{"id":34278,"date":"2024-08-30T08:44:08","date_gmt":"2024-08-30T06:44:08","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=34278"},"modified":"2024-09-03T18:00:40","modified_gmt":"2024-09-03T16:00:40","slug":"festival-arabesques-fetes-arab-arts-for-cultural-diversity","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/festival-arabesques-fetes-arab-arts-for-cultural-diversity\/","title":{"rendered":"Festival Arabesques Fetes Arab Arts for Cultural Diversity"},"content":{"rendered":"<h5>Montpellier celebrates the 19th Arab arts encounter organized by <a href=\"https:\/\/www.festivalarabesques.fr\/\" target=\"_blank\" rel=\"noopener\">Festival Arabesques<\/a>, held from September 10 to 22, 2024.<\/h5>\n<p>&nbsp;<\/p>\n<h4>La\u00ebtitia Soula<\/h4>\n<p>&nbsp;<\/p>\n<p>An annual series of encounters that is &#8220;a hymn to cultural diversity&#8221; in the south of France, for nearly 20 years, Arabesques has been a much-anticipated regional highlight, full of joy, surprises and creativity, in a city that supports the arts. The organizers ensure that Arabesques is a breath of fresh air with acts from both France and abroad, showcasing a wide range of artistic expression.<\/p>\n<figure id=\"attachment_34287\" aria-describedby=\"caption-attachment-34287\" style=\"width: 1000px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.accords-croises.com\/fr\/artistes-creations\/atine\"><img decoding=\"async\" class=\"wp-image-34287 size-full\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/Atine-group.jpg\" alt=\"Members of Atine, with A\u00efda Nosrat (vocals), Christine Zayed (qanun),Marie-Christine de Loye (viola da gamba), Sagar Khadem (percussions) &amp; Sogol Mirzaei (tar).\" width=\"1000\" height=\"567\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/Atine-group.jpg 1000w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/Atine-group-300x170.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/Atine-group-768x435.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/Atine-group-600x340.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption id=\"caption-attachment-34287\" class=\"wp-caption-text\"><a href=\"https:\/\/www.accords-croises.com\/fr\/artistes-creations\/atine\" target=\"_blank\" rel=\"noopener\">Atine<\/a> is A\u00efda Nosrat (vocals), Marie-Christine de Loye (viola), Sagar Khadem (percussions), Christine Zayed (qanun) &amp; Sogol Mirzaei (tar).<\/figcaption><\/figure>\n<h4>Cultural Cross-Pollination<\/h4>\n<p>This year the spotlight will be on cultural exchange and cross-fertilization, in sometimes surprising melodic combinations. For example, discover the Shamstep movement led by the Gaza group <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=304\" target=\"_blank\" rel=\"noopener\">47SOUL<\/a>. This Palestinian music collective blends the sounds of &#8220;dabke&#8221; (meaning &#8220;kick&#8221;), a traditional folk dance, with other cha\u00e2bi music from the Levant region, as well as hip-hop, electro and R&amp;B.<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"47SOUL - Dabke System (Official Video) | \u0627\u0644\u0633\u0628\u0639\u0629 \u0648 \u0623\u0631\u0628\u0639\u064a\u0646 - \u062f\u0628\u0643\u0629 \u0633\u064a\u0633\u062a\u0645\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/uEaSgzRdSv0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>Imparting a contagious energy and a generous mix that makes you want to dance. 47SOUL calls for recognition of &#8220;<a href=\"https:\/\/47soul.com\/about\/%20\" target=\"_blank\" rel=\"noopener\">the common humanity of all peoples<\/a>.&#8221;<\/p>\n<p>The <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=306%20\" target=\"_blank\" rel=\"noopener\">Interzone<\/a> duo features guitarist Serge Teyssot-Gay, former member of Noir D\u00e9sir, and Khaled Aljaramani, Syrian oud player with the group Bab Assalam. In their album <em>5\u00e8me Jour<\/em>, they intermix their respective cultures, between Europe and the Middle East, with electric, acoustic and poetic music. On this, their fifth album, they continue their collaboration, blending classical Arab music with rock, oud with guitar. The musical universe that emerges is absolutely intoxicating.