons","tag-gaza","tag-iraqi","tag-palestinian","tag-refugees","tag-separation-wall","tag-syrian","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Featured Artists: &quot;Barred From Home&quot; - The Markaz Review<\/title>\n<meta name=\"description\" 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