Encounters or “non-encounters” in spaces that condition this; this is the case in the Peupl\u00e9s <\/em>series of drawings.<\/p>\n

In the Extraits <\/em>series, I set up a game of form and counter-form. Two of the same shapes are used to try out different displacements, and several “hollows” are used to receive these shapes. The viewer can have fun “filling in the holes.” This gesture will cancel out the drawing…<\/p>\n

One day at the Beaux Arts, around 2004, I was introduced to the work of Samuel Beckett. Since then, I’ve had the sensation of resonating with my own interpretation of his writings, both unconsciously and intentionally.<\/p>\n

The Synchrones <\/em>series is a kind of choreography between a character, a module and light. Depending on the moment, there may be a proposal. I can create an infinite number of situations. There will be others.<\/p>\n

I also like to borrow from the language of music in developing my series. A theme will be subject to variation, and I want to do this in my drawings. A time of reading that begins and may not end… Again.<\/p>\n

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