<\/p>\n<p>Other musical explorations will turn your heart upside down, including the Terrae Incognitae show. Provocative, exalted and insolent, it brings together singer and oudist <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=311%20\" target=\"_blank\" rel=\"noopener\">Kamilya Jubran<\/a>, instrumentalist Floy Krouchi, who accompanies her transformed electric bass, and Lebanese oudist Youmna Saba. Born in Israel of Palestinian parents, Kamilya Jubran, who encourages freedom of expression for young artists in the Arab world, has initiated this ambitious project to enable &#8220;the blossoming of new sound units.&#8221; This is an exceptional opportunity to meet these three adventurous improvisers.<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Aziz Konkrite - A Meli Melodie (Official Video)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/eW52JDyyO10?list=PLaXNYo9-uen_q8BTEZaoNJEtMDDq6A0iu\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>Franco-Moroccan DJ <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=308%20\" target=\"_blank\" rel=\"noopener\">Aziz Konkrite<\/a> will take you on a whirlwind tour of the Siba Sawt-System, an anarchistic sound system combining traditional and popular music with funk, soul and hip-hop accents.<\/p>\n<p>As for <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=308%20\" target=\"_blank\" rel=\"noopener\">Sami Galbi<\/a>, he&#8217;ll deliver an energizing electro clubbing ra\u00ef. Revealed at the Trans Musicales de Rennes festival, this Swiss-Moroccan artist, with his stunning charm, plays with the codes of popular and traditional music, infusing Algerian cha\u00e2bi and melhoun with highly convincing electro-pop vibes. Her music is sunny and addictive, and you can&#8217;t help but dance along.<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Ra\u00efna Ra\u00ef - Zina\" width=\"750\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/6-UOmjw9viQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>Ra\u00ef and fusion will also be in the spotlight with the Algerian group <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=313%20\" target=\"_blank\" rel=\"noopener\">Ra\u00efna Ra\u00ef<\/a>, led by the famous Lotfi Attar. Blending tradition and rock with derbouka, gasba (reed flute), guitar and drums, the group has become legendary for its freedom.<\/p>\n<p>With the <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=313%20\" target=\"_blank\" rel=\"noopener\">Benzine<\/a> duo, you&#8217;ll discover Bedouin poetry in an electro-ra\u00ef sauce, accompanied by Farid Belayat and Samir Mohellebi, winners of the Prix des Musiques d&#8217;Ici 2023.<\/p>\n<p>&nbsp;<\/p>\n<h4>Hope and light<\/h4>\n<p>In Montpellier, the <a href=\"https:\/\/www.Festivalarabesques.fr\/?layout=edit&amp;id=318%20\" target=\"_blank\" rel=\"noopener\">Constantinople<\/a> musical ensemble and Belgian-Tunisian singer Ghalia Benali celebrate the poet R\u00fbmi (1207-1273), considered a spiritual master. Mystical and luminous, his texts come down to us eight centuries after they were written.<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Constantinople (Kiya Tabassian, dir.) &amp; Ghalia Benali - Sur les traces de Rumi\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/keVkmKXr_Z0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>Kiya Tabassian, who is musical director of Constantinople and plays the s\u00eatar (an Iranian instrument), explains: &#8220;I&#8217;ve been reading R\u00fbmi&#8217;s verses in Persian since I was a child. His poems have often inspired me, and I&#8217;ve been setting them to music for many years now.\u201d In Ghalia Benali, he claims to have found &#8220;the ideal voice&#8221; to sing such poems. They have chosen to highlight little-known poems in particular.<\/p>\n<p>Depth, linguistic refinement, rhythm&#8230; Kiya Tabassian underlines the &#8220;contagious ardor&#8221; of R\u00fbmi, who nine centuries ago claimed to be &#8220;intoxicated by the cup of Love.&#8221;<\/p>\n<p style=\"padding-left: 80px;\"><em>I was dead, I became alive,<br \/>\n<\/em><em>I went from crying to laughing.<br \/>\n<\/em><em>The reign of love has come,<br \/>\n<\/em><em>and my kingdom became eternal.