{"id":33418,"date":"2024-06-12T10:17:31","date_gmt":"2024-06-12T08:17:31","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=33418"},"modified":"2024-06-12T20:20:44","modified_gmt":"2024-06-12T18:20:44","slug":"two-poems-by-michael-waters","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/two-poems-by-michael-waters\/","title":{"rendered":"Two Poems by Michael Waters"},"content":{"rendered":"<h5><em>Sinnerman<\/em>\u00a0continues Michael Waters\u2019 exploration of trespass as a mode of worship in poems that \u201cdelight in wit and wordplay\u201d (<em>The Gettysburg Review<\/em>) and display \u201craucous devotion\u201d while assuming \u201ca divine erotic presence even in his more harrowing poems\u201d (<em>The Georgia Review<\/em>). If sin is \u201cseen as good once gone,\u201d these poems weigh our attraction to transgression against our desire for forgiveness. Novelistic in depth and reach, elegiac in its embrace of the living and the dead, raw in its fraught vulnerability, and cunning in its explosive and tongue-delighting sound play, <em>Sinnerman<\/em> seems poised between the here-and-now and the invisible it invites and confronts. (Etruscan Press)<\/h5>\n<p>&nbsp;<\/p>\n<h4>Michael Waters<\/h4>\n<p><iframe loading=\"lazy\" title=\"Michael Waters on poetry in Poetry Markaz\" src=\"https:\/\/player.vimeo.com\/video\/956957661?dnt=1&amp;app_id=122963\" width=\"750\" height=\"422\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<h4>PRAYER WITH CARAVAGGIO<\/h4>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 80px;\">I will no longer enter a cathedral<br \/>\nUnless it conceals a single<br \/>\nCaravaggio<br \/>\nIn a recess reeking of incense<br \/>\nWhere one bulb illuminates the oils<br \/>\nThat they may shine more darkly,<br \/>\nThat I might recognize the human<br \/>\nFlaws in divine depictions<br \/>\n&amp; weep with wonder.<br \/>\nI\u2019d rather stroll the local mall,<br \/>\nThe galleria in Milan<br \/>\nWhere women burdened with bags<br \/>\nStop to scratch with one foot<br \/>\nThe bull\u2019s huge balls for luck.<br \/>\nThat mosaic on the tiled floor<br \/>\nSnorts near sliding-open doors<br \/>\nWhere summer\u2019s dense, ungodly heat<br \/>\nHammers the falsely frigid air,<br \/>\nWhile prayers exhaled for centuries<br \/>\nFrom nearby pews in candled naves<br \/>\nDiminish in the vaulting.<br \/>\nHere is my prayer, murmured over ice<br \/>\nShaved into a paper cup<br \/>\nEuro\u2019d from a vendor<br \/>\nAt the bottom of these cathedral<br \/>\nSteps where I sprawl, syrup<br \/>\nSweetening my tongue.<br \/>\nI will no longer enter a cathedral,<br \/>\nBut wherever I go<br \/>\nI\u2019ll still pray with the sinful<br \/>\nDevotion of Caravaggio<br \/>\nWho paid his prostitute, robed in blue,<br \/>\nTo pose for a tableau<br \/>\nAs the poxed yet holy<br \/>\nVirgin Mary.<\/p>\n<p>&nbsp;<\/p>\n<h4>SELF-PORTRAIT WITH BANANA<\/h4>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 80px;\">When the Studio Arts professor<br \/>\nAssigned still-lifes of a single object,<br \/>\nI chose the banana for its shape &amp; color,<br \/>\nBut too quickly the banana<br \/>\nTurned, during the days of my drawing,<br \/>\nFrom green-going-to-yellow<br \/>\nTo daffodil<br \/>\nTo fulvous egg yolk<br \/>\nTo speckled trout<br \/>\nTo oil spill<br \/>\nAs the black bottomknot crept upward,<br \/>\nBlotting the fruit,<br \/>\nSeeping beyond its sorry skin<br \/>\nOver the serene interior scene\u2014<br \/>\nTablecloth, bowl, blank brick wall\u2014<br \/>\nAs I sketched again &amp; again<br \/>\nThe spoilage, the relentless rot,<br \/>\nUntil forty black paper sheets<br \/>\nWindowed the walls of my house,<br \/>\nEach a study of willful rejection<br \/>\nOf the things of this world &amp;<br \/>\nAll that they are not, each<br \/>\nA mirror of failure, each<br \/>\nMy veil, my shroud,<br \/>\nMy darkling cloud,<br \/>\nEach my final<br \/>\nErasure.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Poet Michael Water&#8217;s work is &#8220;novelistic in depth and reach, elegiac in its embrace of the living and the dead, raw in its fraught vulnerability.&#8221;<\/p>\n","protected":false},"author":578,"featured_media":33420,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[34,35],"tags":[],"coauthors":[3632],"class_list":["post-33418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry","category-poetry-markaz","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.4) - 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