<\/em><\/p>\n<p style=\"padding-left: 80px;\">(R\u00fbmi, Ghazal)<\/p>\n<p>Hope and light also lie in the blending of influences, as Ghalia Benali has picked up along the way, from Arabo-Andalusian, Indian, jazz and many other inspirations.<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"OUM \/ Dakchi - Daba \/ \u0645\u0648\u0646\u062a \u0643\u0627\u0631\u0644\u0648 \u0627\u0644\u062f\u0648\u0644\u064a\u0629\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/9lrqPbfWhgY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>Or in the lyrics of Moroccan singer <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=303%20\" target=\"_blank\" rel=\"noopener\">Oum<\/a>, who will be presenting <em>Dakchi<\/em>, her fifth album created in Marrakech. Propelled into an international career, Oum covers her past hits as well as previously unreleased tracks, in a joyful, peppy folk-soul vein.<\/p>\n<p>Because Oum knows that &#8220;life is short&#8221; and that you have to seize the day, she carries a message of struggle in a world where nothing can be taken for granted, and where it&#8217;s all about doing what&#8217;s best and being responsible.<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Tinariwen - Anemouhagh (Infinity Sessions)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/24ZaXLZ09NA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>Arabesques also welcomes the great Tuareg rock band <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=302%20\" target=\"_blank\" rel=\"noopener\">Tinariwen<\/a>. Formed in 1979, they have blended traditional Arab and West African musical styles with other horizons, from blues to folk. The result is a &#8220;desert blues&#8221; that we never tire of, where we can follow in the footsteps of the Tuareg people. With <em>Amatssou<\/em>, which means &#8220;fear,&#8221; they present their ninth album, with a touch of country. It&#8217;s an odyssey in the form of resistance to the rising tide of fear in northern Mali, which is plagued by terrorism and war. A jolt of hope to prevent the Tuareg culture from disappearing, and to reaffirm the dignity of its people.<\/p>\n<p>&nbsp;<\/p>\n<h4>Refinement<\/h4>\n<p><iframe loading=\"lazy\" title=\"Atine - Y\u00e2ri - Live (Les Suds \u00e0 Arles 2021)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/kwOXvTmK-ao?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>The diversity of cultural heritage is also in the spotlight with the <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=319%20\" target=\"_blank\" rel=\"noopener\">Atine<\/a> group. <em>&#8220;<\/em><em>Atine<\/em><em>&#8221; <\/em>is a Persian word that can mean both &#8220;reunited&#8221; and &#8220;new.&#8221; This is the name of this group of five musicians who will present <em>Y\u00e2ri<\/em>, a concert based on Persian poetry. A\u00efda Nosrat, Sogol Mirzaei, Christine Zayed, Marie-Suzanne de Loye and Saghar Khadem will be performing new compositions, in a voluptuous ode to friendship. The melodic richness of the t\u00e2r, qan\u00fbn, viola da gamba and daf will take you on a gentle, refined journey, blending traditional Iranian, Arabic, flamenco, jazz and baroque musical styles. The five of them offer an elegant glimpse of what it means to be Persian, in the context of their multifarious heritage.<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Michigan Arab Orchestra: Buzuq Taqsim - Tareq Abboushi\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/vAnCjybPvNw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>Eclecticism will also be on the agenda, with Palestinian-American <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=307%20\" target=\"_blank\" rel=\"noopener\">Tareq Abboushi<\/a> lulling us with the melodic motifs of Arab maq\u00e2ms, with sounds blending jazz, funk and electronica \u2014 creations that strike a balance between tradition and modernity for this artist, who gives lectures on Arabic music at prestigious venues in New York.<\/p>\n<p>A part of humanity&#8217;s intangible cultural heritage, maq\u00e2m is part of the art music tradition, driven by the virtuoso improvisation of the singer, who demonstrates refined rhythmic prowess. A champion of the oral tradition, Tareq Abboushi is renowned as an exceptional buzuq player.<\/p>\n<p>&#8220;The more I delve into my Palestinian heritage, the more impressed I am by the beauty and power of a music and poetry that have been shaped by hundreds of years of celebration and ritual.\u201d Fighting against the &#8220;appropriation and erasure&#8221; of this Palestinian heritage thus becomes one of the driving forces behind his creation.<\/p>\n<p>&nbsp;<\/p>\n<h4>A wind of revolt<\/h4>\n<p>If the Constantinople Ensemble and Ghalia Benali have come to sing the poetry of R\u00fbmi, it is perhaps because he refused to be labeled. His words resonate with us:<\/p>\n<p style=\"padding-left: 80px;\">I am neither Christian, nor Jewish, nor Parsi, nor even Muslim.<br \/>\nI am neither of the East nor of the West, neither of the land nor of the sea.<br \/>\nI have abdicated duality, I have seen that the two worlds are one.<\/p>\n<p style=\"padding-left: 80px;\">(R\u00fbmi, Mystical Odes)<\/p>\n<p>Why choose, if the blending of all our cultures can bring a new openness to the world? Why choose, if the meeting of peoples and imaginations gives rise to a dynamic and brilliant wealth? Through her career, artist Ghalia Benali also teaches us that it&#8217;s possible to refuse labels and happily mix genres and identities. It&#8217;s worth noting that the woman sometimes dubbed &#8220;Carthage&#8217;s Aretha Franklin&#8221; or &#8220;Oum Kalthoum&#8217;s granddaughter&#8221; works as a singer, songwriter, composer, dancer, visual artist, painter and actress. Why choose?<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"BASHAR MURAD - WILD WEST (OFFICIAL MUSIC VIDEO)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/VlUEFmVd7ss?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>Arabesques also features Palestinian artist <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=307%20\" target=\"_blank\" rel=\"noopener\">Bashar Murad<\/a>. Exiled in Europe, this UFO who is not afraid to shake up conventions is considered a veritable &#8220;pop phenomenon.&#8221; Through his songs, he gives a voice to young people living in occupied territory, thwarting social norms and patriarchy, and tackling themes such as gender equality and diversity.<\/p>\n<p>Dressed in extravagant outfits, sometimes grotesque, sometimes sexy, he appears on stage in make-up and disguises, conveying messages of struggle to free Palestine and denounce the genocide taking place there. We saw him, for example, cover John Lennon&#8217;s &#8220;Imagine&#8221; in a Palestinian version&#8230; A fine performance!<\/p>\n<p>In particular, he made his mark by collaborating with Icelandic techno-punk band Hatari, who waved the Palestinian flag at the 2019 Eurovision final in Tel Aviv.<\/p>\n<p>Music and politics are one and the same for this artist, who openly assumes his homosexuality, which sometimes causes incidents at his concerts, as was the case in the West Bank in 2022.<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Rasha Nahas - Amrat \u0627\u0645\u0631\u0627\u062a (Official Video)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/K-8IpQjVLnc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>Another artist from Palestine proposes to defy genres by opting for a resolutely underground register: multi-instrumentalist <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=304%20\" target=\"_blank\" rel=\"noopener\">Rasha Nahas<\/a> will take you into a singular musical universe imbued with melancholy and vulnerability. Born in Haifa, the young woman exiled in Europe sings in all sincerity of exile and broken love, in a poetic, indie rock where the power of the lyrics takes precedence. Her second album, <em>Amrat<\/em>, released in 2023, was recorded in the heights of the occupied Golan Heights.<\/p>\n<p style=\"padding-left: 80px;\">The faces I knew<br \/>\nAre fragmented in the distance<br \/>\nThe city is gradually changing<br \/>\nWith time<br \/>\nPeople ask<br \/>\nWhy have you changed like this?<br \/>\nWhat did you find<br \/>\nWhat did you go looking for?<\/p>\n<p style=\"padding-left: 80px;\">(Rasha Nahas, <a href=\"https:\/\/www.rashanahas.com\/amrat-lyrics%20\" target=\"_blank\" rel=\"noopener\">Khotwi<\/a> &#8211; Step\u00a0)<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Liliths&#039; Sam\u0101ii (feat. Wassim Hallal)\" width=\"750\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/3MkHvXJtxlo?list=PL_pJvXZrO5Y0a1TYj2WxuFWPbS4XSw6Al\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>Saving, electrifying, powerful: there&#8217;s more to come from the group <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=309%20\" target=\"_blank\" rel=\"noopener\">Sar\u00e3b<\/a>, which means &#8220;mirage&#8221; in Arabic. Led by French-Syrian singer Clim\u00e8ne Zarkan and guitarist Baptiste Ferrandis, Sar\u00e3b blends traditional Arab music, jazz, rock, funk and electro samples. An explosive and furious mix, for this six-piece band, who titled one of their albums <em>Arw\u0101h Hurra<\/em> (The Free Souls). Feminism, xenophobia, defending the planet, love&#8230; The sextet also set to music a text by French writer Alain Damasio:<\/p>\n<p style=\"padding-left: 80px;\"><em>There&#8217;s a mistake in the word foreign.<br \/>\n<\/em><em>It&#8217;s not a noun, stranger, it&#8217;s not an adjective.<br \/>\n<\/em><em>Stranger is a verb.<br \/>\n<\/em><em>An action verb, transitive, that we use<br \/>\n<\/em><em>to distance those who are nevertheless like us.<\/em><\/p>\n<p style=\"padding-left: 80px;\">(Alain Damasio, \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=pgdN32zzl7g%20\" target=\"_blank\" rel=\"noopener\">Stranger is a Verb\u201d<\/a>)<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Dessine-moi Un Pays\" width=\"750\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/HNWU6TUnmC4?list=PLONuE8C-qKVfJ7PbKbLHPZ7P-IWoFXxlz\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p>A committed and liberated woman, the great <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=310%20\" target=\"_blank\" rel=\"noopener\">Souad Massi<\/a> will be performing at Arabesques this year. Unwavering in her denunciation of the dangers of dictatorial regimes, racism and the tragedies of immigration, at a time when sea rescues are not preventing the deaths of thousands of migrants in the Mediterranean, she delivers an ode to freedom and a cry of revolt. In her latest opus, she also pays tribute to the sunshine of her childhood, where \u201clight and gentleness\u201d cradled her.<\/p>\n<p>Generous and poetic, she spoke about her work and inspirations in an interview with <a href=\"https:\/\/themarkaz.org\/oldsite\/the-artist-at-work-a-conversation-with-souad-massi\/\" target=\"_blank\" rel=\"noopener\">The Markaz Review<\/a> in 2023. Caribbean music, rock\u2026 The Franco-Algerian artist blends different influences on her tenth album <em>Sequana<\/em>. One of the songs on the album is entitled &#8220;L&#8217;Espoir&#8221; (Hope), and in Celtic mythology, Sequana is the Gallic goddess of healing: a fine symbol.<\/p>\n<p style=\"padding-left: 80px;\">There&#8217;s always<br \/>\nsomething surprising around the corner of life<br \/>\nA smile, an oversight<br \/>\nSomething good waiting for you<\/p>\n<p style=\"padding-left: 80px;\">There&#8217;s always a desire, a dream<br \/>\nSomething important<br \/>\nBeneath the bark, the sap<br \/>\nSomething waiting for you.<\/p>\n<p style=\"padding-left: 80px;\">(Souad Massi, \u201cL&#8217;Espoir\u201d)<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Bab L&#039; Bluz - AmmA (Official Video)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/KiD4uiaKC0c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>We find fusion, again, and revolt, with the Moroccan-French group <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=315%20\" target=\"_blank\" rel=\"noopener\">Bab L&#8217;Bluz<\/a>. Gnawa trance, Hassani songs from the Sahara, cha\u00e2bi polyrhythms and psychedelic rock&#8230; <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=315%20\" target=\"_blank\" rel=\"noopener\">Bab L&#8217;Bluz<\/a> introduces you to the guembri (electric version), the plucked string instrument of the Gnawoui, whose musical production is part of humanity&#8217;s intangible cultural heritage.<\/p>\n<p>Psychedelic Gnawa rock, led by Doukkalia singer Yousra Mansour, calls for a revolution in attitudes. Bab L&#8217;Bluz is part of the Moroccan youth movement <em>Nayda<\/em> (the title of their first album), a word describing the new wave of committed artists drawing on local heritage to sing lyrics of freedom. And &#8220;Nayda&#8221; means &#8220;awakening&#8221; or &#8220;standing up&#8221; in the Darija dialect.<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"Mouss et Hakim - Le lait caill\u00e9 (Clip officiel)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/kwPqUyQycvQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>To close the 19<sup>th<\/sup> edition of Arabesques, festival organizers have decided to program Toulouse&#8217;s <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=316%20\" target=\"_blank\" rel=\"noopener\">Mouss &amp; Hakim<\/a>. The two brothers, former members of the group Zebda, are an integral part of Tactikollectif&#8217;s Origines Contr\u00f4l\u00e9es festival. They deliver a vibrant tribute to Algerian immigration, touching on the universality of all humanities and the richness they bring in their suitcases (get ready to dance).<\/p>\n<p>&nbsp;<\/p>\n<h4>Eclectic<\/h4>\n<p>The Festival Arabesques a truly eclectic occasion, showcasing a wide range of artistic expression, because it knows no borders. You can, for example, get carried away by storytelling with Contes d&#8217;Arabesques, featuring Lebanese artist <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=317%20\" target=\"_blank\" rel=\"noopener\">Jihad Darwiche<\/a>. An adept at poetic jousting and fabulous stories, he will unveil some of the traditional tales of the Orient that are his secret. In these marvelous tales, the quest for happiness can be found at every turn&#8230;<\/p>\n<p>You&#8217;ll cross paths with <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=305%20\" target=\"_blank\" rel=\"noopener\">Amine Radi<\/a>, who will present his show <em>L&#8217;expert humoriste<\/em> (The Expert Standup), in which he retraces his career, from his childhood in Morocco to his arrival in France and his rise on the Internet (over 6 million followers on social networks). If you&#8217;re a fan of standup, you&#8217;ll also find French artist <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=312\" target=\"_blank\" rel=\"noopener\">Akim Omiri<\/a>. In his show <em>Contexte<\/em>, he recounts his life and struggles, having moved from Le Havre to Paris. In his sketches, Omri tackles subjects such as racism, sexism, war and freedom of expression. His bittersweet criticism of society, which he ridicules both in its minor foibles and its major tragedies, is a real tongue-in-cheek rant, as he points out: &#8220;If making people laugh is starting to be banned, maybe it&#8217;s changing things&#8230;&#8221;<\/p>\n<p>Last but not least, French humorist <a href=\"https:\/\/www.festivalarabesques.fr\/?layout=edit&amp;id=314\" target=\"_blank\" rel=\"noopener\">Djamil le Shlag<\/a> will be presenting his new show <em>Exode(s).<\/em> The former France Inter radio commentator will talk to you with humor and no complexes about his trajectory, between Vichy and Paris, within a society of which he reveals himself to be a keen observer&#8230;We remember his stunning resignation live from the public radio channel a few months ago, to protest against the suspension of Guillaume Meurice, who was fired &#8220;for serious misconduct&#8221; following a joke about Israeli Prime Minister Benyamin Netanyahu.\u00a0 Against immobility and withdrawal, Djamil le Shlag invites us to travel and meet. A breath of hope in a world of bullies&#8230;<\/p>\n<p>With concerts and other events scattered throughout Montpellier, Arabesques will take over various emblematic venues such as the Domaine d&#8217;O, the Op\u00e9ra Com\u00e9die and the Halle Tropisme. The icing on the cake is the program of other events, including screenings at the Diagonal movie house near Place de la Com\u00e9die, in partnership with Cin\u00e9med, exhibitions at L&#8217;Arbre Blanc and Montpellier airport, and free events (M\u00e9dina, DJ sets at the Kasbah, strolls)&#8230;<\/p>\n<hr \/>\n<figure id=\"attachment_34265\" aria-describedby=\"caption-attachment-34265\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/themarkaz.org\/oldsite\/event\/rencontre-litteraire-karim-kattan-et-rachida-belkacem\/\"><img decoding=\"async\" class=\"wp-image-34265\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/9.22-Rencontre-Litteraire-Karim-Kattan-et-Rachida-Belkacem.jpg\" alt=\"Rachida Belkacem &amp; Karim Kattan at the Festival Arabesques\" width=\"900\" height=\"506\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/9.22-Rencontre-Litteraire-Karim-Kattan-et-Rachida-Belkacem.jpg 1920w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/9.22-Rencontre-Litteraire-Karim-Kattan-et-Rachida-Belkacem-300x169.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/9.22-Rencontre-Litteraire-Karim-Kattan-et-Rachida-Belkacem-1024x576.jpg 1024w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/9.22-Rencontre-Litteraire-Karim-Kattan-et-Rachida-Belkacem-768x432.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/9.22-Rencontre-Litteraire-Karim-Kattan-et-Rachida-Belkacem-1536x864.jpg 1536w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/9.22-Rencontre-Litteraire-Karim-Kattan-et-Rachida-Belkacem-1568x882.jpg 1568w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/9.22-Rencontre-Litteraire-Karim-Kattan-et-Rachida-Belkacem-1320x743.jpg 1320w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/9.22-Rencontre-Litteraire-Karim-Kattan-et-Rachida-Belkacem-600x338.jpg 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-34265\" class=\"wp-caption-text\">Rachida Belkacem &amp; Karim Kattan at the Festival Arabesques.<\/figcaption><\/figure>\n<hr \/>\n<h4><strong>Meet writers Coline Houssais on Sept 21<sup>st<\/sup> and Rachida Belkacem &amp; Karim Kattan on Sept 22nd<\/strong><\/h4>\n<p>Together with The Markaz Review, Arabesques presents two literary events, the first of which features Coline Houssais, who specializes in the cultures of the Arab world. Trained at the Institute of Arab Studies in Damascus and at the Middle East-Mediterranean campus of Sciences Po, where she now teaches, she is also a translator, journalist and independent researcher. Houssais will present her book <a href=\"https:\/\/themarkaz.org\/oldsite\/fr\/the-arab-writer-in-paris-paris-in-the-arab-writer\/\" target=\"_blank\" rel=\"noopener\"><em>Paris en lettres arabes<\/em><\/a> (Actes Sud 2024) which builds bridges between the culture of Paris and various Arab writers over time. The conversation will be moderated by Sarah Naili from The Markaz Review. <a href=\"https:\/\/www.festivalarabesques.fr\/festival\/2-uncategorised\/194-rencontre-avec-coline-houssais\" target=\"_blank\" rel=\"noopener\">More info<\/a>.<\/p>\n<p>On Sunday September 22, 2024 at 3 p.m. at Domaine d&#8217;O, a literary conversation organized by The Markaz Review for Arabesques will bring together Palestinian writer Karim Kattan and French Moroccan poet Rachida Belkacem. Kattan will present his new novel from Elyzad Editions, <em><a href=\"https:\/\/elyzad.com\/livres\/collection-litterature\/leden-a-laube\/\" target=\"_blank\" rel=\"noopener\">L\u2019\u00c9den \u00e0 l\u2019aube<\/a> <\/em>(<em><a href=\"https:\/\/ab06g.r.sp1-brevo.net\/mk\/mr\/sh\/OycXxko2a8zXNWXkE1lYRrVt\/O-jevsv8KYFb\" target=\"_blank\" rel=\"noopener\">Eden at Dawn<\/a><\/em>), around the love story of Isaac and Gabriel, in Jerusalem, where it is about jinns and checkpoints, at the heart \u00a0Palestine. Former radio columnist and member of literary prize juries, Rachida Belkacem is very involved in the cultural life of France and Morocco. In 2023, she published a collection of poetry entitled <em><a href=\"https:\/\/mindset-editions.com\/catalogue\/42-phronesis-rachida-belkacem-livre-broche.html\" target=\"_blank\" rel=\"noopener\">Phron\u00e9sis<\/a> <\/em>(Mindset \u00c9ditions), a work of prose about light, freedom and optimism. In the collective work <em>Maroc de quoi avons-nous peur\u2009<\/em>(Morocco, W<em>hat Are We Afraid Of<\/em>), released in 2020, she analyzes the condition of Moroccan women: &#8220;The evolution of women&#8217;s conditions, so that they are part of morals and mentalities, can only be the fruit of inclusive action involving men.&#8221; Rachida Belkacem will present her latest book of poetry, <em>L\u2019Odyss\u00e9e des possibles<\/em> (The Odyssey of Possibilities).<\/p>\n<p>The conversation will be moderated by Jordan Elgrably, editor-in-chief of The Markaz Review, who will ask the writers to talk about their work, and what it means to be an Arab writer during a time when Arab journalists and writers have been killed in large numbers in Gaza, by Israel\u2019s war on Hamas and the Palestinians. <a href=\"https:\/\/themarkaz.org\/oldsite\/fr\/event\/rencontre-litteraire-karim-kattan-et-rachida-belkacem\/\" target=\"_blank\" rel=\"noopener\">More info<\/a>.<\/p>\n<p>So why Arabesques?<\/p>\n<p>Perhaps because these 10 days in September remind us of the unbreakable bonds and shared cultures between the Middle East\/North Africa and the Mediterranean, France and indeed Africa and the west. Between sound and word, dance and film, during Arabesques one has a rich opportunity to discover arts from the center of the world.<\/p>\n<hr \/>\n<p><a href=\"http:\/\/www.instagram.com\/p\/C_N_hBzAfLL\/?igsh=MXg2aWRheXB2M3plMA==\"><img decoding=\"async\" class=\"aligncenter wp-image-34313\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/option-2-1024x1024.jpg\" alt=\"\" width=\"500\" height=\"500\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/option-2-1024x1024.jpg 1024w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/option-2-300x300.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/option-2-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/option-2-768x768.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/option-2-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/option-2-600x600.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/option-2-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2024\/08\/option-2.jpg 1080w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<hr \/>\n<h4><strong>Giveaway: Enter for a chance to win 2 tickets for Oum&#8217;s concert on September 13th<\/strong><\/h4>\n<p><span style=\"font-weight: 400;\">Dreaming of seeing Moroccan artist Oum live? In partnership with Festival Arabesques, we are giving away 2 tickets for her September 13, 2024 concert in Montpellier.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Enter for a chance to win now: <a href=\"https:\/\/bit.ly\/3Z4c9sW\">https:\/\/bit.ly\/3Z4c9sW<\/a><\/span><\/p>\n<p><span style=\"font-weight: 400;\">The giveaway is open until September 11, 2024 until 11:59pm. The winner will be announced on September 12, 2024.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>Practical info<\/u><\/strong><\/p>\n<p><a href=\"https:\/\/www.festivalarabesques.fr\/\">Arabesques Festival<\/a>, 19th Rencontres des Arts du Monde Arabe, September 10-22, 2024 in Montpellier. Further information on the <a href=\"https:\/\/www.festivalarabesques.fr\/%20\" target=\"_blank\" rel=\"noopener\">festival website<\/a> or on 04 99 77 00 17. <a href=\"https:\/\/festival-arabesques.mapado.com\/\" target=\"_blank\" rel=\"noopener\">Online ticketing.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Celebrating the 19th Rencontre des Arts du Monde Arabe, Festival Arabesques will be held from September 10 to 22, 2024, in Montpellier.<\/p>\n","protected":false},"author":300,"featured_media":34286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[2931,2413,3815,3185,28,51],"tags":[3817,246,1277,3389,3816,1741],"coauthors":[2006],"class_list":["post-34278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-amazigh","category-arabic","category-comedy","category-literature","category-music","category-tmr-weekly","tag-arab-arts","tag-arab-writers","tag-oum-kalthoum","tag-palestinian-culture","tag-persian-music","tag-turkish-music","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Festival Arabesques Fetes Arab Arts for Cultural Diversity - The Markaz Review<\/title>\n<meta name=\"description\" content=\"Celebrating the 19th Rencontre des Arts du Monde Arabe, Festival Arabesques will be held from September 10 to 22, 2024, in Montpellier.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/themarkaz.org\/oldsite\/festival-arabesques-fetes-arab-arts-for-cultural-diversity\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival Arabesques Fetes Arab Arts for Cultural Diversity\" \/>\n<meta property=\"og:description\" content=\"Celebrating the 19th Rencontre des Arts du Monde Arabe, Festival Arabesques will be held from September 10 to 22, 2024, in Montpellier.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/themarkaz.org\/oldsite\/festival-arabesques-fetes-arab-arts-for-cultural-diversity\/\" \/>\n<meta property=\"og:site_name\" content=\"The Markaz Review\" 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